Michael Denison interpreta un avvocato che indaga sulle accuse di rapimento contro Dulcie Gray. Basato su un romanzo di Josephine Tey.Michael Denison interpreta un avvocato che indaga sulle accuse di rapimento contro Dulcie Gray. Basato su un romanzo di Josephine Tey.Michael Denison interpreta un avvocato che indaga sulle accuse di rapimento contro Dulcie Gray. Basato su un romanzo di Josephine Tey.
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A young girl reappears after a two week absence with a fantastic story of having been held captive by two women in an isolated house. The police seem disinclined to investigate deeply, so it is up to the women's lawyer to uncover the truth.
The movie is extraordinarily faithful to the book; indeed, entire pages of dialogue are transferred to the screen. The biggest change is in the nature of how the truth is disclosed, which is both tidier and more believable in the film.
The story is less a mystery than a character study, and in this the film falls flat. The most interesting character, the girl, is almost an aside. A section of the book that outlines her background and fills out her story has been dropped, and the film is poorer for that.
Still, you're likely to find it an intriguing film, if not one you'll rush to see again.
The movie is extraordinarily faithful to the book; indeed, entire pages of dialogue are transferred to the screen. The biggest change is in the nature of how the truth is disclosed, which is both tidier and more believable in the film.
The story is less a mystery than a character study, and in this the film falls flat. The most interesting character, the girl, is almost an aside. A section of the book that outlines her background and fills out her story has been dropped, and the film is poorer for that.
Still, you're likely to find it an intriguing film, if not one you'll rush to see again.
Saw this yesterday for the first time.... started watching casually, but was soon drawn into the plot.
Thought the direction was spot on , and the tension was ramped up wonderfully.
Yes the dialogue was a tad clipped, but it was 1951 for goodness sake, but I thought the script was bang on , with some wonderful cameos( apart from Kenneth Moore, as said elsewhere on here who's role was superfluous)
This film was a real gem, and would recommend it to anyone.
Yes the dialogue was a tad clipped, but it was 1951 for goodness sake, but I thought the script was bang on , with some wonderful cameos( apart from Kenneth Moore, as said elsewhere on here who's role was superfluous)
This film was a real gem, and would recommend it to anyone.
A reasonably faithful adaptation of Josephine Tey's 1948 novel based on an actual case of alleged kidnapping nearly two hundred years earlier; but also all too common unfortunately in the twenty-first century.
It begins rather like 'Kiss Me Deadly' with a flimsily dressed young woman thumbing a lift at night, while the mob violence unleashed against the two 'outsiders' recalls 'Le Corbeau'. But for the most part it's content to amble along without much sense of urgency as you scratch your head pondering over the 'why' rather than the 'what'?
It begins rather like 'Kiss Me Deadly' with a flimsily dressed young woman thumbing a lift at night, while the mob violence unleashed against the two 'outsiders' recalls 'Le Corbeau'. But for the most part it's content to amble along without much sense of urgency as you scratch your head pondering over the 'why' rather than the 'what'?
The Franchise affair is set in 50s England when people doffed their caps, respect was given its due and everything was oh so proper. This film stars the real life married couple Dennison and Gray and you can see by their interplay that they love each other. Ann Stephens plays Betty Kane which must be the highlight of her brief career. Athene Seyler as Dennisons Aunt is as always a delight and we have a future Doctor Who as well as Tremayne from the Champions doing very professional work.Kenny More in an early part oozes his considerable charm and the film works on a quaint level. The stilted acting is a product of English film in the fifties and there is enough intrigue to keep everyone happy. All in all a lovely little picture.
Michael Denison and Dulcie Gray (real life husband and wife for 60 years!) star in "The Franchise Affair" from 1951.
This film is based on a novel by Josephine Tey, which I read years ago and remember very well. The movie is a good adaptation.
The first scene shows a dishelved, bruised young woman, Betty Kane (Ann Stephens) who runs to her home in the dark after exiting a bus.
Denison plays Robert Blair, a British solicitor who is approached by Marion Sharpe, who lives with her mother (Marjorie Fielding) in a large house called The Franchise. The young woman is question is accusing Marion and her mother of holding her prisoner for several weeks and forcing her to work for them.
Betty had been visiting a relative and seems to have overstayed, but when her mother contacts the relative, Betty had already left. So where was she? And with whom?
Marion is fighting to remain calm, but it's terrifying. Betty knows all kinds of details about the grounds that she could not have seen from a bus, for instance, and describes the room where she was kept in perfect detail.
Though Blair doesn't take criminal cases, he's sympathetic toward the womens' plight and agrees to help. The women have to handle hate mail, hate phone calls, and rocks through their windows. Blair asks the local garage man for help, and he agrees to stay in the house.
Meanwhile, Blair is desperate to get some evidence against Betty Kane. He believes the Sharpes.
Very good movie with Kenneth More in a smaller role as the garage mechanic.
Very entertaining.
This film is based on a novel by Josephine Tey, which I read years ago and remember very well. The movie is a good adaptation.
The first scene shows a dishelved, bruised young woman, Betty Kane (Ann Stephens) who runs to her home in the dark after exiting a bus.
Denison plays Robert Blair, a British solicitor who is approached by Marion Sharpe, who lives with her mother (Marjorie Fielding) in a large house called The Franchise. The young woman is question is accusing Marion and her mother of holding her prisoner for several weeks and forcing her to work for them.
Betty had been visiting a relative and seems to have overstayed, but when her mother contacts the relative, Betty had already left. So where was she? And with whom?
Marion is fighting to remain calm, but it's terrifying. Betty knows all kinds of details about the grounds that she could not have seen from a bus, for instance, and describes the room where she was kept in perfect detail.
Though Blair doesn't take criminal cases, he's sympathetic toward the womens' plight and agrees to help. The women have to handle hate mail, hate phone calls, and rocks through their windows. Blair asks the local garage man for help, and he agrees to stay in the house.
Meanwhile, Blair is desperate to get some evidence against Betty Kane. He believes the Sharpes.
Very good movie with Kenneth More in a smaller role as the garage mechanic.
Very entertaining.
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Mrs. Sharpe: [entering a coffee-shop, scandalizing the other customers] We've just flown in on our broomsticks for a cup of hot blood.
- ConnessioniVersion of The Franchise Affair (1962)
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- Дело о похищении
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- Tempo di esecuzione
- 1h 28min(88 min)
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- Proporzioni
- 1.37 : 1
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