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A taut story, first-rate acting, and a compelling subject make this film worth seeing.

Espionage/spying is a tricky subject, but "Decision Before Dawn" handles it brilliantly. No flash, no Mata Haris, no absurd coincidences. Weaving human drama and the grim realism of war, this film is that rare gem that manages to teach without preaching.

Among the superb performances is our hero Happy, played with just the right blend of suspense and humanity by Oskar Werner. Happy (an ironic name given to him by his American overseers) is torn between love of his native land and his duty to what is right. Werner walks this tightrope better than most I've seen.

In the end, however, it's the script that is the true gem of the film. Peter Viertel is a master story teller, with such great screenplays as "Saboteur" and "The Hard Way" to his credit. Viertel, with a story by author George Howe, weaves an intricate, but not confusing, narrative of war and devotion and duty. He's one of the few _writers_ I look for when I check out "On TV This Week" on IMDB.

Occasionally I rate a film high for personal and sentimental reasons. In this case I am compelled by objective facts to add in the light of greater perspective that I consider this one of the best war movies of all time.

In the first place, the acting is superb. The casting is flawless. The direction is taut, as is the editing. It is filmed in black and white, as it would have to be even today if someone wanted to try a remake. The locations and sets are authentic to a "T." The story itself follows faithfully the text of a book I read as a child (before I saw the film, in fact).

Moreover, I consider it an act of bravery on the part of the film's producers even to begin a project like this so soon after the end of World War II, when passions against the Germans were still running high and mere caricatures of that nation's common people remained the standard for the day (and for years to come).

Oskar Werner in the main role was a brilliant choice, and veterans Richard Basehart and Gary Merrill provide ample evidence that casting proceeded on a basis of resolute excellence and authenticity. I am still blown away by revisiting the "Romantic Road" in Germany and thinking how this movie defined and continued to define for me how recent and ancient history converged along that path.

I cannot praise it enough.

The movie puts you in WWII's closing days as you watch an idealistic young German Army medic become a traitor to his country by working as a spy in order to let the war end quickly and let peace return. The movie extras are former German soldiers, and you can tell by how they wear their "rag tag" uniforms and bark out commands in German. The scenes are superb. Bombed out areas of Germany were used, and one scene in a bombed out theater is especially great. You hear the falling glass and metal structures as the Gestopo search for the soldier. It is simply a very entertaining movie that lets one ponder: What would I have done if I were in his place?

Having served in the US Army-Europe in Germany it was easy to see that this work was an accurate depiction of the world as Germans saw it in those years. Going to the IMDb database confirmed that it was filmed in Wurzberg, a city I visited many times. One can not help but wonder what memories and nightmares came back to life for the German people in this movie, or the ones who viewed it, or even witnessed the movie being made. The film is so very realistic in script, acting, and setting that some must have almost thought WWII was alive again. For those that lived through WWII in that country it must have seemed as if those days were repeating themselves. Every detail of this movie is accurate as far as I could tell. It does not employ overused stereotypes, no action heroes, no earth shaking grand and glorious finale, it simply depicts a period of time in all its' tragedy and irony in a most realistic manner. This work deserves more praise and exposure than it has received. A must see for every WWII researcher and historian.

For anyone who is used to freedom, this movie shows better than any other what it is like to live in a total police state. The Thousand-Year Reich is shown with every wart and blemish, making this one of the greatest propaganda movies for freedom. But it is a harrowing experience, a true thriller. For the life of me, I cannot understand why this film is not better known and why it is hardly available in public libraries. Could this reflect the conservative, McCarthyite influence on movies? I think it is a must-see.