Destinazione Luna

This movie is great in its predictions of how space travel would take place in the future (remember, it was released in 1950, way before any manned rocket launches). Of course there are some mistakes, but overall I am impressed how accurate they are. The plot is extremely simple, but the ending is in style with the realism it portrays (although not very hollywood-like) Acting is adequate, but stereotype of its age.

All in all, an enjoyable movie for SF fans

Got to remembering this old flick lately and decided to try to find a copy. Imagine my suprise when I found it in a dual pack which included "Destination Moon" (1950). Bought them both in a heartbeat! Although both are "primitively" produced I personally think they did a good job for what they had to work with. I would be a gas to see a remake of both using todays technology.

Rocketship X-M is a solid film, and is a darker, less optimistic effort than 1951's "Flight to Mars". The 50th anniversary DVD edition is amazing, and the "Sepiacolor" scenes on the martian surface are quite effective.

Buffs will notice that the very brief (5 second) image of the ship on the surface is a different image than in the original. The use of Death Valley for the Martian surface (at dusk) is much more effective that in scenes from Flight to Mars, which were probably all shot in a studio. Lloyd Bridges is in love with himself even more than he is with the German girl scientist on board - which is kind of nauseating - but overall, the film is a favorite.

Classical music lovers will take note of the music score by Ferde Grofe, better know for his Grand Canyon Suite and other orchestral works.

This is one I've carried in my memory for years.

Without the Technicolor budget of George Pal and Robert Heinlein's "Destination Moon," "Rocketship X-M" succeeds in becoming a far more meaningful and memorable pre-"2001" science fiction film.

"Destination Moon" attempts a "scientific" preview of man's first lunar visit. Of course, this effort seriously dates the movie (I also smile at the rather whimsical, seat-of-the-pants, "outsider" endeavors of our heros as they manfully put forth, launching their rocket one-step ahead of the narrow-minded "authorities." Okay, so much for that!).

Rocketship X-M had to vie with "D.M." for entertainment bucks at the box office. X-M's b&w budget (with special effects courtesy of White Sands V-2 stock footage and model-making of the string and cardboard variety) didn't allow the producers to throw a lot of "science" at us, however. What they did have going for them, however, were a few excellent character actors doing star-turns for a change of career-pace, a script by Dalton Trumbo, music by Ferde Grofe, and excellent -- and evocative -- sound and camera work...etc.

Granted: The film's overall messages are a bit simplistic -- nuclear war is bad and should be avoided and the human spirit for exploration and discovery cannot be put down by failure and difficulty (I guess they never considered budget shortfalls as a "failure of spirit"). These ideas are, at least, given voice here during what was, after all, a dangerous era in American politics. Remember, Dalton Trumbo was blacklisted!

The science? Okay, it sucks. Who cares!? Science fiction, to my liking, is less about science and numbers than it is about people and life. This has all of that and carries it forward with distinction and class.

When I first saw this movie as a kid, I remember being truly frightened by the bleak view of a post-apocalyptic Mars and shivered in disbelief then terror at the onrushing tragedy of the about-to-crash rocket bearing the two doomed lovers and their sole-surviving crew-mate (a young Hugh O'Brien) to a fiery demise over the Ural Mountains. The producers did a terrific job with what they had and they deserve a great deal of credit.

Despite what we would now consider laughable scientific goofs, this science-fiction film carried itself well as a dramatic film. The actors were all solid professionals. The Martian settings were believable. The sentiments, while a bit pretentious, were sincere and laudable. It was an early attempt at mature science-fiction and succeeded better than many more polished, but cynical efforts that came later on.