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Francesco, giullare di Dio

  • 1950
  • T
  • 1h 25min
VALUTAZIONE IMDb
7,3/10
4352
LA TUA VALUTAZIONE
Francesco, giullare di Dio (1950)
A series of vignettes depicting the lives of the original Franciscan monks, including their leader and the bumbling Ginepro.
Riproduci trailer1:11
1 video
32 foto
BiografiaCommediaDrammaStoria

Una serie di vignette che ritraggono le vite degli originali monaci Francescani, incluso il loro capo e il brontolone Ginepro.Una serie di vignette che ritraggono le vite degli originali monaci Francescani, incluso il loro capo e il brontolone Ginepro.Una serie di vignette che ritraggono le vite degli originali monaci Francescani, incluso il loro capo e il brontolone Ginepro.

  • Regia
    • Roberto Rossellini
  • Sceneggiatura
    • Roberto Rossellini
    • Federico Fellini
    • Félix Morlión
  • Star
    • Aldo Fabrizi
    • Gianfranco Bellini
    • Peparuolo
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,3/10
    4352
    LA TUA VALUTAZIONE
    • Regia
      • Roberto Rossellini
    • Sceneggiatura
      • Roberto Rossellini
      • Federico Fellini
      • Félix Morlión
    • Star
      • Aldo Fabrizi
      • Gianfranco Bellini
      • Peparuolo
    • 29Recensioni degli utenti
    • 28Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 2 candidature totali

    Video1

    Trailer
    Trailer 1:11
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    Foto32

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    Interpreti principali8

    Modifica
    Aldo Fabrizi
    Aldo Fabrizi
    • Nicolaio, il tiranno di Viterbo
    Gianfranco Bellini
    • Narrator
    • (voce)
    Peparuolo
    • Giovanni il Sempliciotto
    Severino Pisacane
    • Fra' Ginapro
    • (as Fra' Severino Pisacane)
    Roberto Sorrentino
    Nazario Gerardi
    Nazario Gerardi
    • San Francesco
    • (non citato nei titoli originali)
    Arabella Lemaitre
    • Santa Chiara
    • (non citato nei titoli originali)
    Renzo Rossellini
    • Narrator
    • (voce)
    • (non citato nei titoli originali)
    • Regia
      • Roberto Rossellini
    • Sceneggiatura
      • Roberto Rossellini
      • Federico Fellini
      • Félix Morlión
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti29

    7,34.3K
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    Recensioni in evidenza

    7AlsExGal

    Not a traditional biopic as you might expect

    The film consists of several short vignettes depicting various encounters and occurrences involving the 13th century monk Francis of Assisi, as well as his small group of followers who would go on to become the Franciscan Order. Dedicated to lives of poverty and piety, they struggle to survive while searching for the good in all things. As well as focusing on Francis (Nazario Gerardi), much time is spent on Brother Juniper/Ginapro (Severino Pisacane), known as the "Jester of God", a good-hearted but simple-minded follower of Francis.

    Rossellini's Neo-Realist sensibilities continue with his casting of real Franciscan monks to play Francis and his followers. In fact, the only professional actor involved was Fabrizi, playing a vicious warlord. The script, co-written by Rossellini and Federico Fellini with some later input by a pair of Catholic priests, contains a lot of humor. The movie is both pious and light-hearted, and it rarely if ever feels like it is preaching. It's also not a traditional biopic of St. Francis, as one might expect, but rather it seeks to illuminate the man through his works and interactions with others. The film also evokes its time period well, with none of the Hollywood glamorization one usually finds with historical pieces.
    8planktonrules

    A bit episodic but still quite lovely.

    "The Flowers of St. Francis" is a very unusual film. Instead of telling the life of St. Francis of Assisi in any traditional sense, the film is made up of several parables about him and his followers--stories that are most likely fictional. They are all meant to illustrate various lessons--such as humility, service and kindness. This makes the plot very episodic and somewhat disjoint. The film is also unusual, at least when seen today, because almost all the people in the film are non-actors. However, at the time, the Italian Neo-Realist movement (led by the likes of Rossellini and De Sica) stressed the extensive use of non-actors in natural settings--mostly because the country was bankrupt following WWII and had little other choice! But, what sets this apart is that the monks in the film are actually real monks! That is pretty amazing.

