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Figli traditi

Titolo originale: Pequeñeces...
  • 1950
  • 1h 56min
VALUTAZIONE IMDb
5,5/10
97
LA TUA VALUTAZIONE
Figli traditi (1950)
Dramma

Aggiungi una trama nella tua linguaMadrid in the 1870s. Amidst political intrigues against King Amadeo de Saboya, wealthy and strong-willed countess Curra de Albornoz makes her own way in spite of her son and husband, conside... Leggi tuttoMadrid in the 1870s. Amidst political intrigues against King Amadeo de Saboya, wealthy and strong-willed countess Curra de Albornoz makes her own way in spite of her son and husband, considering her indiscretions as merely trifles ("pequeñeces") until tragedy strikes her. Period ... Leggi tuttoMadrid in the 1870s. Amidst political intrigues against King Amadeo de Saboya, wealthy and strong-willed countess Curra de Albornoz makes her own way in spite of her son and husband, considering her indiscretions as merely trifles ("pequeñeces") until tragedy strikes her. Period drama with a luxurious production design.

  • Regia
    • Juan de Orduña
  • Sceneggiatura
    • Vicente Coello
    • Luis Coloma
    • Vicente Escrivá
  • Star
    • Aurora Bautista
    • Jorge Mistral
    • Lina Yegros
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,5/10
    97
    LA TUA VALUTAZIONE
    • Regia
      • Juan de Orduña
    • Sceneggiatura
      • Vicente Coello
      • Luis Coloma
      • Vicente Escrivá
    • Star
      • Aurora Bautista
      • Jorge Mistral
      • Lina Yegros
    • 2Recensioni degli utenti
    • 1Recensione della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 2 vittorie totali

    Foto22

    Visualizza poster
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    + 16
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    Interpreti principali41

    Modifica
    Aurora Bautista
    Aurora Bautista
    • Curra
    Jorge Mistral
    Jorge Mistral
    • Jacobo Téllez, marqués de Sabadell
    Lina Yegros
    Lina Yegros
    • Elvira, marquesa de Sabadell
    Jesús Tordesillas
    Jesús Tordesillas
    • Padre Cifuentes
    Elena Salvador
    • Isabel
    María Asquerino
    María Asquerino
    • Leopoldina Pastor
    Juan Espantaleón
    Juan Espantaleón
    • Martínez, Ministro de la Gobernación
    Ricardo Acero
    Ricardo Acero
    • Juan Velarde
    Juan Vázquez
    • Fernando Luján, conde de Albornoz
    Félix Fernández
    Félix Fernández
    • Frasquito
    Ramón Martori
    Ramón Martori
    • Marqués de Butrón
    Fernando Aguirre
    Fernando Aguirre
    • Cura
    Valeriano Andrés
    Valeriano Andrés
    • Cronista de sociedad
    Manuel Arbó
    Manuel Arbó
    • Cochero
    Rafael Arcos
    Rafael Arcos
    • Amigo de Curra
    Francisco Bernal
    Francisco Bernal
    • Contertulio
    Tomás Blanco
    Tomás Blanco
    María Cañete
    María Cañete
    • Kate
    • Regia
      • Juan de Orduña
    • Sceneggiatura
      • Vicente Coello
      • Luis Coloma
      • Vicente Escrivá
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti2

    5,597
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    Recensioni in evidenza

    7whatsupomar

    A FORMIDABLE CAST IN A TEDIOUS FILM!

    In today's Spain, so politically inclined to the extreme left, it is fashionable to criticize the films that were made during the regime of Francisco Franco. Of course not all films done in Spain in the post Civil War period (1936-1975) were good, just as not all films done during the present "democracy" are good either. I hope that some day in the future common sense prevails and Spanish films will be judged by art and not by politics.

    In reference to "Pequeñeces", it was filmed by CIFESA in the backdrop of a strong and highly organized film industry that worked very similar to the Hollywood studios of the same era. CIFESA had under contract, a magnificent roster of writers, technicians, producers, directors, and actors who worked constantly in the many productions filmed every year for distribution in Spain and all over the world, most especially Latin America. Consequently, "Pequeñeces" boasts of impressive production values as it recreated in great detail the world of aristocracy during the last days of King Amadeus of Savoy and the revolt that ousted him. The cinematography by Theodore J. Pahle is superb in spite of the very difficult sets he had to photograph, but I found the soundtrack music by Juan Quintero sometimes too heavy and intrusive. The script based on the novel by Father Luis Coloma is as baroque as the novel itself. I was surprised that a priest could have written such a risqué story whose main characters are a bunch of unlikable perverts. You will see a ruthless evil mother (Curra Albornoz, played by Aurora Bautista), a degenerate playboy (Jacobo Tellez played by Jorge Mistral), rampant adultery by all, a valueless, corrupt, pleasure-seeking aristocracy, inordinate sexual passions, assassins, a high end prostitute (Monique played by Sarita Montiel) and even an obviously gay character (Frasquito played by the great Félix Fernández).

    You probably ask: all that during the terrible days of Franco's censorship? Yes indeed, and more. Of course towards the end, all the sinners receive their just punishment for their behavior, and you either think the punishment was not enough, or you simply don't care after sitting for over two hours watching all the mayhem. Although overlong and episodic, "Pequeñeces" -directed with military precision by Juan de Orduña- should be seen at least once. And, by all means, continue watching Spanish films made in the 1930´s, 1940´s, 1950´s and 1960´s and your life will be enrich by the many cinematic gems that were made in that golden era.
    4abelposadas

    A monumental and blurred melodrama

    The novel by Luis Coloma "Triffles" -Pequeñeces"- was chosen as the third vehicle for the duo Aurora Bautista-Juan de Orduña. It is not only too long but the best you can say about it is that the settings by Sigfrid Burman and the costumes are excellent. It has no passion at all and Ms Bautista does what she can but it is too much for her. A giant and distinguished cast cant save the day. To begin with, the antiques of Coloma are part today of sociology but not of literature. On the other hand, it is quite understandable for the producers -CIFESA- to have picked up a moral fable coherent with Franco's regime to avoid censorship. Unfortunately it is too long to bear and the punishment of Curra quite whimsical. All in all, it is a movie to study what sort of products were successful under Franco. Juan de Orduña is too busy with the settings to direct the actors and Ms. Bautista got fed up with these old-fashioned melos. She called it quits. Pity such an actress was linked to Franco's regime because her talent allowed her to keep on working until the 21st century -cfr. "Tiovivo"- proving she was and is one of the most interesting personalities of Spanish screen. abel posadas

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    Dettagli

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    • Data di uscita
      • 3 maggio 1950 (Messico)
    • Paese di origine
      • Spagna
    • Sito ufficiale
      • Official site
    • Lingua
      • Spagnolo
    • Celebre anche come
      • Trifles
    • Azienda produttrice
      • Compañía Industrial Film Español S.A. (CIFESA)
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      • 1h 56min(116 min)
    • Colore
      • Black and White
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.37 : 1

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