Cenerentola

Walt Disney's CINDERELLA takes a story everybody's familiar with and embellishes it with humor and suspense, while retaining the tale's essential charm. Disney's artists provide the film with an appealing storybook look that emanates delectable fairy tale atmosphere. It is beautifully, if conventionally, animated; the highlight being the captivating scene where the Fairy Godmother transforms a pumpkin into a majestic coach and Cinderella's rags to a gorgeous gown. Mack David, Al Hoffman, and Jerry Livingston provide lovely songs like "A Dream Is a Wish Your Heart Makes" and "Bibbidi-Bobbidi-Boo" that enhance both the scenario and the characters.

Even though CINDERELLA's story is predictable, it provides such thrilling melodrama that one shares the concerns and anxieties of the titular heroine and her animal friends. Both the wicked stepmother and her dreadful cat Lucifer present a formidable menace that threatens the dreams and aspirations of Cinderella and the mice. It is this menace that provides the story with a strong conflict that holds the viewers' interest. The film's suspense, however, is nicely balanced by a serene sweetness, especially in the musical numbers. It is in these segments that reveal the appealing personalities of Cinderella and her friends, moving the viewers to care for them. Overall, Walt Disney's CINDERELLA is wonderful family entertainment that has held up remarkably well after half a century.

Cinderella (1950)

*** (out of 4)

Very charming animated feature from Disney about the abused Cinderella who is kept from a Royal ball by her wicked stepmother. Thankfully, with the help from some birds and mice, Cinderella manages to get to the ball where she's a hit with the Prince. Cinderella isn't the most original Disney film when you consider that the story had already been filmed before and I'm sure most little girls already knew of it. With that said, as familiar as the story is, the movie still makes for an entertaining 74-minutes. I think the biggest reason for the success is that the story itself is one I'm sure most little girls dream about and I'm sure many can connect with the lead character. I think the film remains entertaining for boys as well thanks to the supporting players including the mice who easily steal the picture. The battles between the mice and the overweight cat were a lot of fun and there are some terrific sequences with the two including one where two of the mice try to get some jewelry but the cat isn't going to turn them over without a fight. Another great sequence happens towards the end when Cinderella is trapped in an attic and the mice must come to her rescue. The vocal performance are all extremely good with Ilene Woods standing out as the title character. The animation is at the highest level, which you'd expect from Disney. Again, I think this falls well short of being a "great" film but there's no doubt that it's fast, fun and contains some memorable characters and a charming story.

Let's not be coy, this is one of Disney's finest animated features. The characters, the colors, the music, it's all wonderful. The studio was at it's absolute peak at this point, with the terrific "streamlined" look to the artwork, that would be changed to a more "rough" appearance in just a few years following this movie.

And what's not to like about it? Cinderella is one of the more endearing characters to come from a Disney feature, her stepmother and stepsisters some of the meanest, and her mice and bird friends, some of the most charming.

Memorable scenes include the "Nightingale" number, with Cinderella's reflection in the soap bubbles, the evil sisters tearing her dress to shreds, her arrival at the ball, and the trying-on of the slipper. Add to that some great numbers like "Bibbodi Bobbodi Boo", and the mice's "work song". A wonderful movie, that never loses its magic, no matter how old you are.

When I first saw 'Cinderella', I found it surprising that the mice had so much to do whereas in the fairy tale they were just incidental creatures. But Disney saw that giving them a big role in the main storyline was the key to providing all the humor and suspense needed to spice up the predictable story. The leading mice, Gus and Jaq are delightful creations and the valiant band of mice are given amusing bits of business.

Artistically, the animation art has a rather glossy modern look despite the fact that it's an old, old story from 1697, a classic children's fairy tale that has been done countless times as either a film, a play or a ballet. But this version will charm Disney fans young and old with its imaginative use of animation and a splendid collection of tuneful songs.

A highlight is the 'Cinderella Work Song' in which the mice make a dress for the mistreated Cinderella, full of inventive comic touches and accompanied by the intricate blend of song and animation. Add to that 'So This Is Love', 'A Dream Is A Wish Your Heart Makes' and 'Bibbidi-Bobbidi-Boo' and you have a charming version of the Charles Perrault story.

For villainy, the stepmother and her black cat (Lucifer) are two of the most brilliantly animated creatures in the film. The cat reminds me of a naughty black cat I once owned. The scene where the stepmother is stroking the cat as she gives Cinderella a list of chores is striking in its use of shadow and menace. Along with some dark touches, there is always a bubbling sense of humor, particularly in this sequence.

Cinderella herself comes across as a pleasant heroine with a sense of humor herself, lifelike in her movements and one of Disney's more successful human figures. Disney's artists did greater art work in other films but this is a well-structured work, a great combination of music and clever animation. The pace is fast, even allowing for extended scenes of the mice and their shenanigans for the sub-plot. And Lucifer, the cat, makes a wonderful foil for their tricks.

The Disney touch is evident in every scene and makes this charming blend of comedy, music and romance a film with timeless appeal.

People criticise Disney's animated features of the 1950s for being overly glossy, set in landscapes that are much too pristine. That criticism is just. And yet it can't be the whole story, because the two least glossy - "Alice in Wonderland" and "Peter Pan" - are also the weakest. "Cinderella", on the other hand, set in a world in which the very dirt sparkles, is clearly the best.

It DOES look good. The backgrounds are subtle and consistent; the colours are pure without being too bright. The animation varies a bit. I'll swear that some of the humans are rotoscoped - but then, the rotoscoped humans (including Cinderella herself) aren't full-blooded characters in the script, so this approach works well enough. It's really the animals that make the movie. I think the studio had never quite used animals in this way before, as totems rather than sidekicks. The mice, for instance, are the creatures who draw us into the story; but they are really representatives or allies of the more colourless Cinderella. The cat, Lucifer, is a kind of witch's familiar to the Wicked Stepmother. (The cat is brilliantly conceived and animated - one of the best feline creations of all time. The supervising animator was Ward Kimball and he modelled it on his own cat. I wonder how he put up with the animal.) This approach allows the animals to steal the show without drawing our attention from the main story. Their actions are of maximum interest only in the light of the main story.

Among the supporting cast the notable humans are the King and the Grand Duke. The King is a one note character - he wants grandchildren and appears to have no other desires at all - but the note is struck in a pleasing fashion. The Grand Duke is a put-upon character who deserves to be lifted out of his sphere as much as Cinderella does. (Although he, of course, is richer.)

"Cinderella" is Disney's return to features after an eight-year hiatus, and neither with it nor with any subsequent movie would he recapture the raw brilliance of his early years. Moreover he made things hard for himself by picking "Cinderella". She's a passive heroine and there's not much anyone can do about that. (Maybe I'm wrong on this score - I haven't seen the recent "Ever After".) Nonetheless it is remarkable how successful Disney was in bringing this unpromising story to life, without cutting across the grain of its spirit.