L'amante del bandito

Curious as to what a cowboy film with crooner Vaughn Monroe might be like, I've finally caught up with this. "Singing Guns", made by Republic in 1950, features Monroe as outlaw Rhiannon, who hides out in the mountains with a stack of gold he's stolen a la Dick Turpin from stagecoaches.

Ward Bond is the local sheriff, Ella Raines is the sparky love interest, and Walter Brennan is the doctor cum preacher, always ready to save a soul. With a solid supporting cast and Trucolor, the film looks good, despite its tiny budget and Poverty Row production values.

I enjoyed this film. Ward Bond has to walk down a Wild West street in frillies, Vaughn gets to sing a few songs including 'Mule Train', there's some shooting, a few punches thrown, and a bit of drama. I'd recommend it as a fairly strong B feature.

Balance see-saws, with first one side, then the other seeming to be on top, and just who is the real bad guy, and who is the good, seems to change as the story progresses.

Vaughn Monroe made a good cowboy, and also made the last of the B Westerns.

He had been known primarily as a singer, and does some singing in "Singing Guns," in fact he does more singing than do those guns.

Ella Raines is again a fiery-tempered Western gal, looking so fetching in either her saloon-girl low-cut dress or her horse-riding-girl pants and hat.

Ward Bond is again great as the sheriff, though we don't know just which path he is taking.

However, it is the character played by Walter Brennan, one of the finest actors ever to grace the silver screen, who pretty well directs the path of all the other characters, and who is the only clear-cut good guy, as far as the audience will be able to tell.

It's from Republic (I like the sound of that word) Pictures, so of course the production values are high.

Director R.G. Springsteen does not seem to be so well known as other, and in my opinion lesser, directors, but I have yet to see a picture by him that isn't well done.

"Singing Guns" is an interesting picture because it is the first cowboy movie by Vaughn Monroe and is an entry among the last of the B Westerns; but it is a good cowboy movie in and of itself, with a great cast of top actors, beautiful scenery -- including Ella Raines (and why would any reviewer spell her name "Raynes"?) -- and some intriguing characters.

I recommend "Singing Guns," and you can see it where I did, at YouTube.

Along around 1950 Herbert J. Yates was starting to lose his bread and butter which were his B picture cowboy stars. The biggest of them was Roy Rogers and he was making noises about going into television as were the others. Yates never recognized that this was the coming trend, so he was looking for more cowboy stars, if they sung so much the better.

Vaughn Monroe was coming off a big hit with Ghost Riders In The Sky so he looked like a good bet. Yates even got him some A list support here with leading lady Ella Raines and Ward Bond as the sheriff and Walter Brennan as the town doctor.

Monroe plays the outlaw Rihannon who has a fabulous store of gold obtained from robbing gold shipments from a mining company who did him dirt and he's getting some literal and figurative payback. Bond trails him successfully, but when they shoot it out Bond is badly wounded. Instead of leaving him to die, Monroe takes him to Brennan and his life is saved. Also a heavy head of hair and beard is shaved off Monroe by Brennan leaving Monroe unrecognizable.

Raines is the local saloon owner and she like what she sees in Monroe. But she also likes money and all three of them have their interest in Monroe.

Singing Guns is a good western though it sure never created a demand for more westerns from Vaughn Monroe. The film even got an Oscar nomination for Best Song when Mule Train was nominated. A whole slew of artists recorded Mule Train back in 1950 and Frankie Laine had the big selling record. But Monroe's version is outstanding.

See if you think Vaughn Monroe could have made it as a western star.

Catch what appears to be innuendo in the opening stagecoach scene between Ella Raines and the guy sitting across from her. Rather surprising for a Republic Western. It's hardly unusual for a pop singer to transition to movies. Examples range from crooners Bing Crosby and Frank Sinatra to rocker Elvis to more contemporary Ice Cube. Monroe makes a manful effort, but in my book the results are best described as uneven. Note how much more relaxed he appears when doing what he does best—sing (I'm glad they worked in Mule Train, the main reason I tuned in).

Wisely, the studio surrounded him with a cast of very capable performers. In fact, Ward Bond has almost as much screen time as Monroe; and ditto for that sly old fox, Walter Brennan. They may have made a mistake with Raines, however. Her glamorous presence and strong personality clearly overshadow that of the uncertain newcomer. Nonetheless, the locations from scenic Sedona, Arizona, make for a series of terrific background shots. The story is more interesting than most oaters, but also more complicated. I had trouble following many of the developments, but maybe that's my fault. Anyway, all things considered, it's a decent enough horse opera. And judging by his scant screen credits, Monroe made the right decision sticking with his unusually fine baritone.

'Singing Guns', despite the irrelevant title and the presence in the lead of bandleader & baritone Vaughan Monroe (although he does get to sing), isn't about a singing cowboy, but is instead a good looking, intelligently scripted and well acted psychological western.

With his cold eyes (first seen while holding up a stagecoach with his face covered) Vaughan doesn't look like your typical western hero and he doesn't play one here; but Republic capitalises on his rather unusual presence with another interesting script (from a novel by Max Brand) by siblings Dorrell & Stuart E. McGowan and slick direction from R.G.Springsteen. The Trucolor process not inappropriately makes the film resemble early 20th Century handcoloured postcards, aided by James Sullivan's handsome art direction and Reggie Lanning's atmospheric photography.

Monroe receives reliable support from western veterans Ward Bond and Walter Brennan; and the film also provides a rare opportunity to savour in colour the always fascinating, if here underused, Ella Raines.