Il colonnello Hollister

After Confederate officer Blayde Hollister's (Gary Cooper) home and family are destroyed and massacred by the sociopathic Marlowe Brothers during the Civil War , he swears for vendetta , refusing to surrender and becoming a wanted man with a reward on his head , as posters captioning : Wanted alive or dead . In order to track down the three brothers into Texas, Hollister fakes his own death in a staged shootout with his friend Wild Bill Hickock (Reed Hadley) . He then befriends Martin Weatherby (Leif Ericson) , the newly appointed U. S. Marshal to Dallas, and both of them scheme a twisted caper by replacing personalities . Meanwhile , the eldest of the Marlowe brothers, Will (Raymond Massey) , masquerades as a law-abiding real estate dealer while feigning righteous indignation over the cruel acts of corruption and lawlessness against the honest citizens of Dallas carried out by his nasty brother Bryant (Steve Cochran) . When all of Texas was a powder keg...they lit the fuse! The fury of violence and vengeance echoes across the Texas Plains ¡.

A run-of-the-mill plot but plenty of diversions on the trail , as Coop pretending to be a dandified US marshall in frock coat and top hat , horse-back chases , impressive gunfight and furtive romance . The big star Gary Cooper sleepwalks though he is supposed to be the laconic outsider-type , this doesn't matter at all . It contains adequate production values , thrilling musical score by the classic composer Max Steiner and blazing , glimmering Technicolor camerawork by Ernest Haller , basically a B-Western though . Stars the great Gary Cooper giving an acceptable acting in his usual style , but he starred much better Westerns , such as : High Noon , The Virginian , Unconquered , The Westener , Along came Jones, Friendly Persuasion , Garden of Evil , Distant Drums , Vera Cruz , The Hanging Tree, They came to Cordura , among others. He's well accompanied by the beautiful Ruth Roman with whom two suitors have a triangular romance , developed between Cooper/Hollister and Weatherby/ Leif Ericson as an affable, but not very experienced lawman, who agrees to let Hollister assume his identity . And other notorious secondaries as Raymond Massey , Steve Cochran , Barbara Payton , Jerome Cowan , Reed Hadley , Monte Blue and Antonio Moreno .

The motion picture was regular but professionally directed by Stuart Heisler . Director Stuart Heisler began his film-industry career as a prop man in 1913, joining Mack Sennett at Keystone the following year. He worked as an editor for Samuel Goldwyn at United Artists from 1924-25 and again from 1929-34 and at Paramount from 1935-36. He graduated to second-unit director with John Ford's The Hurricane (1937). He started his directorial career at Paramount in 1940 and stayed there until 1942, turning out mostly "B"-grade films but was occasionally given an "A" picture. Heisler made various films with known actors and diverse genres , such as Gary Cooper (Along Came Jones ,Dallas) , Susan Hayward (Tulsa , Smash-up) , Linda Darnell (This is my love) , Jack Palance (Died a thousand times , a remake of High Sierra) and Tony Curtis (Beachhead) , among others . A cool cast , professional direction from Heisler with riveting climax and enhanced by energetic score make this a must , but only for Gary Cooper fans . Rating : 5.5/10 , worthwhile watching.

Gary Cooper has given us much much better in his career, for instance the awesome HIGH NOON or MAN OF THE WEST. This one is directed by the bland Stuart Heisler whose film have never excited me that much, except maybe I DIED A THOUSAND TIMES. That makes me think I should watch some of his stuff again. So this one, a Warner movie, remains a good western, but a but boring because so much predictable plot with foreseeable characters and also character study. I have it in French dubbled in my collection, and the characters - with American first names in the genuine movie - are named with FRENCH first names in the French version. Such a disgrace, replacing Will, Bryan, Blayde but Guillaume, Marcel - ha ha ha - or Julien. Why, why, why? In most other dubbed westerns that I have seen in my French movie goer life, American first names are kept. But not here. Ok, that doesn't remove the interest and quality of this movie, nor add however, but that bings a comic situation, totally weird. So, to summarize my review, this is a western to be watched for Gary Cooper's fans, but not one his best.

The only reason I watched this film was because of Gary Cooper. While maybe not the nicest person in the world in real life, he was a wonderful actor and I'd watch even one of his weaker films just to see him act. And, as usual, he was very good (though a bit old to win the girl at the end of the film).

The problem, then, is that despite all of Cooper's talent, the film is just a very ordinary and run-of-the-mill cowboy film. I could EASILY have imagined almost any other actor being able to do Cooper's role and the film would STILL have been mediocre. It's because so many elements of the plot just seem too familiar and too clichéd.

About the only thing that stood out was the interesting character played by Leif Erickson---who oddly received such low billing in the film even though he was one of the main characters! The idea of an Eastern "dude" coming West to impress his girl was kind of funny and he did provide a few cute moments and an interesting sidekick, of sorts, for Cooper.

Aside from that, the film is imminently skipable. It's a film that only Cooper addicts or B-quality Western addicts should watch--there are frankly too many better films out there worth your time.

See it – Although this may not be considered one of Gary Cooper's best movies, it is certainly an entertaining western. He plays a wrongfully accused outlaw who trades places with the incompetent marshal, impersonating him in order to bring his arch enemy to justice. This is by no means a comedy, but it has that light-hearted, "Errol Flynnish" feel to it that characterized so many films in the old days. For instance, there are certain things that you just wouldn't do in real life; such as throwing a bullet into the fire to distract someone, or stepping on a cat's tail so that the yelp will cause your enemy to show himself. But it's all in good fun. The down side is that a large quantity of action scenes doesn't always mean they are quality scenes. There aren't any cool, memorable gunfights or explosions in this one. But it's a good way to spend an hour and a half. 3 out of 5 action rating.

Dallas stars Gary Cooper, Ruth Roman, Steve Cochran, Barbara Payton & Raymond Massey. It's directed by Stuart Heisler, photography is from Ernest Haller & pen duties fell to John Twist. Produced out of Warner Brothers, Dallas is vividly filmed in Technicolor out of the Iverson & Warner ranches in California. Very much a film with its tongue firmly in cheek, the film is a throwback to the Westerns of yore that exist without pretensions or deep penetrative meanings.

The plot sees Cooper's Civil War renegade, Blayde "Reb" Hollister, fake his own death so as to kill off his reputation and to free himself for the pursuit into Dallas of the brothers who massacred his family. In essence a routine plot, Twist's story is perked up along the way by many a fun and exciting diversion. There's role reversals, dandy fashions, horseback pursuits, shoot outs, a love triangle, vigorous dialogue and deft little twists to keep the piece purely from painting it by numbers.

Cooper seems to be enjoying himself too, which further enhances the feel good factor on offer. It's true he isn't really asked to do anything more than be a laconic dude on a mission. But when called on for action duties, he delivers the goods that his fans have come to expect during his successful career. The villains entertain (particularly Steve Cochran's vile and dopey Bryant Marlow) because each have their own little peccadilloes to keep them from over familiar blandness. The two ladies of the piece look gorgeous and hold up well in amongst the machismo, while the high production value allows Haller to really treat the eyes with the lush Technicolor and involving camera work around the locations.

It has ideals to being an "A" list Oater does Dallas, something it just can't quite attain. But it's not for lack of trying and the end result is one of pure entertainment, that, in truth, should be enjoyed on a cold winters day when the viewer needs a pick me up. 7/10