Whisky a volontà

Along with classical music Compton Mackenzie certainly knew his stuff when he wrote Whisky Galore, basing it on true events that happened in 1941. I always preferred the film. The quality of the video I made from UK BBC2 on 28th Dec 1988 was excellent, but there are budget editions out there so if interested best be careful. This is one of Ealing's handful of timeless first class classics, one that is always shown on TV and has passed into British movie folklore. Its depiction of the Sabbath-keeping Scottish islanders is only just passing into history as the inhabitants of the Outer Hebrides are only gradually establishing Sunday communications with the mainland.

Insular isolated island runs out of whisky but a cargo ship with 50,000 cases of the muck runs aground nearby. Happy times return, against all the efforts of Basil Radford as the local snooty (English) Home Guard Captain. Bruce Seton was actually a rather weather-beaten 40 to Joan Greenwood's 28 but they surely made a splendid non whisky drinking couple especially at the dance. Favourite bits: The church clock striking for the arrival of Monday morning and the consequent sudden activity; The group of men singing lustily and making hay with their first drink for ages; Hiding the muck from the Excise men, and so much more to watch and savour over and over again.

Ealing Studios went to Barra in summer 1948 and filmed this in 3 months for £80,000 - over-budget, too! When I think of the enormous pleasure that it's given me and so many others over the decades I would think that it was money very well spent, unlike any that might be spent on a pointless remake.

Out of Ealing Studios, Whisky Galore! is directed by Alexander Mackendrick and adapted to screenplay by Compton Mackenzie (novel also) and Angus MacPhail. It stars Basil Radford, Wylie Watson, Catherine Lacey, Bruce Seton, Joan Greenwood and Gabrielle Blunt. Music is by Ernest Irving and cinematography by Gerald Gibbs.

When a ship with a cargo of 50,000 bottles of whisky is shipwrecked near the Outer Hebrides island of Todday, the villagers, out of their whisky rations, set about pillaging as much of it as they can before the authorities take control.

Of the many thematic successes that Ealing Studios worked from, one of the highlights was the theme of a community rallying together to thwart an oppressive force. Reference Passport to Pimlico, The Titfield Thunderbolt and Whisky Galore! The latter of which was worked from a true story. In 1941 the cargo ship SS Politician was shipwrecked near the island of Eriskay in the Outer Hebrides, its main cargo of whisky and Jamaican shilling notes was mostly salvaged by the islanders. Ealing's take on the general story is condensed down to being an ode to anti authoritarianism and drink! With joyous results.

Filmed on location close to Eriskay at Barra, the production had to overcome creative differences and awful weather to become the wonderful finished product. In fact the production went well over budget, a big no no on Ealing terms. Creative difference came between co-producer Monja Danischewsky and rookie director Mackendrick, where the former was firmly on the side of the islanders' pillage tactics, and the latter siding with Home Guard Captain Waggett's (Radford) feeble attempt to keep order. Danischewsky won out, where in spite of a code enforced epilogue, film plays out rooting for the islanders, gaining much humour from Waggett being an Englishman who is completely at odds with what he sees as the Scottish islanders anarchic behaviour.

The Water Of Life.

The community of Todday is bound by its love of whisky, makers extract quality mirth by presenting the sorrow brought about by the whisky running dry, only to then have the islanders lives perked up by the stricken fate of the ship carrying "the water of life". How the people react to the news of the ships cargo, how they set about purloining said cargo and how they hide said cargo from the authorities, is what brings the joy to Whisky Galore! Rarely has a cinematic treatment to larceny been so sweet and deftly handled as it is here. There's even an aside to class distinction, a nod to religious conformity and two lightly (unobtrusive) portrayed romances within the story. And with a cast bang on form, notably Radford, Watson and the gorgeous Greenwood, it rounds out as one of Ealing's most smartest and joyous comedies.

It gladdened the hearts of many back on release as Britain continued to rebuild after the war, that it still entertains new observers even today is testament to Whisky Galore's lasting appeal. 9.5/10

This film was shot in part in the New Hebrides Islands and those island folk have little enough to do to relax and unwind. So the Scots congregate at the local pub, looks like few even have a radio. So when World War II comes spirits among other things are put on a quota. Four bottles a month for the pub. War is hell, but this is ridiculous.

So when the HMS Cabinet Minister founders and eventually sinks and its cargo being a few tons in crates containing whiskey it's manna from heaven. A way to endure the war so to speak. If only that pompous idiot Basil Radford of the local home guard would stop thinking he's in the Coast Guard and try to spoil all the fun.

In a role that would have been ideal for Cecil Parker Radford does well in the part. He plays it absolutely straight, he's a man just doing his duty as he sees it. Trouble is he just can't convince anyone else.

Another favorite in the screen in total sympathy with Radford's temperance crusade is Jean Cadell, a stern Scot's Presbyterian woman if there ever was one. Not even to break the Sabbath will she allow her grown son Gordon Jackson out to salvage the cargo. Jackson who is on leave after serving in North Africa is going against this formidable woman.

So it's Whiskey Galore for the lucky people here and Ealing Studios came up with a real winner in their comedy stable. Whiskey Galore holds up remarkably well today.

The film is based on a true wartime incident, but I doubt it was as much fun as this film was.

When I hear the phrase-"Celtic Twilight"-not so much in use now--I've come to think of this film. The meaning of "Celtic Twilight" might be summarized as the sense that history has passed by Ireland and other Celtic peoples in Scotland, Wales, Isle of Man, etc., and what we see now is a sort of a cultural endgame, leading to its long and inevitable death throes.

Whiskey Galore, about a wartime whiskey-starved island in the Outer Hebrides, displays these kinds of characters: a full-grown man afraid of telling his mother he wants to marry a local girl, and his intolerant domineering crone of a mother; a gossipy telephone operator; an out-of-it ferry captain, unaware of the rising sexual tension his daughters are undergoing; and dozens of mischievous, winking, alcohol-craving townspeople who are dying to loot an abandoned ship full of their beloved whiskey but afraid to do it on the Sabbath!

One more character, played by Basil Radford, is the stuffy, self-important head of the local militia, out of step with the other residents, sworn to uphold the law. Apparently the director, Alexander Makendrick, objected to the character's silly and ineffectual pomposity.

This is truly one of the great, charming Ealing comedies, very remindful to me of the Irish-American citizens of my mother's home town, Brasher Falls, New York. A gem in its sly humor--although the video copies I've seen are of a murky quality.

A lovely bit of nostalgia here, one of the greats of British comedy. The isle of Toddy becomes for a while at least a true paradise when the islanders find themselves rescuing part of the cargo of a wrecked ship carrying precious whisky, despite the efforts of the sassenach jobsworth running the local home guard. A wealth of wonderful moments, a softly-spoken gentleness that has always characterised this kind of movie (and lives on in such modern works as Hear My Song and Waking Ned), and a kind but firm lack of respect for bureaucratic authority soaked throughout the entire film make this a delight and a joy every time.