La figlia dello sceriffo

Buy the Ticket to Tomahawk and you've bought a comedy, a musical and action packed western all in one. The great adventure starts when the train has to go from Epitaph to Tomahawk through the Colorado Rockies with 40 miles of track gone, hostlile Indians and a gang of henchmen. Ann Baxter gives a riveting performance as deputy Marshal Kit Dodge Jr, who is better at tottin a gun or knife than the men folk. Dan Daily shows his multiple talents as Johnny Behind-the-Deuces. Daily is skillful at singing, joking and negotiating which comes in handy when dealing with Chief Thundercloud. Walter Brennan as Terence Sweeny has never been better as the frustrated engineer who got more than he bargained for. Rory Calhoun as the stagecoach promoter Dakota plays a tough balancing act as the hired hand trying to play both sides of the fence.

Tomahawk is notable for the debut of Marilyn Monroe in a walk-on cameo as a chorus showgirl and Western star Jack Elam. Also featured is Victor Sen Yung who was Hop Sing of "Bonanza" fame. Will Wright plays the crusty old codger he is well noted for. Pawnee (Chief Yowlachie) adds the much needed protection with his own tomahawk as the faithful deterrent. Rounding out an excellent cast are Connie Gilchrist as Madame Adelaide, Arthur Hunnicutt as Sad Eyes and Charles Kemper as Chuckity. Baxter and Monroe went on to appear in All About Eve together the same year.

In 1876, the Tomahawk & Western Railroad will put the stagecoach business out of business IF it gets a passenger from Epitaph to Tomahawk, Colorado by noon on a specified day. A pistol-packin' Ann Baxter protects the trip with Dan Dailey as the unwilling passenger. Victor Sen Yung (later Hop Sing on Bonanza runs the Long Time Laundry. Worth watching if only to catch a glimpse of Jack Elam as Fargo and Marilyn Monroe as one of the dancing bar girls (neither is credited).

Anne Baxter gets to do a Calamity Jane type role in A Ticket To Tomahawk where she is a hard riding fast shooting deputy to her father Will Wright. If Anne sang as well as acted, you'd swear she would have been poaching on territory established by Betty Hutton and later by Doris Day.

But the music is left to traveling man Dan Dailey who gets innocently dragooned into an attempted killing of her father. Wright and Baxter dispatch the perpetrators involved easily. Dailey can't ride and shoot as well as Baxter, but he's loaded with charm and in one instance an interesting friend in high places.

To complete the terms of a contract a Hooterville Cannonball type train must make a run to the frontier terminus of Tomahawk in Colorado. But their are a couple of miles of track missing for engineer Walter Brennan and fireman Arthur Hunnicutt to surmount. Never mind everybody pitches in and the results are ingenious and pretty funny.

Of course the owner of the existing stagecoach line is doing what he can to prevent the railroad from completing its mission. And they've got a spy in the railroad crowd in the person of devilishly charming and deadly Rory Calhoun. He's making some moves on Baxter and arousing the concern and jealousy of many.

Along for the trip are the troupe of entertainers that Connie Gilchrist heads. Look sharp and you'll see young Marilyn Monroe as one of the entertainers.

A Ticket To Tomahawk is a pleasant and entertaining western with nice musical interludes and dead shot Anne Baxter who learns she can't get a man with a gun.

A railroad owner and a frontier salesman who are anxious to arrive, by rail, at the town of Tomahawk are escorted by the deputized granddaughter of the recently wounded town marshal and her chaperon, to see that the railroad reaches its destination by the prescribed time or the contract is forfeited to the Stage Line, whose owner will do anything to stop them.

The only problems are: Kit Dodge Jr.(Anne Baxter) believes that "Johnny Behind the Deuces" (Dan Dailey) was involved with her Grampa's shooting and besides he's a "drummer" and everyone knows that tall, handsome and suave salesmen are not to be trusted. Johnny, however, is the only "paying" passenger on the train and she must protect him although her trigger finger is prepared for his first wrong move. Not being aware of her feminine side holds some hilarious moments as Grampa makes his best tactful effort (words not to be missed ) at a quick version of "the birds and the bees". While she doesn't quite understand, her chaperon, Pawnee (Chief Yowlachie), does and a large Indian with his own tomahawk is the perfect deterrent.

This train ride should be an easy ride for about 40 miles, but the tracks run out a few miles out of town, so they must carry the engine, cars and passenger over a mountain and fight off the stage line's efforts to stop. Soon they meet up with the tracks that run to Tomahawk. Along for the ride is a group of entertainers including Connie Gilchrist and a young Marilyn Monroe. Also in the cast are Walter Brennan as the train's engineer and Rory Calhoun.

This is a fun movie for anyone with a ticket to Tomahawk!

Tongue-in-cheek western that's better than it had any right to be. That's mainly because TCF went to the expense of filming in southwestern Colorado, arguably the state's most scenic part. Plus, the lead actors come through in vivid fashion—a charmingly affable Dan Dailey, a spunkily convincing Anne Baxter, and those two grand old grouches Walter Brennan and Will Wright. And shouldn't overlook Chief Yowlachie as the superbly deadpan Indian manikin.

Then too, the story's just wacky enough to separate from the oater pack. Seems a new railroad has to get to Tomahawk to qualify for an exclusive contract. Trouble is this would cause the stage line to go belly-up, so guess who's sabotaging the rail line's effort. And that's along with hostile Indians and 40 miles of missing track. Good thing toughie Baxter's along with her gunslinging skills, along with a pack train of sturdy horses.

I love dad Wright's effort at explaining the birds and the bees to his flummoxed daughter Baxter. Too often the actress over-emoted in her parts, but not here. She's near perfect as the thoroughly virginal tomboy, that is, until the winning Dailey teaches her how to "buss".

I guess my only reservation is with the Indian attack. It's much too conventional for a movie like this, and should have been finessed in slightly humorous fashion. Looks like it might have been included as a concession to audiences expecting something more traditional. Anyway, catch Marilyn Monroe in the fluffy yellow outfit among the four dancers getting a brief musical number. Overall, the elements come together in generally delightful fashion, making the movie something of a minor sleeper, thanks mainly to TCF's handsome budgeting and an outstanding cast.