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The Sleeping City is a 1950 film directed by George Sherman starring Richard Conte and Coleen Gray.

The story begins with an intro by Richard Conte, extolling the virtues of Bellevue Hospital, where the filming took place, and explaining that the story is fictional. This was done to overcome the objective of Mayor O'Dwyer, who did not want the hospital portrayed negatively.

In the film, an intern is shot and killed. In order to investigate, Detective Fred Rowan (Conte) who has a medical background, is sent in to pose as an intern from Los Angeles.

There is something going on among the hospital interns, but it's hard to pinpoint. Rowan suspects it may have something to do with an old man who works there, Pop (Richard Taber) who takes gambling bets from the interns.

Rowan refuses to bet on the horses, but eventually does to find out what's going on. He soon learns of the sinister happenings that caused one intern to be killed and another to commit suicide.

Good story that keeps the viewer absorbed throughout, with good performance by Conte, Taber, Gray, and Alex Nicol as an unhappy intern. Exciting finale.

The Sleeping City has a unique, unfortunately not fully realized, setting for a noir. Shot on location at Bellevue Hospital, the film stars Richard Conte as policeman Fred Rowan as he goes undercover to solve the murder of a hospital intern.

Conte carries the film while the supporting cast mostly serves as window dressing to keep the plot moving forward. The exception being Rowan's interactions with staff member Steve Anderson, played by Alex Nichols. Nichols' character reveals more intimate details than Rowan's supposed love interest (Coleen Gray) of the film, and it his personal struggles feel genuine.

Although I won't give any spoilers, the twists in the plot are surprises sure, yet still underwhelming. What keeps this film from being more than good was its underutilization of the hospital setting. Besides one scene where Rowan aids a patient, the setting serves nothing more than as a locale when it could have uplifted an otherwise average plot. Despite the missed opportunity, Conte alone makes the Sleeping City a B-movie noir worth watching.

This novel crime film set entirely in Bellvue Hospital in NYC is more interesting for its picture of intern life at mid-century than for its farfetched premise of a police detective planted inside the institution as a physician to try to catch a murderer. Realistic location shooting enjoyed a vogue in the late 40's and early 50's, and undoubtedly Bellvue was well compensated for extending its hospitality to Hollywood. It's also a reminder of how much cigarette smoking was an accepted "relaxant" in those days, even for the medical profession. Among numerous tobacco moments, Nurse Coleen Gray urges undercover man Richrd Conte to step outside for "a cigarette and a breath of fresh air," as though one went hand in hand with the other. Although that kind of thing seems ridiculous now, in an age of idiotic comic book and video game movies, it's a pleasure to watch a film performed on an intimately human scale.

"Anything you can tell me?" "Sure...he's dead"

There is so much to like about this film that it makes me wonder how "The Sleeping City" isn't more famous. It's simply one of the best film noir pictures of the era...and that's saying a lot because I love noir and have seen many, many of these pictures.

The film begins with a vicious scene, as a young hospital intern is shot in the face at point blank range. The cops, however, have no leads and the killing seems senseless...perhaps the work of a psycho. With no other real options, the boss decides to call in three special agents. These men will obtain jobs at the hospital and see if there is anything that would lead them to understand why the man was murdered...as well as who did it.

The main undercover agent is Fred (Richard Conte). Because of his own background in medicine, he'll pose as one of the interns. It's a tough job, as he'll be around patients and it's pretty hard to fake it indefinitely! He's told to rely on his nurses, as they'll help him figure out what to do. And, if he has a case that's over his head, he'll just have to break cover and get a real doctor to help. However, when another intern soon ends up dead it sure looks as if some conspiracy is going on...but the viewer sure is surprised how deep this all goes and what it's all really about...and it sure isn't random!

There is so much going for the film and most of it has to do with realism. Apart from Richard Conte, most of the rest of the folks in the film don't look like actors and the cops especially seem like real cops. Additionally, Conte was no pretty boy and was excellent in the film...tough but no smart-alleck or unrealistic guy! But what also really helps is the story itself...it's hard to predict, very intelligently written and amazingly good. See this film...you won't regret it and it doesn't insult the intelligence of the viewer.

I happened to see this movie in the latter '60's on TV, while working as a resident in a NYC hospital. I was intrigued by the story, the gritty, noir hospital setting (a decaying [old]Bellevue Hospital), and unusual plot line. Although it depicts an unusual event in the 1950's, the same event had become truly epidemic a decade later. Richard Conte was wonderful, and the chronic atmosphere of the City and Bellue hung over the movie like a moldy, wet wash rag.

Now with old movies being restored on DVD, I would hope that an entrepreneur might read this and decide to add it to the annals of deep noir. Conte,a wonderful actor, needs to be seen more.