Merletto di mezzanotte

I caught this one on Encore while staying home from school, and I was surprised at the many twists and Hitchcock-like additions. It was really entertaining.

Doris Day plays the role of Kit, an American woman living in London with her businessman husband Tony. Almost immediately, we are introduced to the story of someone threatening her continuously, first in a fog-shrouded park, then over the phone, countless times. It gets progressively worse and worse, and Tony and her Aunt Bea, who has come to stay for a few weeks, begin to suspect the credibility in it all.

This is a great movie. Fans of Hitchcock may be impressed. And the acting is great. Doris Day is thoroughly convincing, especially when she begins to go hysterical at it all after Bea picks up the phone on the mysterious caller. But thoroughout the film, she plays a strong character. Bea is also a great character, and very amusing. Overall, the film does very well. The ending has many twists you don't think to suspect, though, I would have expected more with the scenes on the scaffolding. Oh well. Still, I recommend this film to all Hitchcock fans and anyone who likes older suspense movies. This one is great.

American Kit Preston (Doris Day) lives in London with husband Anthony (Rex Harrison). She starts being stalked and getting phone calls by a man saying he's going to kill her. But nobody else is around when he calls. Is he real or is she going crazy?

A VERY loose remake of "Gaslight". The film is far-fetched (especially at the end) and full of obvious red herrings. Also there were one or two plot threads never adequately explained at the end. Still, this was entertaining. It's very glossy with breath-taking sets and 17 costume changes (!!!) by Day--but this IS a Ross Hunter movie (he did "Imitation of Life" which had the same kind of treatment). So, even when the movie slows down there's always something to look at.

There's mostly solid acting by the entire cast. Harrison was just so-so as the husband but everybody else was fine. John Gavin pops up a few times just being incredibly handsome but actually isn't that bad. Myrna Loy steals the show as Aunt Bea in every scene she's in--and check out the incredibly ugly yellow hat with green sash she wears at one point! Best of all is Day. You might think she would be terrible in a straight dramatic role but she's actually quite good. Her terror at what's happening is totally believable and there's an incredible scene where she has a complete nervous breakdown. She hated making this film because it emotionally wore her down--she vowed never again to do a thriller. That's too bad--she was so good here.

So it's not believable but is still worth watching. Recommended.

Whereas "Pillow Talk" introduced us to the "glamorous" Doris Day, "Midnight Lace" certainly focused on both the glamorous and the outright beautiful woman. This is the Doris Day movie that, over the years, has come to be my favourite. No expense was spared in its presentation. Physically, everything in it suggested beauty, from the set to a stunning ensemble of costumes worn by Doris, who could, and did, give every then current model, a "run for the money"! All of this was set up brilliantly to contrast the evil surrounding the villain involved in nefarious scheming. (The elevator scene, and the "stairs" scenes were particularly effective.) This "chiller-thriller" was engrossing in its presentation, and was able to rely on the varied talents of all the fine actors who were used to present it to the public. I feel that it was an Oscar-worthy attempt on Doris' part and she can certainly stand proud for her efforts in the role. Bravo!

Doris Day, as an American married to an Englishman, is being terrorized in "Midnight Lace," also starring Rex Harrison, Myrna Loy, Roddy Mcdowall, and John Gavin. A scary voice speaks in the fog and calls her up on the phone - but she can't get anyone to believe her, even her beloved aunt (Loy) who wants to help but has her suspicions about her niece's mental health. The "midnight lace" is a neat title that refers to some sexy pajamas Kit (Day) buys for her Venetian trip with her husband (Harrison).

The film is based on a play, "Matilda Cried Fire" and probably owes part of its plot to "Dial M for Murder," which was also a play and made into a film by Hitchcock. John Williams is on hand in this film as in "Dial M" as a police inspector.

Unlike "Dial M for Murder," the film abounds with red herrings, so there are plenty of suspects. Roddy Mcdowall is the slimy son of Kit's housekeeper, and John Gavin is an attractive man who at one point comes to her rescue. There's also her neighbor, Peggy (Natasha Thompson). The acting is very good, the biggest and most dramatic role belonging to Day. Few people have enjoyed the variety of career that Day did. A wholesome-looking singer and vivacious actress, she was in in films from 1948. When she was in her late thirties, producer Ross Hunter took advantage of her prettiness and beautiful figure and moved her into glamor roles, making her the #1 box office star. If she's a little over the top in spots here, it's more the material than the actress, and she creates a very sympathetic and likable character. Loy, at 55, is beautiful and sexy. Harrison doesn't have a great deal to do, and Gavin is - well, Gavin, very handsome and charming. Herbert Marshall is part of the cast as well, and along with McDowall, Williams, and Thompson, make up a strong supporting cast.

This movie isn't as good as some others of the same type, but it is very enjoyable and well produced. One of those great Sunday afternoon movies.

Some trivia: A poster mentions that Harrison was distracted during the film because of the death of his wife, Kay Kendall. He was also distracted by the fact that he and Roddy McDowell had done a play together, for which McDowell had won a Tony. The elevator scene where they are all in the elevator together took a while to film so they were all stuck in a small space. McDowell said something and Harrison said, "Yes, and you can stick that Tony up your a** too."

"Midnight Lace" is an example of a film that does have its problems, but still manages to entertain you and draw you in. It is far fetched and somewhat predictable, and I admit for me the ending was so complicated I had to re watch it to maintain my full understanding. Also there are some loose ends that aren't as well explained as they could have been.John Gavin, while really handsome, is rather bland acting wise. With its flaws though, it is perfectly watchable and entertaining helped by the stylish filming, excellent music score and the fine acting. There are some effective scenes such as when Kit falls into complete hysteria(I will explain later what I thought of Doris Day's acting in that scene), the very first scene in the fog and the elevator scene. Also the voice on the telephone; very chilling. The film's style is strongly reminiscent of an Alfred Hitchcock film, with beautiful cinematography and Day's costumes are fabulous. The music score is truly atmospheric and made most scenes from the film quite tense and suspenseful, the direction is precise enough and there is some decent scripting on the whole. Aside from Gavin, who wasn't entirely insufferable just bland, the acting was well done. Rex Harrison is very suave as the husband, Roddy MacDowell is delightfully creepy, Hermione Baddeley is great and Myrna Loy is a real scene stealer. The best performance definitely comes from Doris Day; I love her in musicals, I love her in comedy, here she shows how wonderful she equally is in drama. Her performance here is outstanding, no overacting as far as I can see, her hysteria scene was so believable and almost heart-breaking. I had difficulty hiding my dismay when I saw the reviews that accused Day of overacting. Overall, it does have its problems, but it is one movie I would definitely see again for especially Day's performance and her costumes. 7/10 Bethany Cox