La trappola degli indiani

Perhaps the finest film to come from 'quickie' producer Lippert, this grim story of a band of calvary attempting to warn Custer holds up well after almost 50 years. Outstanding performances by a great supporting cast over-shadow what must have been a miniscule budget. Although the film claims to be based on a true incident, the curator of the Custer Battlefield Monument denies such an occurrence. Nonetheless, if you can find this one on video(not likely)or on the late show, it is well worth while.

Saw this when it first came out and have seen it several time over the years. Still stands up and is worth watching.

The performances, story and production are tops and keep you glued to the screen through the entire movie.

The attention to detail of uniforms and other costumes is excellent, along with the horse handling.

It is well photographed and edited, with good lighting, especially the night scenes.

I haven't seen it in about 20 years, wish they would put it on television again.

Hope they at least bring it to my local video store.

Writing and acting! Acting and writing! Like another great little "Custer" film "Bugles in the Afternoon!" starring Ray Milland (and LBH's Sheb Wooley playing Custer!), the acting and dialog in this Cavalry classic is top notch. Everything just clicks making this film look as good as any classic Western with a much bigger budget.

The soundtrack is interesting. The "On the Little Big Horn! 1876!" sung by a chorus rings out loud and clear in the opening credits and sets the mood for the story. Must have been a thrill to the Saturday matinée kid cowboy crowd. It certainly adds to "larger than life" mood of this film.

The writers, by setting up this film with the well known history of the Custer defeat (or is it the Native American victory) at the Little Big Horn as a backdrop, helps make your imagination do what the well spent but inexpensive budget doesn't! (It is almost like a radio play in that way.) With the descriptions of sighting of thousands of Souix by the patrols in this film, you feel the intensity and importance of the mission. Also the suspense created by knowing there are a lot of Indians out there and the "Heart of Darkness" atmosphere as the troop advances further and further into Indian territory gives the ambushes that happen the right kind of life and death dynamic.

The story line is not that improbable. Gen. Crook, who had met in the Battle of the Rosebud just some of the Souix that would engage Custer a week or so later, did think of continuing with what was left of his command or some troopers to Custer and Terry to inform them of what happened. It didn't happen however. Still, the mission of trying to deliver a message at all costs to Custer gives this film the needed dynamic it requires.

Major or soon to be major actors give performances here that both their earlier and later "high budget" careers only enhance. The leads Lloyd Bridges (High Noon!, Sea Hunt, Hot Shots) and John Ireland (Red River, Spartacus, A Walk in the Sun) and supporting actors like the memorable King Donavan (Invasion of the Body Snatchers), the good spirited Wally Cassell (Sands of Iwo Jima), Jim Davis (Dallas!), newcomer Hugh O'Brien (TV's Wyatt Earp), Mr. beautiful baritone Reed Hadley, known for his narrations of Hollywood films (Guadalcanal Diary) and those Atomic Bomb documentaries by the US government plus all the rest of this ensemble do an outstanding job.

Bridges and Ireland are perfect as the hard nosed commander and the sympathetic Lt. always in conflict with each other. The film moves along without any real slow spots. It has good cinematography.

It has good production values and the good writing that make it seem like a bigger film than it really is. It has that "film noir" mood that never would have worked as well in color either. It is really a western that stimulates your imagination!

Many Kudos for this classic!

Lippert Pictures was never, to put it mildly, known for its extravagant productions. Its budgets were minimal, the talent it used--both in front of and behind the camera--was usually second- or third-string, its product was churned out quickly and cheaply for the second- and third-run market. Every so often, though--almost in spite of itself--Lippert managed to turn out a top-notch film. Sam Fuller's "The Steel Helmet" and "The Baron of Arizona" were two, and this is a third. In fact, this looks like it could have been made by Fuller--it has the gritty edge that's typical of his films, and the issues of duty, honor and sacrifice that infused so many of Fuller's movies. Writer/director Charles Marquis Warren was a somewhat inconsistent filmmaker; he made some moody, tense, first-rate little westerns ("Hellgate," "Arrowhead") and some absolute crap ("Charro"). This is one of his best (so good, in fact, that he remade it--badly--in 1958 as "Desert Hell", changing the story from soldiers in the American west to Foreign Legionnaires in the Arabian desert). A small cavalry patrol stumbles upon a huge gathering of Indians about to ambush Custer's 7th Cavalry troopers. The only way to warn Custer's unit about the impending attack is for the patrol to ride directly through the hordes of Indians. There are no false heroics here, either; the officer in charge of the patrol knows that the action he must take will result in almost certain death for everyone in his small unit, but he also knows that if they don't warn Custer, it will result in certain death for Custer's entire command. He has no desire to die or to cause the death of his men--several of whom he doesn't even like--and he's torn between what he knows is his duty and his reluctance to order his men on what will almost certainly be a suicide mission. This is a tough little film, full of short, brutal--surprisingly so, considering the era in which it was made--action scenes where nobody dies prettily. It's a nail-biter and will have you on the edge of your seat. Tightly directed, sharply written, with a great supporting cast of veteran western actors, including Jim Davis, John Ireland, John Pickard, Reed Hadley and Wally Cassell. Do yourself a favor and don't miss this one.

Ever watch a movie that was so good you wished it would never end? That's the feeling when watching "Little Big Horn", an unheralded, unheard of (at least by me),old fashioned, Cowboys-and-Indians movie that Hollywood used to turn out by the Conestoga wagon-full. But this one is more suspenseful and well-acted, the characters more developed and the storyline just plain better than most oaters. This is a western with an edge.

Others have outlined the plot in reviews above, but rarely did LLoyd Bridges, John Ireland and Marie Windsor (the quintessential femme fatale in a cameo) get roles they could sink their teeth into as those found in "Little Big Horn". The realistic atmosphere here rivals that found in some of Hollywood's greatest achievements, for example "Treasure of The Sierra Madre" or "Paths of Glory", made on much bigger budgets. If you are a fan of Hollywood movies, when movies were movies, try not to miss this one. It's available on Amazon now and it's a bargain.