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The Family Secret

  • 1951
  • Approved
  • 1h 25min
VALUTAZIONE IMDb
6,2/10
467
LA TUA VALUTAZIONE
The Family Secret (1951)
CrimeDrama

Aggiungi una trama nella tua linguaA lawyer faces a difficult decision when his son accidentally kills his best friend with no witnesses present, and a rift develops when his mother and father offer contradictory solutions to... Leggi tuttoA lawyer faces a difficult decision when his son accidentally kills his best friend with no witnesses present, and a rift develops when his mother and father offer contradictory solutions to their son's dilemma.A lawyer faces a difficult decision when his son accidentally kills his best friend with no witnesses present, and a rift develops when his mother and father offer contradictory solutions to their son's dilemma.

  • Regia
    • Henry Levin
  • Sceneggiatura
    • Marie Baumer
    • James P. Cavanagh
    • Francis M. Cockrell
  • Star
    • John Derek
    • Lee J. Cobb
    • Jody Lawrance
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,2/10
    467
    LA TUA VALUTAZIONE
    • Regia
      • Henry Levin
    • Sceneggiatura
      • Marie Baumer
      • James P. Cavanagh
      • Francis M. Cockrell
    • Star
      • John Derek
      • Lee J. Cobb
      • Jody Lawrance
    • 12Recensioni degli utenti
    • 8Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto60

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    + 54
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    Interpreti principali45

    Modifica
    John Derek
    John Derek
    • David Clark
    Lee J. Cobb
    Lee J. Cobb
    • Howard Clark
    Jody Lawrance
    Jody Lawrance
    • Lee Pearson
    Erin O'Brien-Moore
    Erin O'Brien-Moore
    • Ellen Clark
    Santos Ortega
    • District Attorney George Redman
    Henry O'Neill
    Henry O'Neill
    • Donald Muir
    Carl Benton Reid
    Carl Benton Reid
    • Dr. Steve Reynolds
    Peggy Converse
    • Sybil Bradley
    Jean Alexander
    Jean Alexander
    • Vera Stone
    Dorothy Tree
    Dorothy Tree
    • Marie Elsner
    Whit Bissell
    Whit Bissell
    • Joe Elsner
    Raymond Greenleaf
    Raymond Greenleaf
    • Henry Archer Sims
    Onslow Stevens
    Onslow Stevens
    • Judge Geoffrey N. Williams
    John Baer
    John Baer
    • Boy at Birthday Party
    • (non citato nei titoli originali)
    Amanda Blake
    Amanda Blake
    • Telephone Girl
    • (non citato nei titoli originali)
    Harry Cheshire
    Harry Cheshire
    • Dr. Black - Coroner
    • (non citato nei titoli originali)
    Joseph Crehan
    Joseph Crehan
    • Bailiff
    • (non citato nei titoli originali)
    Paul Dubov
    Paul Dubov
    • Deputy District Attorney
    • (non citato nei titoli originali)
    • Regia
      • Henry Levin
    • Sceneggiatura
      • Marie Baumer
      • James P. Cavanagh
      • Francis M. Cockrell
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti12

    6,2467
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    Recensioni in evidenza

    7Rodrigo_Amaro

    Gripping theme, but slightly problematic

    A small conflicted family drama about a young man (John Derek), son of a wealthy and retired lawyer (Lee J. Cobb), trying to find ways to escape justice after accidentally killing his best friend during an argument. His whole family end up knowing about his secret and they'll find ways to either help him out in one or the other - the father advises the son to surrender himself because he might get a fair trial with the friendly prosecutor, of whom he's applying for a working position; but the mother is more desperate and feels that since no one found out about him maybe they can hide the truth from everyone. But the real challenge comes to the man himself, tormented each step of the way with his heavy conscience. Is there ever a way out?

    "The Family Secret" is one of those typical crime drama where the society's morals and values are put into questioning and it's all thrown back at us in those kind of scenarios where you can imagine yourself being put to the test in finding solutions or alternatives in dealing with everything or facing the consequences. Nothing wrong with this concept since it has resulted (and still do) many great films over the decades but it all depends on a number of factors such as the story and elements presented - and how it all ties everything together - and the casting as well. Obvious there's some bumps along the way and fullfilment and enjoyment on it can affect some viewers.

    Mr. Cobb is an honorable actor that always bring quality and presence with his roles wheter being in classic masterpieces such as "On the Waterfront" or "12 Angry Men", or in lesser known films such as this one, "The Man in the Grey Flannel" or "The Man Who Cheated Himself". As the father, he carries a powerful emotional weight while trying to solve his son's problems yet always advising him that he should turn himself to authorities, and when a third party is accused of the murder and her wife wants to hire Cobb as the lawyer things get desperate for everybody involved.

    Pity that except Cobb and other veterans, the youngers in the movie make it a very distracting experience to the point it can almost make it unberable at parts. Major problem comes with John Derek, since there's no appeal to him, neither to the character who keeps finding romance on two ways which is confusing, almost pointless at parts. He's somewhat engaged with a tedious rich girl but at the same time he keeps charming his own secretary at work - none of them really want them, there's always some rebuttal of theirs on him yet he keeps chasing both of them until some enlightment comes to his head, and all that while the investigation and a possible murder trial pending that he also keeps obsessing. Didn't care for the girls acting either, too bland.

