Aggiungi una trama nella tua linguaA lawyer faces a difficult decision when his son accidentally kills his best friend with no witnesses present, and a rift develops when his mother and father offer contradictory solutions to... Leggi tuttoA lawyer faces a difficult decision when his son accidentally kills his best friend with no witnesses present, and a rift develops when his mother and father offer contradictory solutions to their son's dilemma.A lawyer faces a difficult decision when his son accidentally kills his best friend with no witnesses present, and a rift develops when his mother and father offer contradictory solutions to their son's dilemma.
- Regia
- Sceneggiatura
- Star
John Baer
- Boy at Birthday Party
- (non citato nei titoli originali)
Amanda Blake
- Telephone Girl
- (non citato nei titoli originali)
Harry Cheshire
- Dr. Black - Coroner
- (non citato nei titoli originali)
Joseph Crehan
- Bailiff
- (non citato nei titoli originali)
Paul Dubov
- Deputy District Attorney
- (non citato nei titoli originali)
Recensioni in evidenza
David Clark is in trouble. He had killed his best friend in self-defense. He confesses to his lawyer father Howard Clark (Lee J. Cobb). They are set to come clean to the D. A. but another man gets arrested for murder. It's the dead man's bookie and Howard gets the job to defend him.
I like the starting premise but I don't like David. It's a complicated role and the actor doesn't seem to be up to the task. He has to play both innocent and guilt. Mostly, he's playing snarky and cold which leaves me a bit cold. He should be running around and changing the evidence. The plot needs twists and turns. This could have centered around Lee J. Cobb instead. He's the veteran actor and the more capable one. I would also get rid of the narration. When done well, this premise has generated plenty of good tense shows. There is so much potential but I don't see it being maximized. The final turn is more a morality play than a surprise twist. The opening premise is full noir but the movie turns into a bland 50's morality lesson.
I like the starting premise but I don't like David. It's a complicated role and the actor doesn't seem to be up to the task. He has to play both innocent and guilt. Mostly, he's playing snarky and cold which leaves me a bit cold. He should be running around and changing the evidence. The plot needs twists and turns. This could have centered around Lee J. Cobb instead. He's the veteran actor and the more capable one. I would also get rid of the narration. When done well, this premise has generated plenty of good tense shows. There is so much potential but I don't see it being maximized. The final turn is more a morality play than a surprise twist. The opening premise is full noir but the movie turns into a bland 50's morality lesson.
The beginning of The Family Secret immediately hooks you in: John Derek, the teenage son of Lee J. Cobb and Erin O'Brien-Moore, comes home early from a night on the town. He washes mud off his tires and changes his clothes before greeting his parents and their dinner guests. We find out soon why he's so morose and cryptic: he's just killed his childhood friend. It was self-defense and accidental, but he still fled from the scene and tampered with evidence. Lee, an upstanding citizen and prominent lawyer, knows his son will do the right thing and confess immediately. Erin wants to cover it up. John's entire life would be ruined, she argues, and it wouldn't bring the dead boy back. As you can tell from the title, John decides to take his mother's advice.
With exception to the jazz music played in some scenes, this feels like a noir from the 1940s. There's a lot of voice-over narration explaining things that don't need explaining, and the scene construction and direction feel very much a part of the silver screen rather than the golden age. Plus with solid character actors from that era like Whit Bissell (who will tug win your sympathy as he struggles with his weak heart), Henry O'Neill, Carl Benton Reid, and Harry Cheshire, it sets the mood of the late 1940s. I rented it to see a solid, fatherly performance from Lee (but I didn't mind the eye candy of John either) and it was nice to see him in a good-guy role, unlike On the Waterfront and The Trap. If you like this one, check out a similarly themed drama also starring John Derek, Knock on Any Door.
With exception to the jazz music played in some scenes, this feels like a noir from the 1940s. There's a lot of voice-over narration explaining things that don't need explaining, and the scene construction and direction feel very much a part of the silver screen rather than the golden age. Plus with solid character actors from that era like Whit Bissell (who will tug win your sympathy as he struggles with his weak heart), Henry O'Neill, Carl Benton Reid, and Harry Cheshire, it sets the mood of the late 1940s. I rented it to see a solid, fatherly performance from Lee (but I didn't mind the eye candy of John either) and it was nice to see him in a good-guy role, unlike On the Waterfront and The Trap. If you like this one, check out a similarly themed drama also starring John Derek, Knock on Any Door.
If you really want to expose a bad actor's badness then put him or her up against a great actor. Like Ava Gardner opposite Bogie in "Contessa". Or Natalie Trundy juxtaposed with Dean Stockwell in "Careless Years". Or John Derek, in this snorer, next to Juror #3.
It's an honest well to do family, where the father is a retired lawyer and the only son is studying law with great future prospects. One night however he accidentally happens to cause the death of his best friend in a drunken brawl which totally shatters his self respect. He confides in his father who advises him to immediately make a clean breast of it to the police, but the mother has second thoughts and advises him to wait and sleep on it. Matters get more complicated when a married innocent man without children gets charged with the homicide, and he begs the retired lawyer to defend him at court. The father finds it a clear case for acqittal and accepts the case, but during the trial the charged innocent who has a heart condition has a heartstroke and dies. The case is dismissed, but the perpetrator feels very bad about it and is getting nervous. The film is remarkable for its excellent acting, especially by the father (Lee J. Cobb) playing his part with admirable restraint, and by the son (John Derek) adding another impersonation of a very sensitive and nervous young man, and by his sensible girl (Jody Lawrance) who adds a great deal of cold good sense to the film. It's a great family drama posing many questions of moral resposibility.
John Derek was a terrible actor. The rest of the cast isn't any better and neither is the writing.
A spoiled young man kills his friend In the heat of anger. The family decides to say nothing and see how it plays out. The killer's mother is especially cold, "After a while we will forget all about this!" Never mind that the slain boy's mother is her best friend. An innocent man is accused and tried and drops dead from a heart attack.
Even the resolution at the end is boring. The movie just STUNK!
A spoiled young man kills his friend In the heat of anger. The family decides to say nothing and see how it plays out. The killer's mother is especially cold, "After a while we will forget all about this!" Never mind that the slain boy's mother is her best friend. An innocent man is accused and tried and drops dead from a heart attack.
Even the resolution at the end is boring. The movie just STUNK!
Lo sapevi?
- QuizThe round television in the Clark's house is a Zenith "porthole" model, made from 1948 to 1951, with screen sizes ranging from 10 to 19 inches.
- BlooperWhen Joe seems to have medical problems on the stand, he sets his glass of water on the judge's desk as the judge calls for a recess. But, in the next shot, a bailiff takes the glass from Joe and sets it down on the judge's desk again.
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- How long is The Family Secret?Powered by Alexa
Dettagli
- Tempo di esecuzione1 ora 25 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was The Family Secret (1951) officially released in India in English?
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