Omertà

An excellent performance by Spencer Tracy in "The People Against O'Hara" lifts this all too familiar plot line to a different level. Tracy is an alcoholic who, for the sake of his health and sobriety, becomes a civil attorney, only to be drawn back into criminal work when neighborhood friends need him to defend their son. The son is played by a pre-Gunsmoke, blond James Arness, and it was a pleasure to see him do something besides the one-note Matt Dillon. Diana Lynn does an excellent job as Tracy's protective daughter, and a pathetically young Richard Anderson is her patient fiancé.

Tracy's performance drives the film, which is really just an excuse for a character study, and who better to essay it. He beautifully shows the man's torment and loss of abilities. The ending is tense and suspenseful.

There is a fine cast, including the above, Pat O'Brien John Hodiak, Eduardo Cianelli, and William Campbell (who in real life was for a time married to Judith Exner, the woman who went public with her affair with JFK).

I think Spencer Tracy is always worth watching, and this film is no exception.

Spencer Tracy plays a seasoned attorney with his work cut out for him defending a young man in a murder trial. In some ways a routine courtroom drama, but it goes beyond that. Tracy is terrific, doing his usual crusty cynic bit but that's what we love him for. The role has some depth to it, as the character is a struggling alcoholic who makes a mistake in a moment of weakness. The rest of the cast doesn't match his performance, although John Hodiak is pretty good as the opposing counsel. The plot takes some interesting turns and goes into true noir territory in the third act. And cinematography by John Alton... need I say more? Those brilliant patches of light amidst deep, deep shadows look fantastic as always. I'll be honest, courtroom movies don't generally excite me, but this one is a cut above the usual fare.

Spencer Tracy's only venture into the noir genre finds him playing James P. Curtayne, an alcoholic criminal lawyer who is living with daughter Diana Lynn. She's essentially put her life on hold to take care of her father.

Friends from his old neighborhood ask him to defend their son, James Arness, who is being charged with a homicide during the course of a what we would now call a home invasion.

Tracy's not up to it, he's past his prime and unable to break down the perjured testimony of William Campbell who says Arness was the trigger man in the crime. He's got a sharp District Attorney in John Hodiak going against him. And he's got a client who's lying about his real whereabouts to shield someone else.

When the verdict of guilty is read against Arness in The People Against O'Hara it should be over. But not quite.

I liked John Hodiak as the District Attorney. He's good in anything he does and his role here is as an honest lawyer who's more interested in finding out the truth than scoring another prosecutorial notch on his belt. That in itself is very refreshing.

Given Spencer Tracy's own alcholism this must have been a part way too close to home for him. But he also is determined to serve his client to the best of his abilities which are sharply impaired when he makes a bad error in judgment in bribing witness Jay C. Flippen. Usually Flippen plays upright characters so this portrayal of a witness willing to sell his testimony to the highest bidder is against type and good.

Other good performances of note are Eduardo Ciannelli as the mob boss of the Fulton Fish Market, Pat O'Brien as Tracy's long time friend and homicide cop, and in a bit role in the end Ann Doran as a policewoman who puts herself on the line in the final confrontation scene.

Both Tracy and Hodiak in this film are two of the best portrayals of the legal profession on the screen. Even Tracy's ethical lapses are done with the best of intentions.

The People Against O'Hara is a great example of film noir at it's best and one of the screen's finest players in his only venture in noir.

After a successful career as a D. A, James P. Curtayne (Spencer Tracy) decides to forgo civil law and accept a homicide criminal case involving an old time family friend. Det. Vincent Ricks (Pat O'Brien) a police detective and friend advises him as does his daughter Virginia (Diana Lynn) not to do it as does his heart and former bout with alcoholism. Still Johnny O'Hara (James Arness) needs his established reputation to save him from prison. The story is fraught with dangers which involve the local mob as well as Curtayne's inability to deal with his return to drinking as the case tests his ethics. For Tracy this is a remarkable film as one sees the sober lawyer deal with an inability to deal with his weaknesses. This remarkable B/W film is designed to entertain and highlight Tracy's unique talent. A great movie and one easily recommended to Tracy fans. Although not credited, you can see a very young Charles Bronson making an appearance. ****

People Against O'Hara, The (1951)

*** (out of 4)

Part noir and part courtroom drama, this film isn't a complete success but it has enough going for it to make it worth viewing. In the film Spencer Tracy plays an alcoholic lawyer who decides to help a couple poor friends out by defending their son (James Arness) who has been accused of murder. The lawyer knows the kid is innocent but he can't get enough information on the streets as to who the real killer is so he must put his own life on the line to try and clear his client. Sturges and Tracy would re-team four years later on the masterpiece BAD DAY AT BLACK ROCK and while this film is no where near that one, this here at least offers up some fine performances and a terrific ending. I think the weakest aspect of the film was the actual court case. I'm not sure what it was but it really seemed like Sturges was struggling with how to build up any type of suspense during these scenes. The courtroom stuff just didn't contain enough suspense or anything overly interesting to make it work very well. I thought the director did a much better job with the personal demons battling Tracy as he's trying to avoid drinking but as the pressure builds he keeps wanting back at the bottle. Sturges handled these scenes extremely well including a heartbreaking and rather shattering one between Tracy and his daughter (Diana Lynn) as both of them break down and let their emotions show. It comes as no shock but Tracy is terrific as usual. He did a really good job with the role and the scenes with him battling the alcoholism were very well handled and you could tell Tracy was giving it his all. He suffered from drinking his entire life so I'm sure he put some of his own feelings into the role and they show. Pat O'Brien gets a pretty good bit as the Detective working the case and John Hodiak is very good as the D.A.. Lynn shines in her scenes including the unforgettable moment mentioned earlier and we also Eduardo Ciannelli playing a gangster. I really wasn't too impressed with Arness here who gets several scenes where he's suppose to be playing scared and frustrated yet I didn't believe either emotion. If you look quick you'll see Charles Bronson sitting around a diner table. While the courtroom stuff doesn't work too well the director makes up for this in the final fifteen-minutes where we get a masterfully directed sting sequence. Basically Tracy, the D.A. and the cops try to lure the real killers out and this is done with Tracy leading the way yet we never get to see him. It's filmed from the cops point-of-view as they listen to Tracy over a radio and the way this is done builds up a terrific amount of suspense and easily makes the film worth sitting through for.