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Lucy was one of the most gifted comedians to live: her gift was physical skits that ridiculed herself. Bob was similarly gifted, but his gift was the spoken joke. Neither was particularly well suited for the long form farce, which is what this is.

It is part western, part musical (three numbers) and part romantic comedy. No element of it works. In its day, it was considered a stinker and it still is. Hope's one enjoyable bit was a hide and seek dance with someone who is chasing him. They are back to back but no matter where they look, it is not the right place. I first saw Hope do this in "Star Spangled Rhythm," and I suppose it became something of a trademark over the years.

Lucy at this time was in negotiations for her TeeVee show, which WAS well suited for her talents — and became the most popular show in history.

I'll advise you to stay away from this if you are a Lucy fan. I knew it would be bad, but it is on my list to watch because of the plot device. Bob, an actor, plays a guy who is an actor playing a butler who pretends to be an English lord. All this playing is set in a clearly faux western, and needs to be seen in the context of "Annie Get your Gun" of the same year, which is a western show about a western show.

Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.

Lucille Ball and Bob Hope are two icons of classic cinema, and I must admit, I was completely unaware that they shared the screen in a film together. Upon watching, it became clear why this collaboration might have slipped under the radar. Much of the humor that was once celebrated in 1950 now feels outdated and inappropriate, particularly the racial jokes that would have elicited hearty laughter back in the day but are now considered offensive. Lucille's beauty shines through, and it's a pity she didn't receive more substantial roles in films. When she did, they often leaned heavily into slapstick, much like this one. It's striking how poorly this film has aged over time.

Fancy Pants is directed by George Marshall and adapted from the Harry Leon Wilson story by Edmund L. Hartmann & Robert O'Brien. It stars Bob Hope, Lucille Ball, Bruce Cabot, Jack Kirkwood and Lea Penman. A Technicolor production, it's scored by Van Cleave and cinematography is by Charles Lang. Plot is a reworking of Ruggles of Red Gap, which was made into a successful film in 1935, directed by Leo McCarey and starring Charles Laughton. This take finds Bob Hope as a low grade American stage actor who gets hired by a Western family in the hope that his refined manner will rub off on the more rough and tumble members of the family. Finds start to spiral out of control when the town mistake him for a noble lord, bringing the attention of one president Teddy Roosevelt, who plans a visit to the family home. Not only that, but Hope has to contend with town bully Bruce Cabot, who is convinced that Hope is trying to steal his girl, Lucille Ball.

Bright and bubbly comedy musical fare, played purely for laughs and given a good quality production. Hope and Ball featured together in a total of five film's, their chemistry a winning formula, even if the material wasn't always that beneficial to their respective comedy leanings. Fancy Pants is one of the better ones, but it's bookended by indifference. The start is laborious, and not really setting the standard for what is to come, but once we land in the Wild West it not only lets Hope shine, but also it brings into play Kirkwood and Cabot (excellent). Then it's a case of letting Hope ponce about as a noble butler/Lord, while Ball and Kirkwood plot to have his nuisance self sent packing back to England. It's during this meaty middle section that we get some genuine laugh out loud moments, briskly constructed by Marshall and scripted as sharp as a razor. We even have time for a couple of tunes, with the quite wonderful "Home Cookin" the stand out. Sadly the ending lacks impact and comes all too quickly, which is doubly disappointing since the big build up was great fun.

A good but not great Bob Hope film as a whole, but when it's good it's very good and therefore easily recommended to the comedy classic fan. 6.5/10

The opening credits state "starring Mr. Robert Hope and Miss Lucille Ball"... hope actually interrupts, and says a few words to the audience. Seems to be a period piece, a warped story on the history of new mexico. This was a ten years before critic's choice and facts of life, which they also made together. And just before I love lucy! Keep an eye out for the awesome eric blore, from all the fred astaire films. Also norma varden, mrs. Piggy, from gentlemen prefer blondes. Even ida moore, the mascot from desk set. The story is just silly, complicated, and disjointed, but it's all about the jokes along the way. Hope pretends to be a butler to help a hilbilly family appear upper class. Hijinx ensue! It's all interesting, mostly for the great comediens involved. Some fun special effects for 1950, the hairdo humphrey gives miss agatha, and the tower of pisa in the picture hanging on the wall. Miss agatha even sings a couple songs, which are clearly dubbed. Directed by george marshall; he had started in short, silent films. And kept right on directing until until 1972, ending up in television series. Fun for the fans of bob hope and lucy !

A rich American woman hires a British butler and brings him to New Mexico unaware that he's an American actor. A disappointing remake of "Ruggles of Red Gap," given the potentially potent teaming of Hope and Ball. The first segment of the film that takes place in Britain is so lame that it doesn't even elicit a chuckle. Once the action moves to New Mexico, there are a few laughs but the comedy is still labored. The funniest bit has to do with dogs chasing Hope instead of the fox during a fox hunt. Hope and Ball seem to be trying but the script is a dud. Alexander, who imagined he was Teddy Roosevelt in "Arsenic and Old Lace," plays the president here.