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Aggiungi una trama nella tua linguaComedian Red Skelton hosts a variety show of comedic sketches, and a range of stars, to speak to an entire generation.Comedian Red Skelton hosts a variety show of comedic sketches, and a range of stars, to speak to an entire generation.Comedian Red Skelton hosts a variety show of comedic sketches, and a range of stars, to speak to an entire generation.
- Vincitore di 2 Primetime Emmy
- 4 vittorie e 16 candidature totali
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It was wonderful to have a youth where our family would get together weekly to watch the miracle performer of all time Red Skelton. Red had world class scripts or could be an ad-lib genius and improvise to perfection. The characters he created are beloved for the ages, Clem Kadiddlehopper, San Fernando Red, Freddie the Freeloader, Cauliflower McPugg, tippler Willie Lump-Lump, Sheriff Deadeye, Lord Beaverhead, and George Appleby. He had the cream of the crop of entertainers including, John Wayne, Milton Berle, Martha Raye, Tim Conway, Phyllis Diller, Mickey Rooney, Nipsey Russell, George Gobel, Robert Goulet, Merv Griffin,Vincent Price, Lou Rawls and Liberace. The wonder was our family felt like we were part of his family. The whole world was a better place when Red Skelton was in it.
.......Playing Kaddiddlehopper, Col San Fernando, etc. the man was pretty wide ranging and a scream. I love watching him interact w/ Amanda Blake, or Don Knotts or whomever--he clearly was having a ball and I think he made it easier on his guests as well--so long as they Knew ahead of time it wasn't a disciplined, 19 take kind of production. Relax and be loose was clearly the name of the game there.
He reminds me of guys like Milton Berle, Benny Hill, maybe Jerry Lewis some too. Great timing, ancient gags that kept audiences in stitches for decades, sheer enjoyment about what he was doing. His sad little clown he played was good too--but in a touching manner.
Personally I think he's great, having just bought a two DVD set of his shows from '61 or so, it brings his stuff back in a fond way for me. I can remember seeing him on TV at the end of his run when he was winding up the series in 1971 or so.
Check this out if you are a fan or curious. He was a riot.
He reminds me of guys like Milton Berle, Benny Hill, maybe Jerry Lewis some too. Great timing, ancient gags that kept audiences in stitches for decades, sheer enjoyment about what he was doing. His sad little clown he played was good too--but in a touching manner.
Personally I think he's great, having just bought a two DVD set of his shows from '61 or so, it brings his stuff back in a fond way for me. I can remember seeing him on TV at the end of his run when he was winding up the series in 1971 or so.
Check this out if you are a fan or curious. He was a riot.
This show is the best show that I have seen in a long time. It has my old buddy Red Skelton. I think this show is extrordinary If you want laughs, watch this This show is very well done
Red Skelton was watched weekly even before I was born. As I watched the shows, it was if he was part of our family. My father would laugh and giggle along with the rest of us. What made the show funny was not only the rehearsed script, but the ad lib comments. He included us as if we were right there with him. While some considered him as unprofessional by causing others to crack up on stage, we the audience found it funny to see the serious characters laughing and smiling on screen. I am sure the performers came on the program to enjoy a bit of lighthearted performing. If the program had been a professional polished perfect performance, I don't think the program would have lasted as long. It was funny, entertaining, and at times, very poignant. I think one of my most memorable performances was Freddy the freeloader with the Raggedy Ann doll that changed to a 'live' partner. It taught me that all people crave someone. It touched my heart then and every time I think of it. It was a Yuletide performance and it is in my memory as a child. Red Skelton wasn't only a performer, but a human being to share his humor and wit. It is one of the programs such as Leave it to Beaver, Father knows Best, and others to build a set of standards that make me a better man today! The statement God Bless was a statement at the end to wish everyone in every aspect of life to have their life improved.
The networks always took the trouble until the very end with Red to write scripts & provide an orchestra (Nelson Riddle) & create an outstanding forum for Red to perform on. In turn Red showed how he could clown in every direction.
Each show would open with some music & dancing. Then Red would do a monologue & he could do a monologue very well. Johnny Carson, as a writer for Red, went to school & learned from Red how to do monologues which served Johnny well for 30 years when he took over the Tonight Show & late night TV. He had learned from the best.
In fact, Red taught Johnny how to ad-lib and Red was the master of the ad-lib. No matter what part of the show something went wrong in, Red would ad-lib something & make it funnier for his viewers. After the monologue, there would always be a sketch with Red as one of his characters. This is usually when his guest stars for that show would appear.
