Aggiungi una trama nella tua linguaA circus comes to town featuring Gracie the Fighting Kangaroo and her youngster, Hippety Hopper. Hippety slips out of the circus tent and hops into a yard where Sylvester Cat is bragging to ... Leggi tuttoA circus comes to town featuring Gracie the Fighting Kangaroo and her youngster, Hippety Hopper. Hippety slips out of the circus tent and hops into a yard where Sylvester Cat is bragging to his son, Junior, about how good a mouser he used to be. To prove he still has his mettle, ... Leggi tuttoA circus comes to town featuring Gracie the Fighting Kangaroo and her youngster, Hippety Hopper. Hippety slips out of the circus tent and hops into a yard where Sylvester Cat is bragging to his son, Junior, about how good a mouser he used to be. To prove he still has his mettle, Sylvester must fight against the playful Hippety, whom they, as usual, mistake for a giant... Leggi tutto
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It is rather formulaic, as is the case with all the cartoons in the series (though it is a long way from the worst case), it's well-paced and maintains interest but it basically follows the same basic story and structure as the previous cartoons and with not an awful lot original.
Pop 'Im Pop is on the other hand very well animated, with bright colourful backgrounds, rich colours, all the characters being smoothly drawn and all the gestures and expressions being expressive and adding much to the humour. The animation not only looks good here but it also shows off McKimson's personality and comedic talents. Carl Stalling's music score is as always wonderful, putting so much energy and soul into the cartoon (and every single cartoon he scored for in fact). It is also fabulously and cleverly composed music in its own right, with lush orchestration, lively style, energetic rhythms and how it matches so well with everything and helps enhance gestures, expression and the action.
No matter how predictable and formulaic the Sylvester and Hippety Hopper cartoons were, they didn't forget to entertain, and Pop 'Im Pop is one of the series' funniest and even if the basic scenario is sort of familiar the dialogue and gags actually feel fresh. There is some very witty dialogue here, all of it from Sylvester, and the gags are often hilarious with sparkling interplay between the three characters. Sylvester Jnr is cute and amusing, and Hippety Hopper's physical comedy is well-animated and doesn't become tiresome, but the funniest and most interesting character consistently is Sylvester, a character that you do feel amusement and empathy for. Mel Blanc's voice work is spot-on, as can be expected.
Overall, great fun, well-made and one of the best cartoons to feature all three characters. 9/10 Bethany Cox
The first 3 Sylvester Jr. cartoons are all very good and display the excellent loose and active animation of early Robert McKimson shorts and genuinely funny setups. The first six Sylvester/Hippety Hopper cartoons were all funny (3 with Sylvester Jr. and 3 solo) and managed to find fresh angles on the routine.
There was a definite cutoff point for the good ones. The last truly funny one was 'Cats A-Weigh' in 1953 then, just like that, from 1954 onward, they became predictably unfunny.
'Pop 'Im Pop' is a great example of Looney Tunes in their late-40s, early-50s prime when McKimson was still putting out brilliant cartoons before his rapid decline in the mid-50s.
Cue Hippety Hopper, a baby kangaroo, or, as Sylvester assumes, a rather large mouse! Our cat friend then starts to embarrass his son with attempts to subdue the mouse with ever more inept attempts to fight him, hence the title 'Pop 'im, Pop!' representing some encouragement from Sylvester Junior.
It is funny, but the same storyline would be resurrected time after time. You'd think the cat would have got wise to the trick - the audience certainly have. However, as standalone cartoons, any of the Hippety Hopper ones are entertaining.
Lo sapevi?
- QuizFirst appearance of Sylvester Jr.
- Citazioni
Sylvester Jr.: Come on, Pop, go get the mouse like you said you could... unless you want to destroy a child's faith in his father.
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Dettagli
- Data di uscita
- Paese di origine
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- Celebre anche come
- A tal padre, tal hijo
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 7min
- Mix di suoni
- Proporzioni
- 1.37 : 1