L'ultima donna sulla Terra

I bought this film because we(my sons and I) were really curious about the fact that it was set in Puerto Rico, and I was a surprised it was. I look in old films to mostly to look for acting and photography techniques and specially atmosphere and locations( to compare with current lifestyles or everyday life). This film was a trip to the 60's way of living in PR, and it is fair to the Island, in many films we are portrayed as natives or Indians, and in some series like Roger Moore's "The Saint" they portrayed us very poorly and like other South American stereotype or Latin type, which we are but with very different history and experiences. We enjoyed the film a lot and had much fun when they find a dead "stiff" paradise bird on the "jungle". My sons are hard critics and they found interesting the fact that really they doesn't need explanations of the air shortage to find the film amusing and interesting. I really enjoyed it and found it one of Corman's best movies.

This is a fine film that does much with almost nothing; shot on location in Puerto Rico without a finished script, 'The Last Woman on Earth' is a lean, mean post apocalyptic drama machine. Despite the poor print(s) the DVD was assembled from, Roger Corman's minor directorial genius shines through, especially in shots like the one where Harold, Martin and Ev all confront each other after coming back from the beach. Narratively efficient, suspenseful and even kind of thought-provoking, this film is a well-crafted low budget classic. Contrary to other comments here, the ending is great, especially considering how lame it could have been; at no point is the outcome certain in the way that predictable yawner 'Six String Samurai' was. And the fact that the poster is nothing like the actual film is a good thing, unless you're looking for Italian sexploitation trash. For a more reasoned assessment, check out Kim Newman's book 'Apocalypse Movies,' but if you're looking up this film you probably already know that one backwards and forwards. If you want an interesting and engaging vision of what the world might be like after it ends, you won't be disappointed here.

"Last Woman On Earth" moves along at a steady clip and has an exciting ending (with a disappointing conclusion).  It is a film that benefits from smart writing, an on location shoot, and an interesting meshing of script with Jazzy soundtrack. There is an underwater scene that was quite excellently filmed. For that matter, the whole film was quite excellently filmed.  Even though this film predates the first James Bond film, it has a bit of a "Dr. No" feel to it.  No, it is no "Dr. No", but neither was its budget a Bond budget. You're not missing much if you never see "Last Woman On Earth", but if you do see it you won't feel like you wasted 71 minutes of your life.  It's a pretty good film -- a sad little tale about good and evil.

This sci-fi tale examines the fate and the human struggles involved in the incredible realization that a woman and two men may be the last surviving humans on Earth, following a peculiar catastrophy.

The analysis of selfishness, love, jealousy, money, work, accomplishment and the purpose of life are very well examined. All in the context of these extreme circumstances, the issues become very vibrant. The dialogue and acting help you feel the despair and distress of the characters.

Unfortunately, what could have possibly been one of the best black & white sci-fi movies, fell short- very short- in the end. The ending is uselessly incoherent, improbable and needlessly violent (a horrible fight on top of everything).

Still worth a watch for the first hour of the film.

"Last Woman on Earth" shows what happens as a romantic triangle plays out during an "end of the world" type of story. Harold Gern (Antony Carbone) is a shady banker enjoying the sights and sounds of Puerto Rico. Tagging along are his sexy young wife Evelyn (Betsy Jones- Moreland) and his loyal attorney Martin Joyce (future Oscar winning screenwriter Robert Towne, acting under the pseudonym Edward Wain). After a scuba diving excursion, they come out of the sea to find that some mysterious disaster has eliminated almost every living thing in sight. Harold is given to macho "this is how it's gonna be" proclamations, while Martin, who realizes that he's falling for Evelyn, acts as a voice of reason.

Towne also wrote the screenplay for this one, his first. Since he worked slowly (according to producer & director Roger Corman), his script was unfinished by the time of filming. So, in order to ensure that the screenwriter could be on set regularly, Corman convinced Towne to co-star in the film. Corman had come to Puerto Rico partly to take in the beauty of the surroundings, but largely due to "certain tax laws". By the time he and his crew left the country, they had not one film under their belt, but three: this one, "Creature from the Haunted Sea" (a remake of "Naked Paradise"), and "Battle of Blood Island".

A great film this is not, but it's a passably engrossing one, thanks to some wonderful atmosphere (Corman actually ponied up the dough to shoot it in color) and Townes' somewhat philosophical tale. There is some decent dialogue, good music by Ronald Stein, and effective cinematography by Jacques R. Marquette. The three cast members are reasonably good. Towne fares well enough, despite not being a professional actor.

The ending is abrupt, and may not be to all viewers' satisfaction. Still, Corman and Towne deserve some credit for tackling the theme of the hostility and violence ingrained in mankind, on a rather meagre budget.

Six out of 10.