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IMDbPro

L'asso nella manica

Titolo originale: Ace in the Hole
  • 1951
  • T
  • 1h 51min
VALUTAZIONE IMDb
8,1/10
41.124
LA TUA VALUTAZIONE
L'asso nella manica (1951)
Theatrical Trailer from Paramount
Riproduci trailer2: 23
1 video
99+ foto
DrammaFilm noirSopravvivenzaTragedia

Un ex giornalista frustrato che ora lavora per un giornale di Albuquerque sfrutta la storia di un uomo intrappolato in una grotta per riaccendere la sua carriera, ma la situazione diventa ra... Leggi tuttoUn ex giornalista frustrato che ora lavora per un giornale di Albuquerque sfrutta la storia di un uomo intrappolato in una grotta per riaccendere la sua carriera, ma la situazione diventa rapidamente fuori controllo.Un ex giornalista frustrato che ora lavora per un giornale di Albuquerque sfrutta la storia di un uomo intrappolato in una grotta per riaccendere la sua carriera, ma la situazione diventa rapidamente fuori controllo.

  • Regia
    • Billy Wilder
  • Sceneggiatura
    • Billy Wilder
    • Lesser Samuels
    • Walter Newman
  • Star
    • Kirk Douglas
    • Jan Sterling
    • Robert Arthur
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    8,1/10
    41.124
    LA TUA VALUTAZIONE
    • Regia
      • Billy Wilder
    • Sceneggiatura
      • Billy Wilder
      • Lesser Samuels
      • Walter Newman
    • Star
      • Kirk Douglas
      • Jan Sterling
      • Robert Arthur
    • 234Recensioni degli utenti
    • 125Recensioni della critica
    • 72Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 1 Oscar
      • 5 vittorie e 3 candidature totali

    Video1

    Ace In The Hole
    Trailer 2:23
    Ace In The Hole

    Foto191

    Visualizza poster
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    + 184
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    Interpreti principali52

    Modifica
    Kirk Douglas
    Kirk Douglas
    • Chuck Tatum
    Jan Sterling
    Jan Sterling
    • Lorraine Minosa
    Robert Arthur
    Robert Arthur
    • Herbie Cook
    • (as Bob Arthur)
    Porter Hall
    Porter Hall
    • Jacob Q. Boot
    Frank Cady
    Frank Cady
    • Al Federber
    Richard Benedict
    Richard Benedict
    • Leo Minosa
    Ray Teal
    Ray Teal
    • Sheriff Gus Kretzer
    Lewis Martin
    Lewis Martin
    • McCardle
    John Berkes
    John Berkes
    • Papa Minosa
    Frances Dominguez
    • Mama Minosa
    Gene Evans
    Gene Evans
    • Deputy Sheriff
    Frank Jaquet
    Frank Jaquet
    • Sam Smollett
    Harry Harvey
    Harry Harvey
    • Dr. Hilton
    Bob Bumpas
    • Radio Announcer
    Geraldine Hall
    • Nellie Federber
    Richard Gaines
    Richard Gaines
    • Nagel
    Roy Regnier
    • Nagel - New York Editor (replaced by Richard Gaines)
    • (scene tagliate)
    Oscar Belinda
    • Barker
    • (non citato nei titoli originali)
    • Regia
      • Billy Wilder
    • Sceneggiatura
      • Billy Wilder
      • Lesser Samuels
      • Walter Newman
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti234

    8,141.1K
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    Recensioni in evidenza

    10castolon

    The plot is based on real events

    The movie very closely parallels the real events of January 30 to February 16, 1925 in terms of the general story line. There are some significant differences concerning the actions of the characters.

    Floyd Collins, a cave explorer working alone (not a real good idea), was trapped in Sand Cave KY, near Mammoth Cave. He was not looking for treasure, but for a new cave suitable for commercializing to produce income in an economically depressed region...and this was before the Depression occurred.

    He became trapped on the way out of the cave by a 27 lb. rock which rolled onto his leg in a narrow crawlway. The configuration was such that it could not be moved enough to get his foot past.

    When he failed to return home, the family went searching and quickly found him only 150' inside the cave.

    A huge rescue effort was mounted and a cub reporter, Skeets Miller, from Louisville KY showed up to cover the story. It became one of the three most widely broadcast events of the time. Besides the extensive newspaper coverage, the relatively new medium of commercial radio riveted listeners with hourly accounts. It quickly became the first media circus ever seen.

    Because of the print and radio coverage people began flocking to the site. A carnival atmosphere did indeed spring up around the cave. The state police and National Guard were called out by the governor to control the chaos and the more than 20,000 onlookers. The similarity between the real event and the movie on this account are likely nearly identical.

    As in the movie, a decision was made to drill a shaft and, also as in the movie, the rock was fairly unstable and prone to collapse from the pounding of the cable tool drilling rig. The longer the effort went on, the more unstable the cave passage became.

    Unlike Kirk Douglas' character in the movie, Skeets Miller served a most honorable role. Due to his small build he became one of very few persons able, and eventually the only one willing, to enter in an attempt to deliver food and water to Collins. He received a Pulitzer Prize for his reporting. Also unlike the movie, there was no manipulation of the event to delay the rescue, but there was considerable disagreement over how to best do it. Area coal miners made the initial attempts and the event concluded with the above-mentioned shaft.

    Collins was presumed to have died 3 days before rescuers reached him. Because the conditions were so unstable, the body was left in the cave. The family was able to remove him about 80 days afterward for a proper burial. Later, his glass-topped casket was returned to the now-commercial cave as a tourist attraction. It was removed once again, and finally, in 1989.

