Allo sbaraglio

This film depicts (for a 50's war flick) the trials of the 442nd Infantry Regiment, a group of ALL-VOLUNTEER Japanese-American soldiers that fought in Europe against the Axis forces. The soldiers in this unit volunteered from the concentration, err... internment camps to fight for their and our country. They performed brilliantly and became the highest decorated unit in U.S. Army history. Former Senator Daniel Inouye was an officer in the 442nd, too!

While this is not the most exciting war movie ever made, it is certainly worth adding to a collection, especially since it can be bought in a 2-VHS set with "Gung Ho." Of special note is the scene where two German soldiers are trying to make heads-or-tails of of the Japanese chatter on field phone lines they are tapping.

Most people know about the imprisonment of many Japanese Americans in camps during World War II, however, relatively few know the history of involvement by Japanese Americans in World War II. The 442nd Regimental Combat Team was sanctioned by Franklin Delano Roosevelt and consisted of Japanese American volunteers. These faithful Americans came to the military for many different reasons, and this film does a wonderful job of illustrating the diversity within the team as well as their courageous dedication to service despite the adverse conditions they and their families faced in an America at war with their ancestral homeland.

This adversity is personified in the character of Lieutenant Grayson (Van Johnson) - a tall, blond, Texan with a bad attitude about working with what he calls "Japs". Though Grayson's story arc is not really very surprising, it is thoroughly believable. The excellent Oscar-nominated Robert Porash script, solid editing and directing, and Johnson's nice performance make his portrayal of the archetypal understated Texan quite excellent. I can say this because I am a Texas-ex - though you never really get the place out of your heart.

For once, the minority is less stereotyped than the Northern European-American males! The Japanese-American actors are all excellent, and are the real stars of this film.

I agree with the vast majority of reviews published here on IMDb about this significant and entertaining film. Go For Broke is a war film which very nicely explores human behavior, American social reality and ethics but also commemorates and celebrates the triumph of humanity in adverse situations.

Recommended!

This little-known film is an interesting dramatic study of real life Japanese-Americans who volunteered to fight for their country despite the interment of their families back in the 'States. Their amazing heroism and patriotism is shown in contrast to the rascism and general mistrust they are shown by white members of the US army that they encounter. Racial issues such as their treatment compared to German-Americans or Italian-Americans are dealt with, but not in a heavy handed way. The dialogue is surprisingly believable and interesting, and even amusing. The battle sequences are good but nothing like Saving Private Ryan - this is a 1950s film, after all. All WWII film buffs should make a point of seeing this film, which sometimes appears on the History Channel.

Japanese-Americans serving in the U.S. army during World War 11 is the central theme of this film. How ironic that this occurred while we were placing other Japanese-Americans in internment camps during this period.

Van Johnson harbors prejudice as he chosen to shape these recruits up. While he runs into difficulty with top brass, he does his job well.

He comes to understand and appreciate his men. When he meets up with his old Texas regiment, he fights someone for passing an anti-Japanese remark.

The Japanese players do a good job of showing that their true spirits were with the U.S.

A totally satisfying film depicting the human spirit.

Robert Pirosh wrote his own picture and did a wonderful job of directing it, and 'Go for Broke!', his tribute to Japanese-American volunteers fighting in World War II, is deftly executed with a nice blend of pulse-quickening action and more thought-provoking interludes where white Lieutenant Grayson (Van Johnson), originally prejudiced against the people he is assigned to command, gradually learns to come to terms with the fact that bravery and patriotism are irrelevant to your race or the color of your skin.

That could all be a little too rhetorical for its own good, but Pirosh never over-stresses his point, and his picture is never holier-than-thou. "You see, Sir, I'm from Texas", Grayson says to his superior, but Pirosh lets it go at that and doesn't lash out against Southern bigotry. I really liked the gentle irony of Pirosh' contrasting the idyllic, outdated guidebooks to Italy and France that Grayson reads with the prosaic reality of war-torn countries.