Hot Rod

The writing and acting are deeply cheesy (but in an endearing way- It's actually pretty funny, at times) but the historic cars in the opening 4 minutes alone are worth the price of admission- The McGee Roadster, the Bill Burke Belly-tank, rare footage of the early, Lake Muroc SCTA trials.

The cars in the main storyline aren't show-rods; Really, the modifications are pretty basic- '32 flathead-powered roadsters with fenders removed, dropped front axle, a hot camshaft, a 2x2bbl, or maybe 3x2bbl manifold, and finned aluminium heads- chromed on the fancier cars. But they're realistic for what a teenager with limited skills and limited budget could do in 1950 California- Back when you could pay for a hot rod build, with the earning from a before-school paper-route... before you needed to OWN the newspaper, to afford an A-V8, or Deuce Roadster.

(This movie is so early in the hot rod era, that there isn't even a Deuce Coupe in the whole film- Why would a kid bother with a big, heavy, undesirable 3-window coupe, when you couldn't throw a rock without hitting a 32 roadster, selling for under $100?)

This was required watching in the early 50's when we were building rods & customs. Poor acting, second rate plot, but Oh Those Cars!!! Anyone building a retro-rod today should be able to see this. Too bad we can't get it on tape or DVD

This is a really poor film. It features two alleged teenagers, reference is made to going to school, and they're way way past their sell-by date to be teens. Jimmy Lydon, who was really good in the Henry Aldrich movies, was playing a teenager NINE YEARS earlier than this movie was made, and even then he was almost past his teens. Gil Stratton as his sidekick 'Swifty' is even older. Neither of them really could pass for a teenager or high school student. In fact it's kinda laughable. Lydon plays it low key; he's pretty skinny and still does have a bit of baby-face to him but Stratton is absolutely not believable in his role.

There are so many old hot rod movies out there and this is one which disappointed me. How about getting character roles played by people who are believable in them?

A narrator describes the world of the hot rod as a new and developing sport. He then describes the problematic world of illegal hot rod racing. A motorcycle cop confronts a group of racers. He catches a couple of racers after their car breaks down. Judge Langham sentences the first time offenders and revokes their licenses for a year. His son David Langham gets a car and gets caught up in an incident.

This starts basically as one of those government films that get shown in high schools. It turns into something else. It does have characters and a story. I don't care about the characters. The story is not that compelling and it ends in the least compelling way. This is a movie trying to placate the hot rod crowd, but they would never fall for a lame movie like this. The government film warning against hot rods would be more fun.

Those darn teenagers are at it again, with their fast movin' horseless carriages! Dave and Swifty are trying to get an off- road race track set up so that their friends don't have to race in the streets, but of course Dave's father is the local judge, and is set dead against it. Jimmy Lydon and Gil Stratton co-star in this teen angst shortie from Monogram, ( which is now Allied Artists). After trials and tribulations, ups and downs, mistaken identities and hold-ups, the boys hope their father will approve the track area, which would be a safer solution, and get those darn kids off the streets. The plot line is pretty inane, but worth seeing for some great oldie, jazzed up jalopies, as well as some old scenery of 1950s Los Angeles. A great chase scene right at the end, and it would be fun to see what some of those locales look like today. This shows now and then on TCM, but only 60 votes so far. Pretty tame stuff. The rebellious kids are all dressed so neatly, and speak so well... i wonder if they really were like that, or was this just Hollywood's image at the time. and you can feel the anger when the teenager's father doesn't believe when he's telling the truth, a common feeling we all had at one point. Directed by Lew Collins.... had worked on a couple shows with John Wayne.