    My enjoyment of this film was impaired, somewhat, by my having seen a recent documentary, "My Voyage to Italy". In it, Martin Scorsese discusses many of his favorite films. However, instead of just explaining what he likes in them or how they influenced him as a director, Scorsese goes on to explain the plots as well as the endings of many of these films! So, because he provided so many spoilers for "The Flowers of St. Francis", I didn't get nearly as much out of the film as I might have.

    So is it worth your seeing it? Of course. The biggest reason is that these non-actors gave some amazing performances and the film is very artistic. It also is far less heavy-handed than most religious films. While I still would have preferred seeing the life story of St. Francis, I still did appreciate the work that went into making this lovely film. Additionally, its message of spirituality over religiosity is timeless and inspiring.
    Kalaman

    Priceless, Humbling Masterpiece

    This is one of the most beautiful and humbling pictures I have seen. I discovered it recently along with three other Rossellinis, "India Matre Bhumi", "Fear", and "L'Amore" - all masterworks. But so far based on the first viewing, "Francesco, giullare di Dio" ranks with my absolute favorite Rossellini pictures, "Europa '51" & "The Rise of Louis XIV". From the sublime opening long shot of Franciscans arriving in Assissi to the final unforgettable moment where they all spin and fall on the ground and Rossellini's circular camera connects the earth, sky, and water in perfect harmony, "Francesco" is an authentic, invigorating piece of art.

    The photography itself is a masterpiece; It has a harsh, genuine beauty and splendour: the scenes at the beginning where Franciscans are soaked in rain, or at daytime when they kiss one another and preach and start a fire, or scenes in which Brother G is brutally beaten or tortured by a tyrant, or at night time when Francesco encounters and kisses a leper are all magnificently shot.

    "Francesco" is told in a series of disconnected vignettes, each documenting different daily events and experiences of the Franciscans. The vignettes are preceded by an introductory title (e.g. "How Brother G Cut the Leg of a Pig for a Sick Brother", "How Francesco Met and Kissed a Leper", etc). Although it is explicitly a religious document of St. Francis and his followers set in a bygone era, the feelings and impressions that emanate from it are timeless and universal.

    It is the sort of picture that makes you feel alive or buoyant about life and humanity. "Francesco" is one of my absolute favorite films, a truly humbling masterpiece from one of cinema's great film artists.
    9edwartell

    The most unrigid religious movie ever

    Most religious films are somber affairs, made by religious men. So Francesco, giullare di Dio is an odd religious movie. It lacks any readings from scripture, or even any quotation. It's made by Rossellini, and the title means "Francis, Jester Of God." It's a long long way from here to Diary Of A Country Priest.

    We've had St. Francis movies, of course. Most (in)famous is Zeffirelli's Brother Sun, Sister Moon: St. Francis as hippie. But this was the best. It was shot more or less on location, in the Italian countryside. It stars non-professionals (of course; Rossellini was a neo-realist). Fortunately, it stars a bunch of monks as...a bunch of monks following St. Francis.

    In a brisk 75 minutes, Rossellini sketches a bunch of events: St. Francis meeting a leper, a cook learning why actions win souls, not words, etc. There's little music, and, oddly, not really much time spent with St. Francis himself. He's a side character; the thing of real interest is the daily lives and lessons of the monks.

    At the end, Francis sends the monks off on their own to preach. They spin in circles, fall down, and wherever their head points, that's where they go. Religion is a journey, not an urgent reason to convert others. This supremely generous and uninsistent film is surely one of the best religious films ever made, full of nature and joy.
    7ma-cortes

    Religious movie about St Francis proceed in simplicity and realism

    This is an enjoyable adaptation about Saint Francis (1182-1226) by Roberto Rosselini. Set in 13th century and depicting various episodes about his existence , these are the followings : 1) How Fray Junipero appears naked after give out his soutane to a poor 2 )How the old John abandons his family , follows and imitates St. Francis 3)Concerning the marvelous encounter between St Clare and St Francis 4)How Fray Junipero cut a pig's foot and gave it a sick person 5)How St Francis found a leper into the night 6) How Fray Junipero was condemned to death but his humility vanquished tyrant Nicolas (Aldo Fabrizi) 7) How St Francis and Father Lion experimented the perfect mirth 8) How St Francis came out from St. Mary of Angels to evangelize for around the world .

