L'ultima preda

For a mid range movie of 1950 this fast moving Railway Police/chase story packs a reasonable wallop. The cast is above average for what looks like a 'double feature' production and the script never wanders from its target for a moment. The police are shown realistically and situations are not compromised in their general graphic details. All characters are written and directed as you might expect them to be in a life challenging situation. Perhaps the somewhat tacked on ending could do with a little (very minor) editing to give it a harder edge but some may be happy with finishing it on a slightly lighter note.

Maybe Lyle Bettger could also have been reined in a tad with his full-on performance of the nasty kidnapper but he looks the part. Sydney Boehm's tight screenplay was based on Thomas Walsh's Edgar winning novel 'Nightmare in Manhattan' - William Holden and Nancy Olson were teamed again for Award winner, 'Sunset Boulevard' the same year and the image and sound on the DVD I viewed, was quite clean. Was good to discover another classic from the past.

I remember this film shown once on TV. Yes, the story plotline is good and the characters are entertaining, but the REAL star of the movie is the incredible historical Union Station itself. The movie moves throughout portions of the building never before seen by the general public and reveals the enormous scope of Union Station. As a little girl I and family traveled often by train. I remember the beauty of the place, the hustle and bustle of a station which was the base for the only comfortable way to travel by land at that time.Union Station itself compares in size and beauty to any other in the country.This movie was shot during the last hey-days of the railroad passenger trains and I earnestly wish it could be brought back to video.

This film is really very good and full of suspense. A woman on a train notices strange behaviour from two men who have just boarded her train and the fact that one has a gun under his coat makes her decide to report to the train conductor. There follows a cliff-hanger of a movie involving a young, blind girl who has been kidnapped and will surely be killed by the psychotic kidnapper (Lyle Bettger) if she is not gotten to on time. There is only one jarring note - I don't think I am alone in wanting to strangle the blind girl every time she appears in the film. The director decided that she should shriek, scream and do a nails-scrapping-down-the-blackboard routine at every possible moment. This film merits more than the 7 I gave it for those who can overlook this irritating performance. Worth watching - you may want to keep the remote handy so that you can easily access the mute button.

This film reminded me of others from the late '40's up to 1950, of "D.O.A.", in some ways, with its tense realism. The cold, merciless criminal mastermind played by Lyle Bettger was a (considerably) more balanced version of the sinister characters portrayed by James Cagney in "White Heat" or Richard Widmark in "Kiss of Death".

This is an early police procedural, with the railway cops working closely with the New York City police. According to Leslie Halliwell, "Naked City" -- which I've somehow managed never to see -- is the prototype for all the films of this type. The style eventually became overfamiliar, and very diluted, on television with shows like "Dragnet". "Naked City" cast Barry Fitzgerald unexpectedly as the lead detective, and he repeats that role here.

The two principal stars of "Union Station" are William Holden and Nancy Olson, who also co-starred in "Sunset Boulevard" this same year, 1950. Nancy plays Bill's conscience, constantly concerned that the interests of the kidnap victim don't get overlooked in the hunt for the criminals.

Holden is quite good -- he really started to come into his own at this time -- indicating more depth than was strictly required for the stalwart hero in a crime story. Bettger shows calculated menace. The two make worthy opponents.

"Union Station" is a realistic 1950 film starring William Holden, Nancy Olson, Jan Sterling and Barry Fitzgerald. It was released after "Sunset Boulevard" so by the time it came out, Holden had actually moved up another level of stardom. Rudolph Mate directed the film in a quasi-documentary way, showing all levels of an attempt to rescue a kidnapped blind girl (Allene Roberts), the daughter of Olson's wealthy boss. Holden plays the detective in charge of Union Station, and he doesn't like the idea of anybody messing with his turf.

There are some very exciting scenes, particularly the one on the train, which as someone mentioned, very likely inspired "The French Connection." Holden gives a strong, macho performance, which makes the scene where he visits Olson in her home extra delightful, as he becomes embarrassed when her mother fusses over him. It's amazing that after Golden Boy, he toiled in so many films beneath his ability. Jan Sterling is the gangster's girlfriend with a heart - it's a small but showy and sympathetic role. Lyle Bettger is the villain, and he's slime all the way through. The only problem with the film is the kidnap victim herself, Lorna, who screams non-stop. I'm surprised her father wanted her back, but you know how it is with parents.

Really holds your interest. What a hunk Holden is. Highly recommended.