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6,8/10
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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaHoping to impress a beautiful senorita, an American visiting Mexico trains with a famous Mexican bullfighter and becomes a competing bullfighter himself.Hoping to impress a beautiful senorita, an American visiting Mexico trains with a famous Mexican bullfighter and becomes a competing bullfighter himself.Hoping to impress a beautiful senorita, an American visiting Mexico trains with a famous Mexican bullfighter and becomes a competing bullfighter himself.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 1 candidatura in totale
Ricardo Torres 'Bombita'
- Self - Torero
- (filmato d'archivio)
Recensioni in evidenza
10whpratt1
This is a great film showing the horrors of bullfighting with excellent photography and directed by a former bullfighter himself, Budd Boetticher. John Wayne produced this picture but did not appear in this film and presented a film that was originally cut into pieces but has been restored to its original print, which is seen today. Robert Stack, (Johnny Regan) plays the role as a U.S. Citizen who has connections with Hollywood and has become interested in becoming a bullfighter and so he travels to Mexico to met a real famous matador. Johnny meets up with Manolo Estgrada, (Gilbert Roland) at a famous eating place and forces his attentions to Manolo in order to become friendly with him and to break into his inner circles of life. It it not very long before Johnny makes an arrangement with Manolo to teach him how to shoot birds in exchange for Matador lessons. This film goes into great detail about how to fight a bull and the dangers of the sport in Mexico. Johnny also meets up with a woman he falls in love with at first sight and just can't get her out of his mind both day in and day out, this woman is Anita De La Vega, (Joy Page) who does keep a distance from Johnny, but things do warm up between these two couples. Great film and a wonderful Classic Bullfighting film with great realism. Enjoy.
10armoscot
This is a beautiful, compelling and honest film. It is imbued with the good kind of machismo--notions of honor, sacrifice, and the nobility of effort. Instead of cluttering up the film with lots of story and complications, Boetticher has delved inside the heart and mind of this (to us gringos) strange sport.
My only addition to the other comments is the photography is remarkable for its era, almost an outdoor film noir, a romantic realism in black and white. (And note that in a number of shots it is clearly Robert Stack doing his own bullfighting!) I note that the film was produced by John Wayne for Republic, obviously mostly in Mexico; just one year later Republic permitted John Ford to make THE QUIET MAN in Ireland; early examples of American filmmaking in an international context.
Don't hesitate to see this extraordinary film.
My only addition to the other comments is the photography is remarkable for its era, almost an outdoor film noir, a romantic realism in black and white. (And note that in a number of shots it is clearly Robert Stack doing his own bullfighting!) I note that the film was produced by John Wayne for Republic, obviously mostly in Mexico; just one year later Republic permitted John Ford to make THE QUIET MAN in Ireland; early examples of American filmmaking in an international context.
Don't hesitate to see this extraordinary film.
This was Boetticher's big breakthrough, though it's not remembered nearly as well as the Westerns he made later on the same decade. I'm sure that's very much the fault of its subject matter, which is rightly despised by the vast majority of human beings nowadays. Frankly, the film itself is pretty lousy in general. Robert Stack stars as an American visiting Mexico who decides to take up bullfighting to impress a beautiful woman (Joy Page). He befriends a famous toreador (Gilbert Roland) who trains him, though he's derided by other bullfighters and fans. The film was originally cut down to 87 minutes (after all, it was only meant to be a B-movie), but it has recently been restored to 124 minutes. I'd definitely much rather watched the shorter version, though I'm sure it's just as dull (just not so damn long). The bullfighting scenes are graphic, but, what's worse, the sport just comes off as a total bore itself, like the same thing over and over. Katy Jurado also stars.
Robert Stack with blonde hair? Could that really be "Elliot Ness?" Well, it was the early '50s, before Stack made a name for himself with the TV hit, "The Untouchables. For those looking back at this film for the first time, as I did in the 1990s, this was a weird sight.
Blonde or not, the main question which might answer if you will enjoy this film is, "Does bullfighting interest you?" If it does, you'll like this; if it doesn't, you're going to be bored.