    The motion picture is an agreeable portrayal on known Saint well played by Pino Locci and secondary intervention by Aldo Fabrizi as an armored villain in the best chapter . The roles of St. Francis and his disciples were played by monks from the Nocere Inferiore monastery . Rather than shooting on stage, they shot on locations and quite often used non professional actors. Most of the performers in the film, with exception of Aldo Fabrizi, are real Franciscian monks . "The Flowers of St. Francis" was edited for its 1952 US release, with Rossellini's chapter-like inter titles and a couple of scenes removed from the original Italian version . Evocative black and white cinematography by Otello Martelli and atmospheric musical score by Renzo Rosselini. Interesting screenplay by Rosselini , Brunello Rondi and participated the prestigious Federico Fellini . The picture is original and imaginatively directed by Roberto Rosselini who was one of a group of pioneering film makers of the neo-realist era . An excellent film-making for sympathy , simple way and brief touches of humor.

    The film retrieves partially deeds about his life . The real events are the followings : Francis was son of a wealthy merchant , but he leaves his lush existence and he dedicates to help unfortunates , hapless and poor people . He suffers starvation , famine, and is taken prisoner during war among Italian cities , Perugia , Venice and Assis . Francis founds the Franciscan Order of monks , approved by Pope Innocence III (1210) and receiving his blessing . He's followed by St Clare as devote disciple , founding the Clarisan order of nuns (1212) . Francesco imposes a rigid rules of life and his thoughts were included in ¨Singing to brother sun or the Creatures¨ where he praises the poverty , joy and nature love and ¨The flowers of St. Francis¨ .

    Other versions about the most famous Saint are : Hollywood version titled ¨Francis of Assisi¨ (60) by Michael Curtiz with Stuart Withman and Dolores Hart ; two rendition by Liliana Cavani , starred by Lou Castel and ¨Francesco¨ (1989) with Mickey Rourke and Helena Bonham Carter . And Franco Zeffireli version (1973) titled ¨Brother sun, Brither moon¨ with Alec Guinness, Judi Bowker and William Faulkner.

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    Storia

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The filmmakers wanted to donate something to the monks who acted in the film since they refused payment. According to Rossellini's daughter, he expected them to ask that the donation be something charitable, like setting up a soup kitchen. Instead, the monks surprised everyone by asking for fireworks. Rossellini saw to it that the town had an enormous, elaborate fireworks display that was the talk of the region for years.
    • Citazioni

      San Francesco: O Lord, make me an instrument of your peace. Where there is hatred, let me bring love. Where there is discord, let me bring harmony. Where there is pain, let me bring joy, and where there is despair, hope. O Master, grant that I may not so much seek to be loved as to love, and my all on earth learn the secret of your peace, which is the fruit of justice and brotherly love.

    • Versioni alternative
      The US version released in 1952 removes the Italian chapter titles and adds a prologue that had been cut from the initial Italian release.
    • Connessioni
      Edited into Histoire(s) du cinéma: La monnaie de l'absolu (1999)
    • Colonne sonore
      Te deum laudamus

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    Dettagli

    Modifica
    • Data di uscita
      • 15 dicembre 1950 (Italia)
    • Paese di origine
      • Italia
    • Lingua
      • Italiano
    • Celebre anche come
      • The Flowers of St. Francis
    • Luoghi delle riprese
      • Sovana, Sorano, Grosseto, Tuscany, Italia(Santa Maria Maggiore)
    • Aziende produttrici
      • Cineriz
      • Rizzoli Film
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Lordo in tutto il mondo
      • 4223 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      • 1h 25min(85 min)
    • Colore
      • Black and White
    • Proporzioni
      • 1.37 : 1

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