Almost everybody appeared as a guest on his shows. It didn't matter if they were other comedians or serious dramatic actors, they would appear with Red and he would play off all of them with his unique comedy. After the sketch, some shows would then feature either a musical guest or a Nelson Riddle number.
Then would come the "silent spot". These were classic sketches in which you hoped the picture on your screen (pre TV cable) wasn't too snowy so you could see what was so funny. In a way, the Silent Spot & Jackie Gleason's "The Poor Sole" who also did silent comedy were the only silent comedy the Vietnam Generation were really exposed too.
Then Red would close the show by coming on stage & politely wishing all a "good night & God bless." He was right, God did bless us that his talent was with us so many years on this show. Skelton's comedy was never cerebral, just always funny.
His prowess with Physical Comedy was only rivaled by Jackie Gleason, but Red was just a little better at the physical. Even in later years when Johnny Carson did sketches on TONIGHT which he tried physical comedy, a lot of his inspiration came from working with Red. This was an era of kinder, gentler comedy. There were no dirt, or lewd routines. Red did do political humor. Johnny Carson picked up on that too.
I wish they would produce some of the entire seasons of The Red Skelton show on DVD. The singlets I have seen on VHS & DVD so far don't do overall justice to him. Red's movies were too few, though some of them were quite good. If the seasons came out, a couple of Red's shows that would be interesting would be the night Johnny Carson replaced an injured Red, & the often forgotten show where Red was ill & Ed Sullivan stepped in to replace Red!!. Red later returned the favor on the ED SULLIVAN SHOW when Ed was ill too.
Those were the days, & now all these folks are gone. If DVDs get far enough into the Skelton archives, they won't be forgotten.
Each show would open with some music & dancing. Then Red would do a monologue & he could do a monologue very well. Johnny Carson, as a writer for Red, went to school & learned from Red how to do monologues which served Johnny well for 30 years when he took over the Tonight Show & late night TV. He had learned from the best.
In fact, Red taught Johnny how to ad-lib and Red was the master of the ad-lib. No matter what part of the show something went wrong in, Red would ad-lib something & make it funnier for his viewers. After the monologue, there would always be a sketch with Red as one of his characters. This is usually when his guest stars for that show would appear.
Almost everybody appeared as a guest on his shows. It didn't matter if they were other comedians or serious dramatic actors, they would appear with Red and he would play off all of them with his unique comedy. After the sketch, some shows would then feature either a musical guest or a Nelson Riddle number.
Then would come the "silent spot". These were classic sketches in which you hoped the picture on your screen (pre TV cable) wasn't too snowy so you could see what was so funny. In a way, the Silent Spot & Jackie Gleason's "The Poor Sole" who also did silent comedy were the only silent comedy the Vietnam Generation were really exposed too.
Then Red would close the show by coming on stage & politely wishing all a "good night & God bless." He was right, God did bless us that his talent was with us so many years on this show. Skelton's comedy was never cerebral, just always funny.
His prowess with Physical Comedy was only rivaled by Jackie Gleason, but Red was just a little better at the physical. Even in later years when Johnny Carson did sketches on TONIGHT which he tried physical comedy, a lot of his inspiration came from working with Red. This was an era of kinder, gentler comedy. There were no dirt, or lewd routines. Red did do political humor. Johnny Carson picked up on that too.
I wish they would produce some of the entire seasons of The Red Skelton show on DVD. The singlets I have seen on VHS & DVD so far don't do overall justice to him. Red's movies were too few, though some of them were quite good. If the seasons came out, a couple of Red's shows that would be interesting would be the night Johnny Carson replaced an injured Red, & the often forgotten show where Red was ill & Ed Sullivan stepped in to replace Red!!. Red later returned the favor on the ED SULLIVAN SHOW when Ed was ill too.
Those were the days, & now all these folks are gone. If DVDs get far enough into the Skelton archives, they won't be forgotten.
Lo sapevi?
- QuizRed Skelton had a reputation among comedy writers as being extremely difficult to work with, since he didn't like writers in general, and resented CBS for insisting that he use them on his show. He wanted to write all the sketches himself, his reasoning being that no one knew his characters as well as he did. Prior to taking the position as head writer on the show, Sherwood Schwartz, had it written into his contract with CBS that Skelton was under no circumstances allowed to discuss anything about a show's script with him before he was given it prior to taping, which often resulted in Skelton not knowing what a sketch was about, nor even what character he would be playing until shortly before airtime. That's why Skelton would often break character in the middle of a skit and turn to the audience and say something like "Don't blame me, folks, I don't write this stuff."
- ConnessioniFeatured in Blushing Bloopers (1990)
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By what name was The Red Skelton Show (1951) officially released in India in English?
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