Sindacato assassini

I remember watching this movie on TV with my father in the mid-60s when I was about 10 years old.

When Peter Falk was on the screen, my father said that when he was about my age (in the early 1930s), he used to set pins in a bowling alley in Brooklyn, and the real Abe Reles bowled there nearly every day.

I recall what a mad dog that Falk portrayed and how it chilled me that my dad set pins for him.

I will be on the lookout for this movie again, so I can piece it all back together again.

Murder, Inc. was a B picture and I remember seeing it as a lad as the second part of a double bill back in the days when they had such things. As I was from Brooklyn the whole story of the gang was interesting to a 12 year old. Needless to say the neighborhood of Brownsville had changed quite a bit even in 1960 from 20 years earlier.

The film is based on a book by the real Burton Turkus who must have consented to the dramatic license taken to bring the story of the taking down of Louis Lepke Burkhalter the only top crime boss to this day ever to get the death penalty. But the atmosphere of the Jewish neighborhood of Brownsville in Brooklyn is certainly captured as is the gang that made the place famous.

The film's a good one, not great by any means, but decent enough entertainment performed by a cast that are well known as competent players, but no box office draws in this cast. But one of them really made his own career with this film.

Peter Falk got the part of Abe 'Kid Twist' Reles who is one amoral example of humanity. Like Sammy 'The Bull' Gravano of more recent times in a career where he participated in a couple of dozen contract killings, when he's caught he offers to turn state's evidence. The end he met is part of gangland lore.

What Falk did was turn in a performance that so impressed the critics that he got an Oscar nomination for Best Supporting Actor. Remember Murder, Inc. was a B film, released with no fanfare so to speak so Falk's performance got the acclaim it did strictly by word of mouth.

The competition that year in this category was pretty good. The others who Falk was competing against were Jack Kruschen in The Apartment, Sal Mineo for Exodus, Chill Wills for The Alamo, and the eventual winner, Peter Ustinov for Spartacus. All of those others were high budget feature films with studios behind them with accompanying publicity machinery. Falk may have been there to round out the field, but just the fact he got there is an incredible tribute to his talent and that particular performance.

Murder, Inc. was not Peter Falk's debut big screen performance, but it is the one that made his career. The rest of the cast which consists of such familiar faces as Stuart Whitman, May Britt, Eli Mintz, Morey Amsterdam, Simon Oakland and Henry Morgan as Burton Turkus perform well enough, but Peter Falk as Reles will never leave you.

Talk about making one's own breaks.

Peter Falk's almost scarily authentic performance as Reles steals this otherwise mediocre account of the real-life Murder Inc., which made latter-day gangsters like the characters in Goodfellas seem like choir boys in comparison. Though allegedly based on the Turkus-Feder book, most of this is complete fantasy. The central "love story," the Whitman and Britt characters, is utterly ridiculous as well as completely fictitious. The portrayals of Lepke and Mendy Weiss are interesting; the fatso playing Albert Anastasia is completely mischast.

The scene at the end is a copout, evidently for fear of offending the NYPD.

The real story of Murder Inc. would be a fascinating movie, instead of this drivel. Even so, this is worth watching because of Falk.

While Murder, Inc. mainly revolves around the capture of gangster Lepke, the most compelling character is hit man Abe Reles, excellently played by Peter Falk in one of his earliest movie roles. He got an Oscar nomination as a result. Those who know him mostly as the calm Lt. Columbo will be very surprised by the intense rage Mr. Falk puts in his performance especially during his "take" speech he gives to a married couple who have no choice but to accept his offer of an apartment he gives them. Also noteworthy are Vincent Gardenia as his lawyer (loved his "I'd rather you were dead" aside before Reles-having overheard him-asked, "What did you mean by that?" "It was just a figure of speech,"comes the reply), May Britt as wife in aforementioned couple, Sarah Vaughan as a nightclub singer (in a musical interlude), and Morey Amsterdam as a comic who meets a tragic end in the beginning. Based on a true story but with, as always, some dramatization involved. One of the two directors was Stuart "Cool Hand Luke" Rosenberg. Well worth seeing for gangster movie fans.

10 years before Peter Falk racked up a trunk-load of Emmy's and many more nominations for his his work as Columbo, he had two roles that would stand out in the film world. One was Pocketful of Miracles in 1961, and the other was this film the year before.

His performance as the contract killer Abe 'Kid Twist' Reles is the best thing about the true-life mob story. While most of the other characters just seem to float through the movie, he was intense ans you could see the promise that would lie ahead for him.

Stuart Whitman, who would get his only Oscar nomination a year later, was also good as Joey, who got caught up in the rackets. May Britt, who would leave the movies to marry Sammy Davis, Jr., was also very good as Joey's wife.

The movie seems more like a documentary when it is not focused on these three characters. As an added bonus, you get to see the legendary Sarah Vaughan in the movie.