Sabbie rosse

Ah yes...the classic Western which when done right lives in the hearts of every Western lover. This one has it all. Cowboys, the law, a love story, outdoors, cattle and frontier justice. What we tend to forget but are reminded thanks to Westerns like these that it was no cake walk back then and life was not given to anyone on a platter. You had to work hard and long and even then who knows what can or would happen living out-there in the wilderness and on the edge of civilization. Kirk was made for Westerns as we find out in future movies as he went on to star in some pretty nice stuff. Walter Brennan is a guaranteed good time as the man captured every role he ever played no matter where you put him. Add some horses, some other familiar faces and we are being entertained no problem. Imagine going to see this for the first time in the big theater. Its a slow-popcorn eating movie with a tasty drink all the way to the end with some chair-gripping scenes along the way complimenting the title Along The Great Divide. Mount-up on this one and lets all head back to the ranch fore supper time. Enjoy pards

The heavy-handed script of ALONG THE GREAT DIVIDE puts every possible obstacle in the way of a saintly sheriff (KIRK DOUGLAS) intent on bringing a suspected murderer to justice and away from the men who want to lynch him for killing a rancher's son.

The plot gets off to a good start with a lynching interrupted by good guy Douglas, who saves the neck of WALTER BRENNAN from the hangman's noose. But the plot gets a bit too thick by the time we encounter Brennan's fiery daughter (VIRGINIA MAYO) and the bad men who want to stop Douglas and his party from reaching a town where a jury can decide Brennan's fate.

Despite the gorgeous outoor scenery filmed in crisp B&W, there's a low-budget look to the night scenes filmed on indoor stage bound sets. Director Raoul Walsh keeps things moving, but the plot is so full of tiresome obstacles and shifting loyalties that the thirsty desert scenes seem to drag as the film nears its conclusion once the party has reached civilization.

JOHN AGAR is decent enough as Douglas' ill-fated sidekick but it's JAMES ANDERSON as the no good son (brother of the man Brennan is supposed to have killed), who manages to steal scenes with his shifty manner as the villain of the piece. Too bad his career was cut short by his premature death at 48.

VIRGINIA MAYO is improbably cast and her romance with Douglas is strictly full of clichés as they fight incessantly over his intent on bringing her father to justice. The story is pretty routine and even though the running time is brief, the film runs out of steam before the party reaches its destination in a nearby village so that the finale seems anticlimactic.

It remains an average western despite the good cast.

Along the Great Divide is directed by Raoul Walsh and written by Walter Doniger and Lewis Meltzer. It stars Kirk Douglas, Virginia Mayo, John Agar, Walter Brennan, Ray Teal, James Anderson and Morris Ankrum. Music is by David Buttolph and cinematography by Sidney Hickox.

U.S. Marshall Len Merrick (Douglas) and two deputies rescue suspected murderer Tim Keith (Brennan) from a lynch mob led by a local cattle baron who is convinced that Keith killed his son. The lawmen embark on a hazardous journey across the rugged terrains, determined to get Keith to Santa Loma for a fair trial...

Kirk Douglas' first Western is something of an undervalued treat. It was a film he didn't enjoy making, where working out in the desert with Raoul Walsh proved something of a cross to bear. Yet the director got a very good turn out of Douglas, allowing the actor to put down a marker in the genre that would serve him well throughout his career.

It sits very much in the psychological Western realm, a fact that some critics of the time failed to grasp - since complaints about not being a standard Oater were floated about! It really shouldn't have surprised anyone given that Douglas had already made a handful of superb film noir pictures, he was surely cast for this pic on the strength of his noir characters.

There's big father issues abound in the whole film, the various strands keeping the narrative edgy. Merrick is a damaged man, and his companions that make up the group will all test his metal to the max. Not just for father issues, and a lack of water, but also via the presence of Keith's daughter, Ann (Mayo), who mercifully isn't just a token female dressage character (she's feisty with believable emotional outpourings). It's a fraught journey for many reasons and Walsh, notwithstanding cheesing Douglas off, keeps it deftly wound tight.

The surroundings offer more troublesome discord to envelope the characters. Shot in gorgeous black and white by Hickox, the Alabama Hills and Mojave Desert locales provide barren landscapes that are juxtaposed with threatening looking rock formations. This often at times feels like an Anthony Mann/James Stewart landscape, which is high praise indeed. While the cast can't be faulted as they bring the drama to life, benefiting from the fine research of writers Doniger and Meltzer.

