Un monello alla corte d'Inghilterra

A typically good and effective heartstrings film of the era, with the underdog predictably triumphing, but the very best part was the brilliant Alec Guiness. What a talent! His firm, honest but loyal role as PM Disraeli was surely one of the most intelligent I have seen in film. His entire role dialog was nothing short of premier, with equal talent in his delivery of it that are both so very lacking in today's films, for the most part.

His so very erudite and eloquent speech to the House of Commons about the rights of Britain's children that included Mudlarks(really about all underdogs everywhere), and the obligation for England(and all of us everywhere)to care for and about them was astonishing and encouraging, especially where underdogs and common folk are often seen as nuisances and impediments to rich men seeking political power primarily to help themselves and their rich cronies. In reality, nothing ever changes or improves in the wealthy's perception of those without wealth, but a good fantasy about caring never hurts and may someday help as it showcases human awareness of this best-of-all-worlds ideal if not the real accomplishment of it. Maybe one day? That is the message and benefit and hope of this kind of story.

A grand film in the old style, with outstanding writing and acting.

Charming adaptation of a story that could very well have happened during the days of Victoria's reign after Prince Albert died.

I am not sure if it is a concoction of the imaginative author or not.

Either way, the heavyweight cast delivers as does the director and production -- and of course -- the charming Mudlark simply named "Wheeler". Here is a tale where our imaginations are treated to a fantasy of grand proportions. The comedy of errors during some scenes are enough to make us all giggle. Dunne and Guiness were wonderful!

I have not heard where Andrew Ray wound up. Does anyone know of his whereabouts?

This unlikely Anglophile gives it 10 thumbs up!

This is one of those delightful post-war British films that once seen is hard to forget. The story centers around Wheeler, a London "mudlark" (an orphan who scavenges the Thames at low tide), who, upon finding a cameo of Queen Victoria, sets off to Windsor to see "the mother of England." Victoria is secluded as the "widow of Windsor" and a desperate Disraeli is vainly attempting to urge her to resume public duties. However, when Wheeler finally gets to meet his Queen, Victoria is moved to return to her public life. Wonderful performances by Irene Dunne as Victoria, Alec Guinness as Disraeli, Finlay Currie as John Brown and Andrew Ray as Wheeler, the mudlark. If only Fox would release this on DVD or VHS!

This is a slightly stiff rendition of an old story about a young scavenger who makes his living from the debris found by the river Thames in London. One day he happens upon a portrait of Queen Victoria and sets off to Windsor Castle (no small distance) to try and meet his Sovereign. Meantime the Queen (Irene Dunne) is still wallowing in grief following the death of Prince Albert and her Prime Minister Benjamin Disraeli (Alec Guinness) is trying to coax her from her melancholy before it is too late for both her and the monarchy. A combination of circumstances lead to an engaging and slightly humorous set of scenarios and the mudlark gets his wish. This film provides an interesting observation on just how detached the Queen was from all of her people, not just the poorest; and of how ultimately the demonstration of innocence and, to some extent, loyalty by the child - along with some sagely interventions from Finlay Currie's highland ghillie John Brown - served to bring the Queen out of her isolation. It also features quite a stirring - and potent - oration from Guinness analysing the poverty and injustice visited upon those whom the state regarded as dispensable. A touching and life-affirming little film well worth a watch.

Irene Dunne wore darn near as much make-up as Lon Chaney Jr. in the Wolfman, to portray the role of Victoria I. She was a much underrated actress and the role fit her like a glove. Then, there's the late Sir Alec Guinness as Disraeli and the incomparable Finlay Curie as John Brown, the only man who had leave to blow his nose in the presence of the Queen. The tale focuses on a "Mudlark," a street urchin who lives off scrounging castaway goods from the mud banks of the Thames, who finds a likeness of Queen Victoria and resolves to visit this "Mother of all England." How this event is used by Disraeli to get her to end her reclusive widowhood is the plot of the story. Alas, no video and no DVD. This superb classic, too good for even its own time shows up from time to time on the late show and if it does, don't miss it. You'll be charmed by some outstanding performances and a winsome story. Oh. Yes, the kid gets to meet the Queen and she does join polite society once more. That much is history.