Mule Train

Mule Train which must have been rushed into production and distribution to take advantage of Frankie Laine's mega-hit has Gene Autry singing the song and working undercover as a US Marshal. Only sidekick Pat Buttram knows Gene is a marshal.

This film marks a first as the famous Hitchcockian McGuffin is natural cement of which Pat Buttram and his cantankerous old partner John Miljan have on their otherwise pretty worthless property. As water is pretty scarce this stuff is going to come in mighty handy to build a new and solid dam.

I have to say that Miljan was a surprise to me. He usually plays polished and sophisticated villains, seeing him in this part that Gabby Hayes would be perfect casting was a revelation.

Freight Line owner Robert Livingston has a vested interest in trying to get the property. But female sheriff Sheila Ryan seems to be playing an interesting role here. She's a trick shot carnival act who got left behind by her show and is now sheriff. Could things be brewing for Gene and her.

Mule Train with a little better writing could have been a first class western with some major stars. As it is, it's pretty good, far superior to the usual Saturday matinée stuff. Gene was no longer with Republic, I'm guessing Harry Cohn at Columbia was giving him some better and more adult material to work with.

Besides the title song Gene also sings country hit Room Full Of Roses which had a lot of cross over appeal. Dick Haymes and later Dean Martin did successful records of it. Gene warbles it real pretty.

One of Autry's better westerns from Columbia.

John Miljan has a gold mine of cement but Autry's real life friend, Robert Livingston stands to lose a fortune if they use it to build the dam. Autry is also aiming for gorgeous sheriff Sheila Ryan in more ways than one. Can't tell you if he was successful but lucky Pat Buttram eventually did get the girl a few years later as his wife. Comic relief specialist, Vince Barnett has some great scenes as the barber who never actually finishes the job. But Syd Saylor, is somewhat out of his element as the serious deputy but he handles the role well. Also, great to see versatile actor and Autry's stunt double Sandy Sanders. Great to hear Gene sing the hit title song and Pat even provides a good one of his own.

Songs blend pretty well. Buttram bumbles amusingly. Marshall Gene helps old friend Smokey establish worthiness of natural-cement-deposit on inheirited land. This doesn't sit well with Sam Brady, who's freight company transports crushed stone to earthen dam being built by local cattlemen. Also in mix is lady Sheriff Carol, who's in cahoots with Brady; and banker Clayton Hodges, who's loan to Brady is too big. An average effort of it's kind.

"Mule Train" is about the strangest Gene Autry films I've seen apart from his ultra-weird serial "The Phantom Empire". This is because although the film has some of the usual cliches, its plot is so unusual and definitely not one you'd expect in any western!

In "Mule Train", there's going to be a new dam out west. But when natural mineral deposits are discovered nearby that could make it easy and cheap to make cement for the dam, some baddies kill the man who discovered this. Why? Because they own wagons which the dam builders will need to transport cement to the dam site....and they don't want to lose this business. To help them, they have a lady sheriff (huh???) who will do whatever they tell her. Into this messy situation, Gene and Pat arrive. But Gene doesn't let anyone know he's a federal marshal....and he just lets the sheriff think he's just some guy.

While I liked the odd plot, I did find the lady sheriff to be a bit annoying. It seemed odd to have a woman in such a role (even in 1950) but instead of it being a liberating situation where women get equal time, she seems pretty cliched...especially when she, like so many other women in B-westerns, takes an inexplicable instant dislike for Gene. Sure she's evil...but not exactly subtle nor believable. Overall, an okay film with a neat theme song.

US Marshal Gene Autry arrives in a small town to find that Sheila Ryan, ex-carnival trick-rider and rifle shot, is the sheriff, and looking to do a good job too, as she threatens Autry for arrest with fighting in the street. Autry is mostly there to see to the interests of Pat Buttram, who has inherited a deposit of natural cement. He proposes to use it in the town's construction of a dam. This suits everyone except Robert Livingston and associates, who have a contract for hauling in stone for the dam.

Autry sings the title song, recently a hit for Frankie Laine, three times, and the story has some interesting twists and turns as Buttram tries to play matchmaker between Autry and Miss Ryan. Autry's vehicles for Columbia remain a cut above the other contemporary B westerns, providing some interesting performances for Autry's regular company of performers, with Buttram given a more serious role than usual.