L'autista pazzo

This film is better than some of Red's other movie efforts in that he has some better supporting actors in it. Wish Red had a chance to make more movies than he did in his career but shortly after this started his record run on television. That took away a lot of his time for making movies.

This film is quite short at less than 90 minutes but most of the best comedy films are short. They don't get stuck in long & possibly boring sequences & they don't do the same joke over & over again. This film fits that model quite well.

Red was a classic clown who is sorely missed in todays "over the top & down & dirty comedy era". He had a class that shows in films like this one & his old television programs. This film is still a very watchable example of that.

The Yellow Cab Man is another of Red Skelton's madcap big screen comedies where Red plays an eccentric inventor who is also accident prone. So accident prone is he that he can't get insurance no way, no how. So what does he become in lieu of a modest settlement and for signing a quitclaim given him by agent Gloria DeHaven, a cabdriver for the Yellow Cab company.

Because of his tendency for the unfortunate, Red's invented himself a version of plexiglass, a shatter proof glass he calls elastic glass. Can't break it short of a bullet being fired into it. But he hasn't copyrighted the formula. And some unscrupulous people led by bottom feeding shyster lawyer Edward Arnold and medicine show charlatan Walter Slezak will do anything to steal the formula.

Red's a true babe in the woods in this film, but it's amazing how schnooks like him get some really good looking women to fall for him like Gloria DeHaven. Arnold and Slezak look like they're having a great old time. Usually both of them when they play villains exude a quiet menace, but here they are both outrageously overacting and the audience joins in on the fun.

The Yellow Cab Man is a treat for Red Skelton's legion of fans.

I had discovered this obscure Red Skelton movie on YouTube recently and just decided to watch it now because of many glowing reviews on this site. In a nutshell, Red is an accident-prone fella who eventually becomes a cab driver after initially being hit by one! He's also an inventor with some crazy contraptions in his apartment. I'll stop there and just say this was very funny from beginning to end. There's an unusual distorted sequence that must have turned some minds on at the time and a hilarious end chase sequence taking place in a demonstration home. So on that note, I highly recommend The Yellow Cab Man. P.S. Since I always like to cite when someone that was in my favorite movie-It's a Wonderful Life-is in something else, here it's Charles Lane-the one who told Mr. Potter he'd one day work for George Bailey-who plays an insurance man who rejects an offer to insure Mr. Skelton!

Some belly laughs in this Skelton madcap. As usual Red plays a good-hearted schlemiel who stumbles from one mishap to the next, but somehow muddles through to win the girl (Gloria DeHaven) and the climax. Here he's an amateur inventor and Yellow Cab man battling veteran baddies Walter Slezak and Edward Arnold.

A great job by the writers. The comedy set-ups are consistently funny and inventive from the mine-field opening of Red walking down the street to the whirlwind close at the L A Home Show . (Forget the muddled story-line which is just a handy post to hang the hi-jinks on.) This was just the kind of slapstick that Skelton could turn into a wild and crazy romp, and he does. .

Catch the great comedic architecture in the early sequence that builds hilariously from the baby-sitting beginning to the nine-one-one close. Too bad this kind of engineering has largely disappeared from today's movie screen. Then too, the crib scene with Red playing both his toddler self and infant sister amounts to 60 second knee-slapper.

In fact, there are a number of special effects scenes that work up more than a few chuckles. But the North Pole dream has something of a nightmarish undercurrent as does Red's getting shoved into the mixer.

I guess my only complaints are the cheapness of the street sets and the dull-grayish quality of the filming (at least, in my copy). Coming from big-budget MGM, such cost-cutters affecting overall quality seem surprising.

Nonetheless, this is a fine little post-war flick whose futuristic house at the Home Show expresses something of the surging spirit of a 1950's America then on the economic upswing.

Skelton was never as popular as the other leading comics of his day including Hope, Crooner/Comic Crosby, Danny Kaye, Abbott and Costello for a while and many others but his movies made money as this one did too. The concept of this movie is not original but congenial and in an era of remakes would a nice, tidy vehicle for a Ben Stiller type. Watching Skelton convincingly bungle and bumble his way through scene after scene is a complete hoot. The jokes come naturally and to me, he is better at delivering these jokes than Bob Hope ever was. The mad cap finale is generally fun in this warm two hander with Gloria de haven. And direction is generally snappy and on point as our cab driver causes obvious hijinks in this on the nose but funny tale.