La gabbia di ferro

"Film-Noir" as Newbie Aficionados Find-Out Fast is a Tough Genre to Define, Pigeon-Hole, and Explain.

Whole Books have Attempted the Task and the Ambiguity and Miss-Identifying Remains.

Just Ask Eddie Muller who has Made a Well-Deserved Respected Career as "The Czar-of-Noir and Soldiers-On with His Film-Noir Foundation and Today Still Carries the Torch as Good as Any-Body.

Case in Point..."Outside the Wall", Written and Directed by Crane Wilbur", Little Known Hollywood Citizen, who had a Good Sense for Crackling Dialog.

A Good Cast Peppered with Ingredients the Likes of Richard Basehart with Support by Marilyn Maxwell, who had a Long Career, here in the Role of a Femme-Fatale Bleached-Blonde and is a Tough-as-Polished-Nails Nurse on the Make for Guys, "With Fancy Cars and a Pocket-Full of Miracles...

Dorthy Hart is the "Good-Girl", and Harry Morgan, Once Again Sliding Effortlessly from Cop or Criminal, this Time as a Gang Leader with a Sadistic-Side.

John Hoyt is an Aging TB Patient that Basehart Recognizes from a 15 Year Stint for Manslaughter that is Half His Life, whose Gang just Heisted a Cool-Mil from an Armored Truck and His Ruthless Ex-Wife and the Morgan Gang are Scheming to Steal.

Basehart is Terrific and the Philly Locations are the Digs where Basehart, as Naive as an Untrained Puppy, Navigates and Learns OJT, to Stay One Step Ahead of a Noir World of Bad-Guys, Dishy Blondes Void of Conscience, and the Fast-Growing, often Overwhelming Life Environs.

It's a Neat Little Movie Packaged for the Edgy Fans always on the Look-Out for Hidden-Gems Among the Pile of Rocks we Call Hollywood. While this Might Not Be Considered a "Gem" it is Part of the Better than Average B-Crime-Movies...

that May or May Not be Pure Film-Noir but are an Entertaining Enjoyment Plucked from the Pile that was a Steadily Growing Grist for the Mill of Movies from the Period that are even More than just...

Worth a Watch.

OUTSIDE THE WALL is a solid B crime movie that delivers everything the genre promises. It might make a nice comparison with TOMORROW IS ANOTHER DAY, released the next year. In both films, an ex-con, newly released, runs into trouble despite their pretty naive aspirations and innocuous personalities.

Probably the main distinguishing characteristic of OUTSIDE THE WALL is the use of Philadelphia locations. It's always fascinating to see a large city back in the middle of the last century. We are usually shown L. A. or N. Y., the Pennsylvania metropolis makes a welcome change.

At the top of the cast list is Richard Basehart. Pretty much an asset in any film, Basehart carries the lead perfectly. His boyish good looks serve the character, a still-young man who never had a chance to experience the world before he was thrown into prison. When he's let out, Basehart meets a stream of women, most of them unworthy of his attentions. Marliyn Maxwell is also well-cast as a brittle, materialistic nurse whom Basehart encounters in his first legitimate job. Her influence leads him to rejoin the criminal life, and plenty of trouble ensues. Among the rest of the cast are Noir favorites, Joseph Pevney, the incredibly prolific John Hoyt and Harry Morgan (who here plays a crime boss with gusto), . Dolores Hart plays Basehart's possible love interest, while Signe Hasso is almost wasted as a money-hungry gangster's wife.

Larry Nelson (Richard Basehart) is a 29 year old convict who wins his plea for a pardon. But "outside the wall" freedom is initially not so sweet. He was in a reform school at 14 - he describes himself as an incorrigible hood at that age - and when a guard who dislikes him hits him, he hits him back, the guard falls and dies, and Larry is convicted of murder but given life in prison instead of death because of his young age. So he is free with 672 dollars he has earned over the course of his imprisonment (that would be about 12 thousand dollars now), but he has never been on a date, never taken a drink, never driven a car or learned how, never applied for a real job. After a couple of days of bad experiences in the city, he hits the road and "tramps it" to a small town and gets a job as a lab assistant in a hospital for TB patients, hoping just to keep his head down and stay out of trouble. On the way to the small town, he reads about a one million dollar robbery in which three of the robbers were killed and three armored car guards were killed. Two robbers escaped.

And then one of the robbers shows up at the rest home with a bad case of TB. Larry recognizes him from his time in prison, but true to the prison code, tells him he will not rat him out. The robber asks him to help him get some of the robbery loot to his wife in Philadelphia. Larry refuses to help. At first. But then he starts pining for a nurse who is money hungry bad news, and he thinks that some of the robber's money will win her affection, so he agrees to help the ailing robber. Complications ensue.

I would normally be annoyed by somebody who makes the obviously bad and even stupid choices that Larry Nelson makes in this film, figuring that any intelligent 30 year old should know better than to trust such a greedy woman as the nurse he lusts after or the murderous robber who wants his help. But then, Larry Nelson experientially is 14, not 30. Thus he makes the mistakes that any 14 year old would make in the same situation. But he learns fast.

This was really a great part for Basehart. I believe him as the hardened con and I believe him as the naive teenager in a 30 year old body. If you want to see Basehart in another film where he practically has a dual role, watch "Tension". But by all means do see this, as it has suspense, noirish undertones, and a great performance by Basehart.

Richard Baseheart never competed with such mega stars as Gregory Peck, Humphrey Bogart and John Wayne but kept more to himself concentrating on more complicated roles on a smaller scale, like a kind of understatement actor, but the result is that his roles are always interesting and intriguing. Here he is released from prison after fifteen years at the age of 29 and knows nothing about society. His only schooling in 15 years' imprisonment has been to handle tough guys and ruffians and a thorough knowledge of the criminal type. To get away from the stress and noise of Philadelphia, he heads for the country and finds a small friendly town where nothing ever happens, where he is employed as an assistant at a hospital. So far so good, but it is not. An old fellow gangster turns up in a dying state who has hidden a million away somewhere, and the fellow hoodlums he has fooled are after him, so he is not allowed to die in peace. Unfortunately Richard Baseheart is there, they recognise each other, and the case is cooked. From there on the strain and excitement of the thriller keeps constantly rising like a fever temperature, and a few dames get involved also. This is in many ways the perfect thriller, but Richard Baseheart's acting is what keeps it glowingly alive until it bursts into flames, and the finale is an ingenious climax of the composition.

The story begins at Eastern State Penitentiary, an ancient prison that was shut down in 1971. It's an interesting place you can tour to this day...something you might want to do if you visit Philadelphia.

As to the story itself, it seems that Larry (Richard Basehart) has been incarcerated since he was only 14. Now, after living about half his life behind bars, he's learned that he's received a pardon and will be released. However, Larry has a really difficult time adjusting to life outside prison and you wonder if he'll soon commit some crime just to get back to the routine he's become so used to experiencing.

Before this cane happen, Larry's job offers him a chance to either get rich or go back to stir. A con he recognizes has been brought in to the hospital where Larry works and the guy apparently was part of some armored car robbery...and he was never caught and the money is still in hiding. Soon 'friends' of this con approach Larry and they want him to join up. Will Larry go the straight and narrow or give it all up for a familiar life of crime?

This movie is exceptional in many ways. The script is intelligent and well constructed. It gives an unusual insight into the plight of ex-cons and their difficulties adjusting to real life. It also is very tense and filled with bad people and a real femme fatale. Basehart is also excellent...and his forte was playing in film noir movies. Overall, a surprisingly good movie...one crime film buffs should really enjoy.