    In 1982, a definitive account of the event was published in the book 'Trapped!'. A most informative read.

    In a take-off of the 'Free Tibet' bumper stickers, vehicles are occasionally seen with a 'Free Floyd Collins' sticker.
    9Pearsey

    "Go home! The carnival is over."

    This is a movie I have loved since the first time I saw it as a child. Kirk Douglas plays the lead role in "The Big Carnival", or "Ace in the Hole" as it was originally titled. As down and out former ace newspaper reporter Chuck Tatum, he finds himself broke in the southwest and manages to talk himself into a reporting job with a small town newspaper. He and a cub photographer are sent to cover a snake hunt and on the way they come across a more interesting story. A man hunting Navaho artifacts got caught in a cave in.

    Tatum, after visiting the man, Leo Minoso in the cave, has visions of Floyd Collins and a Pulitzer prize dancing in his head. Through blackmail and manipulation of the story, Tatum sells his soul and his journalistic ethics in his quest for a chance at the big time again.

    This movie was ahead of it's time in estimating how low the media would go to sell a story. Tatum leads the carnival of onlookers, vendors and other reporters wanting a piece of the story until the inevitable tragic ending occurs. He realizes too late how he has turned a simple event into a tragedy and become part of the story instead of a reporter. Kirk Douglas turns in a powerful performance.
    boris-26

    Billy Wilder should not call this powerful whiff of the journalism world "The runt" of his cinematic litter!

    Billy Wilder's first commercial failure, but one of his best films, almost up there with "Sunset Blvd." Ambitious reporter Chuck Tatum (Kirk Douglas) finds out a man is trapped in a collapsed mine. By spewing out bogus engineering, he manages the rescue of the poor man to become more complicated, and time consuming then needed. Meanwhile, it becomes an amazing news item, something that makes Tatum the best known reporter in the country. However, everybody's luck runs out at the end. Perhaps the cause of failure of this film is that there are no sympathetic characters here. Douglas plays a total creep, the trapped man's wife is a floozy "I'm not going to pray for him! Praying ruins my nylons!" in the film. Even the trapped man is somebody who was poking around Indian graves. The screenplay, and the lead performances are top class. The extensive location photography, and somewhat documentary look of the film makes the film feel more modern than most 1951 films. Billy Wilder calls this film "the runt of his litter" Don't be so harsh, Billy, it's an excellent picture!
    hipthornton

    wow!

    Saw this films years ago and it's still gripping.Mr.Wilder seldom did films that gripped the human condition like this one.After this movie flopped he stuck to screen adaptions of stage hits through most of the fifties.Both director and star,Kirk Douglas really delivered a stinging expose of media hype and manipulation of the newspaper business.Herein,burned out reporter Douglas chances on a man trapped in a cave and ruthlessly exploits it for his own gain.There's no softness here,even the leading lady (played wonderfully by Jan Sterling)is as hard as Douglas.The scenes of all the gawkers showing up,complete with carnival,are outright creepy.There's even a cheesy country western singer plunking a guitar and singing about poor Leo,(the trapped man.) The only sympathetic person is poor Leo's mom who continually prays for his release.Definitely a film for lovers of great movie drama.
    8smatysia

    Media of 1951 acting like media of 2001

    A powerful toasting of the media of the day. Imagine what this would have been like in the age of television. Kirk Douglas plays a self-centered heel, and does so very well. I also liked Jan Sterling as Lorraine. It's true that there is no really sympathetic character in this film, except maybe Leo, the man trapped in the cave. Someone wrote that he too, wasn't a sympathetic character, because he was trapped while collecting Indian artifacts for sale, but I don't think that would have bothered anyone in 1951. The tone of the film throughout was one of total cynicism, that seems a bit out of place for the times. Maybe that's why this movie was not a commercial success. It fits much better now, though, since everyone has seen the media behaving in such disgraceful fashion. However, that may rob it of some of its (probably intended) shock value. Grade: A

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      After the film was released, it got bad reviews and lost money. The studio, without Billy Wilder's permission, changed the title to "The Big Carnival" to increase the box office take of the film. It didn't work. On top of that, Wilder's next picture, Stalag 17 (1953), was a hit and he expected a share of the picture's profits. Paramount's accountants told him that since this picture lost money, the money it lost would be subtracted from the profits of "Stalag 17".
    • Blooper
      When Lorraine and Chuck are talking out in front of Minosa's store by the gas pumps, reflections of the crew moving around behind the camera can be seen in the store windows.
    • Citazioni

      Charles Tatum: Bad news sells best. Cause good news is no news.

    • Connessioni
      Featured in AFI Life Achievement Award: A Tribute to Billy Wilder (1986)
    • Colonne sonore
      The Hut-Sut Song
      (uncredited)

      Written by Leo Killion, Ted McMichael and Jack Owens

      Sung by Richard Benedict and Kirk Douglas

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    Dettagli

    Modifica
    • Data di uscita
      • 20 febbraio 1952 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Spagnolo
      • Latino
    • Celebre anche come
      • Cadenas de roca
    • Luoghi delle riprese
      • Laguna Pueblo, New Mexico, Stati Uniti(church exteriors)
    • Azienda produttrice
      • Paramount Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 1.800.000 USD (previsto)
    • Lordo in tutto il mondo
      • 2.300.087 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 51 minuti
    • Colore
      • Black and White
    • Proporzioni
      • 1.37 : 1

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