Tales of Tomorrow

Well before "The Twilight Zone" and "The Outer Limits", there was a similar anthology series on ABC, "Tales of Tomorrow". The show generally was written very well but unfortunately its budget was practically nothing. As a result, some of the shows were just awful (such as "Read To Me, Herr Doktor") because the 'monsters' were just hilariously bad and some were brilliant ("The Window") because these episodes did NOT rely on special effects or aliens. It's a shame, however, that the show has been mostly forgotten--as these later series sure owe it a debt of thanks for paving the way for horror/sci-fi/fantasy anthology shows.

Fortunately, if you want to see the show, you can! Yep, following the links on IMDb or by going straight to archive.org you can download the shows or watch them online for free, as they are in the public domain. Give them a try, you'll likely enjoy them despite their limitations.

Television of the early 1950's had lots of science fiction programmes. You had your choice of "Rocky Jones, Space Ranger", "Flash Gordon", "Tom Corbett, Space Cadet" and the series I am here tonight to talk about.

"Tales of Tomorrow" was for the most part a well done and effective series which offered plots which never . . . well okay, seldom . . . strayed into outlandishness. Monsters were rarely seen but their presence was always felt. In the "Dune Rollers" episode for example we learn that mysterious rocks found only on a spot called Lightning Island have the power to merge and grow into giant rocks which can move on their own and radiate enough heat to burn a victim to a crisp. (If that sounds familiar and you have never seen the episode you are probably thinking about s similarly theme feature from the 1980's called THE CREMATORS.)

The "Blunder" episode will have you on the edge of your seat but you might as well relax. Scientist Robert Allen risks an experiment which might deplete the Earth's entire oxygen supply. Of course he is certain that this will not happen but his fellow scientists are not at all sure. Can they reach him in time to stop him? The ending will leave you asking "WHAT just happened?"

"The Crystal Egg" will always be a favourite of mine. Oscar winner Thomas Mitchell is a university professor who is asked to examine what appears to be a harmless curio. Ah, but when he looks into it he sees the surface of Mars. And one time, a moment which will make you jump, he sees something looking back at him!

"Test Flight" starring Lee J. Cobb is another good one. Lee is a wealthy businessman who decides to build his own rocket to fly to the Moon. A mysterious engineer offers him a fool proof plan to build a rocket and Lee nearly bankrupts his company to build it. Does it work? Yes, and Lee and the engineer are the test pilots . . . but is Lee ever in for a surprise after take-off.

Everyone has already written about the "Frankenstein" episode so there is little that I can add. So much has been said about this episode that watching it today is a little disappointing because many of you will be expecting more. The one live broadcast may have contained more "juicy bits" but these were edited (if they ever even existed to begin with) for subsequent re-broadcasts. Lon Chaney gives a really great performance, way different from his portrayal of The Monster in GHOST OF FRANKENSTEIN (1942) and this interpretation is wholly original.

"What You Need" was a very satisfying episode also. I was glad William Redfield's ruthless, amoral character got what he deserved but I wish Edgar Stehli had made a different decision at the end. You will see what I mean.

Okay so very often the backdrops are obviously painted. In fact in the "Appointment on Mars" episode the camera follows Leslie Neilsen as he climbs a rock and you can see the studio lights about where the backdrop ends! Characters blow lines and miss cues, even during the commercials which were also shot live. This only adds to the charm of these episodes and recalls the age of Live Television; an era which is sadly gone forever. Thank goodness for collections like this so people like me who missed that era can see what it was like.

Here's a bit of trivia for anyone who's a fan of Universal monsters or Lon Chaney:

Lon Chaney starred in this TV show's rendition of the horror classic, and it was filmed live. Unfortunately, when Lon Chaney got dressed up in the Frankenstein Monster makeup (looking similar to Robert DeNiro's incarnation, by the way) and began performing the role live before millions of watchers, he didn't realize that it was the actual performance. He was dog-drunk and was sure that this was only a rehersal. Therefore, instead of smashing chairs and tables, he merely picked them up, pretended to throw them, and then put them back down on the ground....to be smashed for the actual performance. As a result, the episode didn't make a lot of sense, but it sure was fun on a camp-level.

Just figured someone might enjoy this bit of information.

Tales Of Tomorrow.... I have watched this whole series on Tubi TV. These are like the Twilight Zone and Outer Limits. They were 8 years before Twilight Zone. I don't think Rod Serling is the originator of this style. The only thing that made T-Zone different was the unique hosting. The stories in Tales of Tomorrow will stand up to any T-Zone episode. The episode Ice From Space.... I think theres a young, Paul Newman in it.

I picked up a dollar DVD of TALES FROM TOMORROW especially for the Lon Chaney "Frankenstein" episode (yeah, everyone knows he was drunk and thought it was a rehearsal --- he was pretty good nonetheless). I must have a different DVD from the previous posters because everyone else mentions "The Crystal Egg" and "Appointment on Mars" but no one has said anything about "The Dune Roller" which, to my mind, is the best episode of the four. Of all three it suffers most from its low budget. When your title menace is a huge, terrifying "creature" at some point the audience expects to see it, even if it turns out to be only a crude puppet. In this case the menace remains off screen at all times but the story is still very effective, thanks to good writing (reminiscent of 50s British Sci-Fi like X THE UNKNOWN and THE CRAWLING EYE) and a very strong central performance by Bruce Cabot, who up until now I'd never thought of as a particularly impressive actor. "The Dune Roller" would make a good feature film, or would have when modestly budgeted science fiction thrillers were still a commercially acceptable genre.