Odette

I first saw Odette when I first arrived in the United States at age 12. I was captivated by television and watched old movies and old television reruns after school. I was just developing a love for history and world war 2 history at school when I saw Odette for the first time. The story, authentic scenery and realistic performances completely drew me in. This movie will keep you on the edge of your seat for it is extremely intense and Anne Neagle draws you completely into the dark world experienced by Odette Sampson. Trevor Howard is strong, convincing and underplays just enough to allow Miss Neagle to shine, while conveying the strength of his character. I highly recommend this film if and when it can be seen again. The historians in the world would love the chance to add this film to their collection. Waiting patiently for the video and DVD.

Trevor Howard and Anna Nagle give sterling performances in this WW2 Biopic of Odette Churchill, the wife of a relative of Winston Churchill. Every scene has the feeling of that authenticity that only films during or shortly after WW2 have. This film has understated British sensibilities, not overblown Hollywood production values. In many ways, it is similar to the one of best films of WW2, Brief Encounter. Howard was in that film as well. These were the best two films of his career; and this film is the best performance in Anna Neagle's career as well. Peter Ustinov gives a pleasing performance, and will become the owner of Spartacus in ten years or so. The only criticism of the film is the survival rate of leaders in the French Resistance. A documentary I have seen recently mentioned that the fatality rate of leaders in the French Resistance approached 75%. Hollywood (and Britain for that matter) likes to portray the Germans as stupid and incompetent when policing the French Resistance. Nothing could be further from the truth. The semi documentary I saw (Army of Shadows 1969) showed a highly efficient German surveillance of French Underground activity and the elimination of the vast majority of those brave participants. See these films for the best about the French Resistance.

Watched this film previously sometime in the '60s and it follows as much as we can be told about the SOE in WW2. I didn't think much of Anna Neagles French or her accent although I know her husband, Herbert Wilcox, the films Director and Producer used foreign actors wherever possible and needed a 'name' in the lead female role to carry the film. Also starred Trevor Howard, Bernard Lee, Peter Ustinov and Marius Goring and tells the story of Odette Sanson, recruited to the SOE and dropped into France. Neagle was quite the 'star' of Biopics having played Queen Victoria, Edith Cavell in film same name (Very good and historically quite accurate. Wilcox Direction is a little slow and pedantic and is the thing that really lets the film down. Another true-story is Carve her name with Pride (excellent) about Violette Szabo (played by Virginia McKenna) another SOE recruit, described as 'the bravest of them all'.

Odette Sanson is recruited by British Intelligence to spy in occupied France during World War Two.

Based on a real case. The film conveys the real danger in the French resistance of capture at any moment and the horror if you were. The prison and camp scenes are very well done too.

Anna Neagle carries the movie almost single handed. Everyone else does their fill-in character parts very well but she is the star. Despite some dodgy French accents Trevor Howard and Peter Ustinov are the best of the rest.

It would have been nice to see more of her secret service training.

This movie is a tribute to all the women and men that risk their lives in resisting in France. It tells the story of Odette, a French-born woman that decided to enlist in a British section working under cover in France to help resistance and gather intelligence.

The movie is inspired by real events and tries to give a good overview on what was that kind of life. It can only be commended for that. However in itself, the movie is so so, not to say disappointing. It lacks a few film to grasp the audience and make us feel the bravery shown by all this women and men!

I also did not understand the language management in this movie: We switch from English to French in France only to distinguish the British spys from the rest - at first - and then every French in relation with them speak English as well. It should have be either all in English or in French: to speak English in France under cover would be really amateurish... (I'll not mention the bad French spoken with an evident English accent). On top of it, same happens with German (with the secretary being told bad with English to the next scene fluently talking in that language...).