II saw the two-hour "restored" version and it looked nicely-photographed in black-and-white and very detailed about the sport of bullfighting. There were a number of scenes where I started to get bored, to be honest, and I hard time sticking with it but I have no interest in bullfighting, either. It leaves me cold. If I had interest, well, I would have a totally different outlook on the film.
Kudos to Stack for doing - at least in some spots - his own bullfighting. That was impressive and shows me the man had guts. The skeet-shooting scene also was real as he was a pretty good marksman.
The romantic scenes, as expected, were so-so as "Chuck Regan" (Stack) pursues his bullfighting coach's daughter, "Anita de la Vega" (Joy Page)
If you love bullfighting, this film would be a "must-have" because it goes into the "sport" in some detail and even mixes in some live footage (in the long version). I would suggest the longer version, anyway, because that's the way the filmmaker intended the audience to see his work. Given a choice, always see the longer version and then make up your own mind whether it should have been cut or not.
Blonde or not, the main question which might answer if you will enjoy this film is, "Does bullfighting interest you?" If it does, you'll like this; if it doesn't, you're going to be bored.
II saw the two-hour "restored" version and it looked nicely-photographed in black-and-white and very detailed about the sport of bullfighting. There were a number of scenes where I started to get bored, to be honest, and I hard time sticking with it but I have no interest in bullfighting, either. It leaves me cold. If I had interest, well, I would have a totally different outlook on the film.
Kudos to Stack for doing - at least in some spots - his own bullfighting. That was impressive and shows me the man had guts. The skeet-shooting scene also was real as he was a pretty good marksman.
The romantic scenes, as expected, were so-so as "Chuck Regan" (Stack) pursues his bullfighting coach's daughter, "Anita de la Vega" (Joy Page)
If you love bullfighting, this film would be a "must-have" because it goes into the "sport" in some detail and even mixes in some live footage (in the long version). I would suggest the longer version, anyway, because that's the way the filmmaker intended the audience to see his work. Given a choice, always see the longer version and then make up your own mind whether it should have been cut or not.
I recently caught the 124 restored version of "Bullfighter and the Lady," and thought it was excellent. I believe the 87 minute version left out much of the actual bullfighting scenes which is a real tragedy. The bullfighting scenes are shockingly real--almost documentary-like and add quite a bit of texture and reality to the movie. Boetticher was a bullfighter and his knowledge and love of the sport shows through.
I was also quite impressed with the cast, including Robert Stack who, I must admit, I never had really thought was much of an actor. Gilbert Roland, as Stack's mentor, is tremendous as is Joy Page and, especially, the wonderful Katy Jurado.
There is an interesting use of sound also. Boetticher effectively uses thunder as an ominous counterpoint during two key scenes in the movie.
Highly recommended in the 124 minute, restored version.
I was also quite impressed with the cast, including Robert Stack who, I must admit, I never had really thought was much of an actor. Gilbert Roland, as Stack's mentor, is tremendous as is Joy Page and, especially, the wonderful Katy Jurado.
There is an interesting use of sound also. Boetticher effectively uses thunder as an ominous counterpoint during two key scenes in the movie.
Highly recommended in the 124 minute, restored version.
Lo sapevi?
- QuizThe scenes of Robert Stack showing Gilbert Roland how to skeet shoot parallel true life. In college, Stack was not interested in team sports, and he took up skeet shooting. In 1935, he came in second in the National Skeet Shooting Championship held in Cleveland, and in 1936 his five-man team broke the standing record at the National Skeet Championships held in St. Louis. In 1937, he was the U.S. 20-gauge champion skeet marksman and held the record for more than 350 consecutive hits. He also served as a gunnery officer in the U.S. Navy for more than three years during World War II and, among other decorations, was awarded the "Expert Rifle" and "Expert Pistol" ribbons.
- Versioni alternativeCut to 87 minutes after premiere; recently restored to original 124-minutes length.
- ConnessioniFeatured in The 67th Annual Academy Awards (1995)
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- Tempo di esecuzione1 ora 27 minuti
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