La gente mormora

This gem just isn't given enough play. Actually, given the power of the forces it takes to task, it is a small miracle it even got made. In tackling the project, Mank riddled the medical profession, with a not too subtle sidetrip to take on McCarthyism.

Cary Grant is more smooth and relaxed than usual, and actually seems to be enjoying the role. Jeanne Crain tackles a difficult (and not too well written, alas) part, and Walter Slezak does a nice turn as a collegue and crony of Grant's. Hume Cronyn is despicable as the jealous and zealous pracitioner, prosecutor and persecutor.

This film didn't do well initially, but is now developing a cult following. It is one of those rare movies that gets better with each viewing.

The screenplay for "People Will Talk" is by Joseph Mankiewicz, who adapted the film from a play and also directed. It has been suggested that the story is an allusion to the workings of McCarthyism, which was active at the time.

From the beginning of the film, there is a level of suspense as this unusual tale reveals itself slowly. Cary Grant plays Dr. Noah Praetorius, a physician and sometime butcher, with the quirky charm that only he can portray. His character has an ebullience and an unconventional approach to medicine that make him seem unprofessional to others in his profession. He has a mysterious friend called Shunderson (Finlay Currie) who is always by his side.

Praetorius meets a young woman named Deborah Higgins (Jeanne Crain) who becomes his patient. He becomes involved in her problems as the film drifts through drama, comedy and romance.

The supporting cast includes some enjoyable appearances. And the film's unpredictability makes for an interesting journey. The Praetorius character might be considered a precursor to Patch Adams. And in one scene he foretells a future that presciently includes "electronic doctors." This film deserves attention for its statements about individualism and nonconformity and for its unorthodox plot construction, which nevertheless works.

PEOPLE WILL TALK may be my favorite film, if you can have such a thing. Loosely based on a German play, Doctor Praetorious, it tells of a Doctor with a unique philosophy. It was quite a step into some sort of cinematic adulthood when a young student who has found herself pregnant from an illicit romance becomes the sympathetic heroine of the movie, finding love with a charismatic doctor.

Some have said this movie was a comment on the McCarthy era, of personal investigations used by jealous men to destroy charismatic figures, and I thought of this movie quite a lot during the Clinton Impeachment proceedings. I kept saying to myself that the defense team could just run scenes from the movie with good effect, especially Shundersun's closing comment Hume Cronyn's character. And Slezak's comments to the same character that he could string together more unpleasant words than any little pipsqueak he had ever known.

And finally this movie offers some wonderful characters, Walter Slezak's loyal professor, Finley Curry's as the mysterious companion, and the dignified if defeated Sidney Blackmer.

I hope someday to read the German play upon which it was based, but as far as I know it was never translated.

When you get one of Hollywood's most powerful producers, Darryl F. Zanuck, working with a screenwriter/director, Joseph L. Mankiewicz, then you know you're in for a film that's a cut above the average.

In this story, Cary Grant is a hugely successful doctor (as Dr Noah Praetorious) with unusual healing practices; Jeanne Crain (as Deborah Higgins) is an aspiring medical student who falls in love with him; the almost legendary Finlay Currie is a mysterious assistant (as Shunderson) to the doctor; another great character actor, Hume Cronyn, plays the devious and deceitful Prof. Elwell; and there is Walter Slezak as Prof. Barker, who provides (with Grant) much of the comedy and witty lines.

This is an unusual story because it mixes genres: it's a comedy, it's a love story, it's a (double) mystery, and it's a drama. The first genre is provided largely by Cary Grant and Walter Slezak who bounce off each other with some of the best scenes and wittiest lines. The second, of course, is between Cary Grant and Jeanne Crain. The third is provided by Cary Grant and Finlay Currie, Grant being the doctor whose methods are suspect and his past under scrutiny by Prof. Elwell, while Currie is Grant's constant companion – aloof, quiet and almost robotic in his demeanour. But, who really is Shunderson? And the fourth is the drama between Dr Praetorious and Prof. Elwell, as the latter seeks to have the doctor expelled from the clinic and university for malpractice.

Weaving those four elements together into a cohesive plot is no mean feat, but Mankiewicz succeeds brilliantly. The acting is superb, and even Jeanne Crain – not one of my favorites at all – manages to almost overshadow Hume Cronyn in a key scene where there is a battle of wills and words. The real surprise, however, is Finlay Currie who usually appears in biblical and/or historical dramas and who usually is given a lot to say in any of his film appearances. But, not in this one: in fact, he says hardly a word until almost the end, but simply maintains a deceptive and mysterious quietude at the side of Cary Grant. The resolution to that mystery is a tour de force – and with a twist.

Even though I'm not a big comedy fan – it's the most difficult to portray on film – I'm very partial to Mankiewicz and his films. On that basis alone I'd recommend this film for you to see as another in the great tradition of Classic Hollywood Cinema. But, for anybody who likes the debonair Cary Grant, well, what are you waiting for…?

How many movies had a score by Brahms? 'People Will Talk' features his Academic Festival Overture, which is the only example of cheerful grandeur I can think of in serious music. Mankewicz knew what he was doing, because this is a cheerfully grand movie. While his 'Letter to three wives' and 'All About Eve' are more famous, this one is my favorite.

For one thing, Cary Grant has never been more attractive, for Dr. Praetorious is a good and humane doctor. "I don't cure illness, I make sick people well." If the notion that a woman bearing a child out of wedlock is a disgrace has gone, the theme of the mediocre witch-hunting the brilliant is timeless.

The phrase 'beloved character actor' could have been invented for Finlay Currie, but you've got to be able to use it for Walter Slezak - at least in this movie. (See "Lifeboat")

If you spend two hours with these people, you'll hear some very splendid talk, and you'll feel both warmed and civilized. How many of today's movies do that?