Undeniably the film's major drawback is the lack of whodunit worth. The pic unfortunately plays its hand far too early in this respect, meaning we know who the killer is. This could have lessened the excitement at story end, damagingly so, but we are never sure if we are going to be party to an Ox-Bow Incident or otherwise. This is well worth seeking out for fans of psychological Westerns, the many Oedipal themes and the scorching landscapes ensure it's a tasty little number. 8/10

Tough, up-right, and by-the-book Marshal Len Merrick (Kirk Douglas) is forced to transport a murder suspect (Walter Brennen) across an unforgiving desert with a lynch mob in pursuit. Whatever tension the film builds is wasted as Merrick repeatedly does foolish things (spending a night in the accused's house, allowing the potential killer's daughter to tag along (after she's pulled a gun on him), taking the pistol but not the cartridges from a potential threat etc.) but the biggest weakness is the blatantly obvious 'real killer', which makes the ending painfully predictable and unrewarding. Raoul Walsh was a great director but this oater, while beautifully filmed, suffers from a cliched script, unbelievable characters, and a lack of attention to detail. I'm not a huge fan of Douglas's clenched-tooth style of toughness but he's OK (as is Walter Brennen) but John Agar (who later would dominate the goofy world of low-budget '50s sci-fi) is out of his depth and Virginia Mayo is completely unconvincing as Brennen's tough ranch-girl daughter (and half of a contrived shoe-horned-in love story). All in all, a weak start to Douglass's extensive career in westerns.

Colorful western wonderfully photographed in black and white on location in Arizona . Beautifully filmed , though little known Raoul Walsh film . Kirk Douglas' first Western has the usual horse opera cliches supported by magnificent cinematography by cameraman Sidney Hickox and thrilling musical score by David Buttolph. A U. S. sheriff named Len Merrick (Kirk Douglas) and two deputies (John Agar , Ray Teal) rescue a cattle rustler called Tim (Walter Brennan) from a lynch mob led by a local cattle baron , Ed Roden (Morris Ankrum) , convinced that the rustler also killed his son. Then the Marshal and deputies make their way across the desert with Tim and his daughter (Virginia Mayo) . Along the way they hold storm , betrayal and pursuits against a spectacular desert backdrop . A Marshal whose hide no bullet could touch...and the girl who got under his skin!. "Who's the prisoner now, law-man?". An adventure that avalanches from the bullet-proof of the Rockies to the fiery desert floor ! .

His enjoyable film with an unusual detective element to the plot , containing noisy action , crossfire , formidable villainy , go riding , relentless chases , and gorgeous Arizona locations . A paronamic western , being spectacularly screened ; as the plot is plain and simple but little by little results more complicated and surprising , in which a sheriff must bring a falsely accused murderer to trial . This movie has a compelling combination of fine performances , intense drama , crossfire and spectacular outdoors . Director Raoul Walsh aims for psychological realism with a contemporary treatment and about an upright sheriff who has a dark past . A blending of talent actors with great leading players of whom Kirk Douglas holds the best character as the obstinate Marshal who'll stop at nothing to get his purports . Along with the alwys great Walter Brennan as a suspicious killer father , they are the key factors that lift this Warners Western above the ordinary . The hothouse plot drives mercilessly forward with action , shootouts , thrills , attacks and turns . The tale is strong one and the yarn is marvellously located against a background of Arizona and California mountains . Very good main and support cast giving hard-driving acting , standing out Virginia Mayo as the lady in distress and Morris Ankrum as the stubborn pursuer ; in addition notorious secondaries as John Agar , Ray Teal , Hugh Sanders , James Anderson, among others.

Blazing and gorgeous cinematography by Sid Hickox shot on location in Mojave desert , Yuma , Arizona , and Alabama Hills, Sierra Madre Mountains , California. The motion picture was competently directed by Raoul Walsh . Direction in the capable hands of Walsh who ensures that the pace is surprisingly nice and action scenes hit hard . From his starts in the silent cinema he achieved successful films until the 50s and forward , early 60s , when he was less dominant , but is still stayed lots of lusty adventure , stories of comradeship and friendship , and Raoul Walsh usually makes the most of plentiful action scenes . Walsh was an expert director of all kind genres but with penchant for Western such as ¨Colorado territory¨, ¨They died with their boots on¨, ¨Along the great divide¨, ¨Saskatchewan¨, ¨King and four queens¨ , ¨A distant trumpet¨ , ¨The Sheriff of Fractured Jaw¨ ; Adventure as ¨Thief of Bagdad¨, ¨Captain Horatio Hornblower¨, ¨World in his hands¨, ¨Blackbeard the pirate¨ , ¨Sea devils¨ ; Warlike as ¨Objetive Burma¨ , ¨Northern pursuit¨, ¨Marines let's go¨ ; and Noir film as ¨White heat¨, ¨High Sierra¨, ¨They drive by night¨, ¨The roaring twenties¨. And this acceptable ¨Gun Fury¨, rating : 7/10 ; fairly straightforward movie and acceptable Western adventure . This decent Western film will appeal to Raoul Walsh enthusiasts.