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For Heaven's Sake has a number of witty lines and an interesting premise. If you charted this movie you would see a dip into sentimentality every time Edmund Gwenn shows up. He's such a joke killer in this film. Luckily, he doesn't show up too often. Robert Cummings, never an outstanding presence, turns in a forgettable performance as the theatrical husband and the proximity of his mediocrity somehow manages to suck the life out of the wife, played by Joan Bennett who is usually better than she comes across here. Clifton Webb, sans mustache, is a hoot. In my favorite scene he plays bebop on the harp. It's worth sitting through the whole film just to see that scene.

"For Heaven's Sake" is a most unusual movie....far different than the typical movie of the era. Clifton Webb and Edmund Gwenn play angels whose job it is to find parents for children waiting to be born. One of the unborn kids (Gigi Perreau) is a problem case for Webb's character...she insists on being born to a power couple from Broadway (Bob Cummings and Joan Bennett). But these people are too self-absorbed and career-oriented to be parents...but the child refuses to give up on the notion that they'll one day be her parents. In frustration, eventually Charles (Webb) takes human form and decides to deal with the couple directly. He poses as 'Slim'...a Texan who is quite stereotypical. And, over time, he REALLY comes to like being human...with all its vices as well.

The notion of seeing Clifton Webb playing a rich Texan is strange to say the least! He usually was the embodiment of sophistication and breeding and not the type to wear bolo ties and talk about life on a ranch! Strange casting indeed!

So is it any good? Well, if you love Clifton Webb, you'll like the film. Even though it's one of his weaker films, he himself is quite nice in this against type role. In fact, because so much of the focus of the film is of him and his performance, the movie really doesn't give most of the rest of the cast anything to do other than be there for Webb. This isn't so much a criticism...just an observation. Additionally, I loved the special effects at the beginning of the picture...they were amazing for 1950. However, the film itself is very, very weird...so much so that I guarantee that many folks will give up on it before it's complete.

Great escapist fantasy, perfect 1950s era storyline and shooting. Clifton Webb couldn't be better as cowboy-playing angel trying to get this writer-couple to want a baby who's been waiting for parents.

The acting, staging, storyline, acting all terrific, great fun, poignant, simple.

Utterly charming comedy with Clifton Webb and Edmund Gwenn delightful as a pair of guardian angels tasked with getting a little girl born to a self absorbed but good hearted couple.

Joan Bennett comes across well as the prospective mother, a warm presence this film came along just as she was segueing from her period as a film noir chippy to character and mother roles. Joan Blondell is great fun as a flashy screenwriter injecting her special brand of zip whenever she's on screen. Robert Cummings is bland as the father to be but he fades into the background and doesn't hurt the picture.

As enjoyable as the two Joans are this is really Clifton's show and he makes the most of it especially after he temporarily returns to earth in human form and has many misadventures. A sweet, feel good film in the best sense of that phrase.

The acid tongued Clifton Webb who earned three Oscar nominations in the Forties, in the Fifties had his image considerably softened and for most of the rest of his career would be doing items like For Heaven's Sake. How much base was applied to this acid for Webb to team with Edmund Gwenn as a pair of angels trying to help some unborn kids make their earthy debuts.

Webb has the tougher assignment. Gigi Perreau's prospective parents are theatrical couple Bob Cummings and Joan Bennett who've become rather jaded and are on the verge of splitting. Against a lot of celestial advice including Gwenn's, Webb decides to materialize and become human. And as his role model, Webb takes on the persona of Gary Cooper as a western millionaire. In fact Webb is shown going into a theater and seeing Coop in a revival of The Westerner. This is just to get some background information as to how to pull off the character.

And he enters the lives of Cummings and Bennett as another kind of angel, a theatrical one. Of course without any money since they don't use any where he's from. But when he does acquire some money, Webb acquires a lot of earthly habits and problems to go along with the pleasures and perks of being corporeal.

Webb and Gwenn who would team up again in Mr. Scoutmaster have a nice easy chemistry that really carries For Heaven's Sake to some really nice heights. I'd also make note of performances by Joan Blondell as an actress playing one a lot like Joan Blondell, Harry Von Zell in a nice caricature of a real Texas oil millionaire and most of all Jack LaRue as an actor who really starts believing he is one of those gangster tough guys he portrays on the screen. I think LaRue took as his model George Raft though God only knows LaRue played plenty of gangsters in his own career.

For Heaven's Sake holds up very nicely after over 60 years and makes nice family viewing.