Don Camillo

French comic actor Fernandel embodied the title role while remarkable Italian character actor Gino Cervi played his spiritual and political opponent. More than a rustic comedy, the film epitomizes the postwar political polarization in Italy and symbolizes the famous "compromesso storico"---historical compromise---under which Italy would long continue to be governed. This successful film spawned a series of popular sequels, mostly with the same two actors, all based on the Giovanni Guareschi novels. A point of clarification: this was a French-Italian co-production and was first released in the U.S. in its French-language version with English subtitles before the dubbed English version with narrator Orson Welles went into circulation. The Italian-language version, not readily available, is the most appropriate one.

...Actually, of all those adjectives, `Italian' was the first to leap to mind. I can't believe the IMDb has decided to classify this film under a French name. `Things happen there that could happen nowhere else in the world,' says the narrator. It's easy to believe.

The Catholics and the communists are battling for the soul of a small village. It's to be hoped that neither side ever wins. Nor is it likely that either side ever will win. This would spoil everyone's fun.

The communist mayor, is, so to speak, the Anglican of the two: someone who will gruffly talk about burning all the capitalists, while letting it be understood that he doesn't really intend his words to be taken literally. The priest (Don Camillo) is hot-headed, as fiercely loyal to the Catholic Church as the mayor is to his party, at once highly intelligent and preternaturally simple minded. He's the kind of Catholic who avoids absurdity by the time-honoured trick of simply not thinking about the doctrines to which he officially subscribes. His `prayers' are impromptu conversations with Jesus, or perhaps simply with the icon of Jesus that hangs on his wall - whichever it is, the film humours his fancy by having Jesus (or the icon) talk back to him. To this day I'm not sure if Jesus (or the icon) is REALLY talking back, or if it's just Don Camillo's imagination. What does it matter? It is, after all, no more than a private eccentricity. It's not as if he talks to or about Jesus in PUBLIC.

No one - not atheists, not communists, not Christians, not Norse pagans - could object to the film's big-hearted fantasy, or fail to like either of the two very likeable protagonists. I gather there are several sequels: the one I've seen isn't nearly as good; and the original feels so much like an archetype that I suspect any sequel would be little more than a footnote.

By the way, the version I watched was not dubbed but subtitled. I mention this because one of the reviewers talked about seeing a dubbed version but this was not available on the DVD I watched. And, if it had been, I would have chosen the captions regardless.

I did an odd thing. I accidentally put the second Don Camillo film ahead of the first one on my Netflix queue. So I saw the second one first. This is not that bad a thing, however, as the second film recapped what happened in the first film when it began. But, because I loved the second film so much, I couldn't wait to see the first.

This movie begins with the town in an uproar. It's a heavily divided town and the Communists have just won the election for mayor. The old guard is quite unhappy and the unhappiest is the town's priest, Don Camillo (Fernandel). And, through most of the film, he and the Mayor butt heads and fight like dogs. It's all quite silly but enjoyable.

An odd thing about the film, just as in the second, is that Don Camillo talks to Jesus--and Jesus talks back to him through the crucifix in the church! Some might find it a bit sacrilegious, but it seemed to be handled well. Also, the town's struggles is a good microcosm of post-war Italy, as the country was strongly divided between Communists and those who wanted a right-wing republic--a problem which didn't really get resolved until the 1980s.

All in all, a very good film that I enjoyed. However, please watch the next one--it gets even better.

I think this is a very funny movie, Despite the fact it is a white&black film and you really can tell that it is placed on a certain time frame (end of 1940's - early 1950's), the plot is fun and universal. It gives you a glimpse of the life on a small Italian town, where simple things turns into hilarious situations, thanks to the strange relationship of friendship/rivalry between Don Camillo and Mayor Peppone. I was lucky to see the original french version (subtitled, of course) which is always better than hearing a translated version. I think that original voices -even if you do not understand the language- reveal the character's feelings, and give credibility to actor's performances. After the film, you get the impression that life is somewhat easier to cope with...

This movie is so much fun to watch! Tells us the story of Don Camillo, a Roman Catholic priest in a small Italian parish. Life in the village is change forever when Peppone, the communist mayor, is elected. The two are put one against the other. And what follows is a wacky list of situations! What I like most about this movie, it's the simple way it puts things. You can actually believe that this village exists and that what's being told in the movie really happened.

Fernandel is great as Don Camillo, the hot-headed priest. And Gino Cervi shines in the role of Peppone. See this one, you won't regret it. Fun from beginning to end!

Out of 100, I gave it 87. That's good for ***½ out of ****.

Seen at home, in Toronto, on September 1st, 2002.