    The heart of the matter which is the whole case and the ethics within the household is what makes "The Family Secret" a positively enjoyable and thrilling experience where you keep on the edge to find out how everything's gonna get solved. It's a small film with some big questioning, and it's all up to us in the audience to be the judge of their actions, the family mostly. Maybe some conclusions and some actions are wronged because of the egotist and spoiled manners of the young man.

    A real pity that the actual crime isn't shown on the opening scene neither the friend is given a face (audiences like that, to form a bond between a character or even form an emotional bond with the victim) and most of that's said as motivation (though an accident) gives the impression that a lot more was going between those two guys. It's never mentioned and it makes audiences make some theories about it - quite valid.

    Go with little expectations, except that Mr. Cobb surely delivers again a stellar performance that makes everything the more enjoyable as possible. 7/10.
    1mls4182

    It is good John Derek married well

    John Derek was a terrible actor. The rest of the cast isn't any better and neither is the writing.

    A spoiled young man kills his friend In the heat of anger. The family decides to say nothing and see how it plays out. The killer's mother is especially cold, "After a while we will forget all about this!" Never mind that the slain boy's mother is her best friend. An innocent man is accused and tried and drops dead from a heart attack.

    Even the resolution at the end is boring. The movie just STUNK!
    6HotToastyRag

    Feels like late-1940s

    The beginning of The Family Secret immediately hooks you in: John Derek, the teenage son of Lee J. Cobb and Erin O'Brien-Moore, comes home early from a night on the town. He washes mud off his tires and changes his clothes before greeting his parents and their dinner guests. We find out soon why he's so morose and cryptic: he's just killed his childhood friend. It was self-defense and accidental, but he still fled from the scene and tampered with evidence. Lee, an upstanding citizen and prominent lawyer, knows his son will do the right thing and confess immediately. Erin wants to cover it up. John's entire life would be ruined, she argues, and it wouldn't bring the dead boy back. As you can tell from the title, John decides to take his mother's advice.

    With exception to the jazz music played in some scenes, this feels like a noir from the 1940s. There's a lot of voice-over narration explaining things that don't need explaining, and the scene construction and direction feel very much a part of the silver screen rather than the golden age. Plus with solid character actors from that era like Whit Bissell (who will tug win your sympathy as he struggles with his weak heart), Henry O'Neill, Carl Benton Reid, and Harry Cheshire, it sets the mood of the late 1940s. I rented it to see a solid, fatherly performance from Lee (but I didn't mind the eye candy of John either) and it was nice to see him in a good-guy role, unlike On the Waterfront and The Trap. If you like this one, check out a similarly themed drama also starring John Derek, Knock on Any Door.
    8clanciai

    Difficult morality issues and a great family dilemma

    It's an honest well to do family, where the father is a retired lawyer and the only son is studying law with great future prospects. One night however he accidentally happens to cause the death of his best friend in a drunken brawl which totally shatters his self respect. He confides in his father who advises him to immediately make a clean breast of it to the police, but the mother has second thoughts and advises him to wait and sleep on it. Matters get more complicated when a married innocent man without children gets charged with the homicide, and he begs the retired lawyer to defend him at court. The father finds it a clear case for acqittal and accepts the case, but during the trial the charged innocent who has a heart condition has a heartstroke and dies. The case is dismissed, but the perpetrator feels very bad about it and is getting nervous. The film is remarkable for its excellent acting, especially by the father (Lee J. Cobb) playing his part with admirable restraint, and by the son (John Derek) adding another impersonation of a very sensitive and nervous young man, and by his sensible girl (Jody Lawrance) who adds a great deal of cold good sense to the film. It's a great family drama posing many questions of moral resposibility.
    8planktonrules

    The story of an apparent characterless jerk...and his enabling parents.

    When the film begins, David Clark (John Derek) drives home. Apparently, he killed his friend and instead of going to the police, he sneaks home and acts as if nothing had happened. Eventually, he tells his father (Lee J. Cobb) what happened...how it was an accident and how he was attacked first...and his father and mother agree to keep this a secret. Soon you learn that the father is an attorney...and that a man was just arrested for the killing! Instead of telling the truth, the parents continue to enable David to be a stinking weasel...and through the course of the film David shows himself to be a characterless jerk. What's next? Will he do the right thing? Watch the film to find out for yourself.

    I really liked this film because it was so unusual and much more realistic than most movies of the day. In addition to this nice script, the acting is also very good and it's well worth seeing....especially because it offers some neat twists along the way.

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    • Quiz
      The round television in the Clark's house is a Zenith "porthole" model, made from 1948 to 1951, with screen sizes ranging from 10 to 19 inches.
    • Blooper
      When Joe seems to have medical problems on the stand, he sets his glass of water on the judge's desk as the judge calls for a recess. But, in the next shot, a bailiff takes the glass from Joe and sets it down on the judge's desk again.
    • Citazioni

      Charlie: I bet you folks though I was never going to get here.

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    Dettagli

    Modifica
    • Data di uscita
      • 24 ottobre 1951 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • The Secret
    • Luoghi delle riprese
      • Hollywood, California, Stati Uniti
    • Azienda produttrice
      • Santana Pictures Corporation
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 25 minuti
    • Colore
      • Black and White
    • Proporzioni
      • 1.37 : 1

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