Blues Busters

The Bowery Boys invade the world of music and nightclubs when after a tonsillectomy which the hapless Bernard Gorcey paid for leaves Huntz Hall with a radio crooner's voice. Naturally Leo Gorcey and the rest of the boys want to capitalize on this if for no other reasons than to pay poor Bernard Gorcey back. They don't want to lose the ambiance of Louis Dumbrowski's Bowery Sweet Shop as a hangout.

But the elder Gorcey gets in far deeper as song plugger Gabriel Dell and Leo get the Sweet Shop owner to turn his place into a nightclub as a showcase for Hall. That doesn't please Craig Stevens who owns a nightclub across the street with his featured singer Adele Jergens, they don't like the competition. That sets up the crazy antics of this Bowery Boys feature.

A few years earlier Eddie Bracken did a comedy at Paramount where he played his usual schnook character who is discovered to have a velvety singing voice. A guy named Crosby was also under contract to Paramount and they dubbed Bing's singing voice to Bracken's songs.

Monogram couldn't afford Bing Crosby so they grabbed a singer named John Lorenz to dub Huntz Hall. I'm sure Mr. Lorenz was like thousands of others who couldn't get a break because he sounded like Bing Crosby. Still he's effective in Blues Busters.

To waste a Crosby voice on Huntz Hall, the shame of it.

Huntz gets a rare chance to show his serious side, and the result is an absorbing study into how much latent talent there always was within the Bowery Boys troupe.

Bernard and Leo Gorcey along with Huntz make a great comic film trio indeed. But in 'Blues Busters', Huntz becomes a teen singing idol following a tonsillectomy which changes his voice to a rich baritone a la Bing Crosby. (There's flawless dubbing to the real voice of John Lorenz.) Louie's Sweet Shoppe is transformed into a nightclub, as Louis Dumbrowsky and the Boys attempt to capitalize on Sach's newly-developed gift of song.

The great title tune "Bluebirds Keep Singing in the Rain" and other ditties make 'Blues Busters' a rare and offbeat must-see entry in the Bowery Boys saga, and will be a reminder of the great old moviegoing days when you left the theatre humming.

Highly recommended to all.

When the story begins, Sach is in the hospital for an operation and has convinced everyone he's on death's door. The truth is it's just a tonsillectomy and soon he's discharged. But there's an unexpected side effect....Sach now is able to croon like Tony Martin and Bing Crosby!! I've had several operations and unfortunately never had that happen with me! But as you probably guessed, instead of just bringing Sach fame and fortune, it also brings problems. Are Sach and the gang up for all this?!

In many of the Bowery Boys' films, Sach develops some sort of amazing power--such as the ability to accurately predict outcomes in gambling and amazing intellect. Here, he's got a great singing voice. Overall, a cute installment of the series and like the rest, it's light and entertaining...but hardly life changing!

I'm watching this one right now on TCM. Sach has his tonsils removed and suddenly finds that he can sing like Bing Crosby. Wonder why things like that never happened to Whitey? Rick Martin, the owner of the nightclub across the street from Louie's Sweet Shop, won't give Sach an audition and has Slip and Sach thrown out. The Boys turn the sweet shop into a night club with Sach, The Bowery Thrush, as the main attraction. Professional song plugger Gabe Moreno provides the publicity. Naturally, Rick across the street doesn't like the competition and is determined to get rid of it, one way or the other.

Gorgeous Adele Jergens and pretty Phyllis Coates provide the female touch. Phyllis is Slip's latest girlfriend. In a few years, she would become the first Lois Lane on the Superman TV series. Adele plays a singer at the rival night club and belts out "Joshua Fit the Battle of Jericho" at the beginning of the movie. Both ladies really brighten "Bowery Blues." It's well worth watching.

Blues Busters (1950)

** (out of 4)

Sach (Huntz Hall) goes into the hospital to have his tonsils removed and when he comes out he has an amazing, crooning singing voice. Slip (Leo Gorcey) decides to make money off of him so they turn Louie's shop into a nightclub but this causes trouble with the club owner across the street. Number twenty in the series is one of the lesser entries as it starts off pretty well but the one-joke nature gets tiresome rather quick and in the end I had a hard time making it through the rather short 67-minute running time. The early jokes in the hospital were pretty funny as were the scenes where Hall discovers his talent but after this it's one boring joke after another. As I go through this series I'm starting to re-think my opinion on director Beaudine who previously had been a favorite of mine. When you see the style of his films and compare them to other director's in the series you really start to see a product that is rather rushed and one that really doesn't look like a "B" picture. There were several sequences that just seemed like they were under performed and that a little better editing and perhaps a different take would have made the scene better. For the most part we get a one-joke film as Sach becomes a hot property and you've got two sides fighting over him. The one thing I didn't understand is that, in the end, Louie is broke yet they had a pack house for three shows a night so why he was broke at the end is beyond me but then again, perhaps I'm just putting too much thought into it. I think Hall is in pretty good form as he is obviously having a good time singing even though he's dubbed. His "acting" of a crooner was pretty good and his facial gestures at least gave us a few nice laughs. Gorcey, both father and son, are also in good form but Gabriel Dell is pretty must wasted in his part. I wasn't too impressed with any of the supporting players as they all struck me as being underwritten and none of the performers brought anything to the role. The real stand out here is John Lorenz who dubs Hall and I must admit that I really enjoyed the songs and his voice. However, this is a comedy and I just didn't laugh enough to make the film work.