Il segreto di una donna

In a movie like "Whirlpool" you must take the good together with the weaknesses and naivety. The story is reasonably interesting and entertaining: the quack doctor Korvo (Jose' Ferrer) hypnotizes and cheats Ann Sutton (Gene Tierney), the spouse of a distinguished psychoanalyst (Richard Conte). A mysterious murder ensues... Unfortunately, some twists of the story are unplausible, to say the least. The moody atmosphere and the suspense are tame, even for the standards of the 1940's.

The black and white cinematography and the use of the camera are excellent. The direction by Otto Preminger is sound. The job of the cast is very good, especially by Jose' Ferrer, Gene Tierney and Charles Bickford, as the old, life-weary policeman. Richard Conte is less convincing, possibly due to the uneasy character he has to play: a famous analyst who, indeed, is incredibly dumb in getting the mental problems of his adorable spouse. There is a certain evidence that old masters of film-making had no much esteem of psychoanalysis: here Dr. Sutton seems far less competent in psychology than the quack doctor Korvo.

The major credit of "Whirlpool" is the presence of Gene Tierney. Her divine beauty shines through the film, although it somewhat makes Dr. Sutton seem even more stupid. I say: Sutton neglects Gene Tierney, to go to some blasted scientific conference. Are you kidding or what? And Gene has some scenes to show her outstanding talent as an actress. For instance, see Gene at the police station, first dizzy at her voids of memory, thereafter bravely facing and ill-using her husband, who thinks her to be an adulteress (another great job by Sutton! He is really a genius!).

Thus Gene Tierney's class, loveliness, radiant beauty, talent are largely enough to erase the defects of "Whirlpool". Let me recommend this nice movie.

Part psychological drama, part film-noir. The beautiful wife of the famous psychoanalyst Dr. William Sutton, gets caught stealing an expensive pin from a department store. The infamous astrologer David Korvo comes to her aide but for a price. Through hypnosis, Mrs. Ann Sutton will unconsciously become a party to an elaborate scheme involving murder. What's most interesting about this film is the relationship between psychology and astrology. Are they both pseudo-sciences? Psychological tricksters preying on the weaknesses inherent in the human psyche? Mrs. Sutton suffers from the condition Kleptomania, but is caught between the patriarchal righteousness of her husband, "Stay as you are, as you've always been - healthy and adorable" and the cold cynicism of Mr. Korvo, "A successful marriage is usually based on what a husband and wife don't know about each other." Both Dr. Sutton and Mr. Korvo are bright guys adept at exploiting human weakness in others (especially Ann's), but both fall prey to a shared weakness: wounded vanity. An interesting film that is well worth watching. Jose Ferrer as Korvo is a standout but Gene Tierney seems to have lost her fire and ends up sleepwalking through the film, even when she is not hypnotized.

A woman is taken terrible advantage of by a hypnotist in "Whirlpool," a 1949 film starring Gene Tierney, Jose Ferrer, and Richard Conte, directed by Otto Preminger. Tierney is the wife of a successful psychiatrist who is caught shoplifting. She is helped by Ferrer, a hypnotist who steps in during her interrogation. He works with her to help her solve some of her problems, but he adds some other hypnosis as well.

This isn't a great Preminger. The acting is good, but the script is weak. First of all, is it really possible to hypnotize someone that completely? I don't know. What I do know is that it's absolutely against all ethics to talk about a patient with anyone as freely as Conte does. Since a good deal of the plot hinges on his breaking of that doctor-patient privilege, the story doesn't hold up.

Gene Tierney is her usual beautiful self. This is not, however, a role that plays to her strengths as an actress. She's sympathetic but doesn't explore the range of the role enough. She more easily played an icy or feisty type. In those days, as actresses neared 30, studios became less interested, and Tierney found herself in roles which she was not particularly right for - or that wasted her talent just to fulfill her contractual obligations. Ferrer is excellent as the oily hypnotist, keeping his voice even when he was saying the most outrageous things. Conte is very good as well as Tierney's husband.

All in all, this was interesting to watch, but it could have been much better given the talent behind and before the camera.

One of the first things that struck me about Whirlpool is how good an actress Gene Tierney actually was. She does such a terrific job of portraying both the vulnerability and desperation of her character.

Set in Los Angeles, Whirlpool is an unassuming and unpretentious thriller that sort of fits the mold of noir. The movie certainly isn't the best example of the genre, but it does have many fine elements that, combined with Ms. Tierney's performance, make it eminently watchable.

Gene Tierney stars as Ann Sutton. Ann is the wealthy and respectable wife of successful psychiatrist Dr. William Sutton (a marvelous Richard Conte). The film opens as Ann is caught shoplifting a jeweled broach from a ritzy department store. The police and the store manager are determined to prosecute, but she gets off the hook thanks to David Korvo (Jose Ferrer), a mysterious hypnotist whom Ann employs to help her sleep.

Ann initially thinks that Korvo is out to blackmail her, and she offers him a large some of money to keep him quiet. Korvo, however, has another, far more furtive agenda. As he gradually builds Ann's trust, it soon is revealed that he has been having an affair with Sutton's former patient Theresa Randolph (Barbara O'Neil).

Shortly thereafter, Theresa turns up dead, and Ann is implicated as the murderer since she was found at the scene of the crime. Ann is arrested and charged with murder, but bitterly denies involvement telling her kindly husband that she just can't remember anything. So, who is the murderer? Surely it can't have been Korvo, as he was in the hospital during the time of Theresa's death.

It is left up to Lt. Colton (Charles Bickford) to use his detective skills and Dr. Sutton as the committed psychiatrist to break the hold that Korvo has on Ann and finally learn the truth behind the Theresa's murder.

Ferrer is terrific as the enigmatic Korvo. From the beginning it's plainly obvious that he's a sleazy, amoral confidence trickster, who is probably out to milk the Ann of her money and nothing happens to compromise his position. Richard Conte is also very good as Ann's concerned husband; he knows that his wife is not guilty but he's frustrated at the lack of inaction on behalf the local police to prove her innocence.

The issues of hypnotherapy, especially with the idea that hypnosis can make people do stuff they don't want to, is also interesting. Although, by today's standards it perhaps doesn't carry the kind of psychological weight and dramatic punch that it did back when the film was made.

Perhaps influenced by the wave of films during the period that utilized the growing field of hypnotherapy the picture might have seemed a bit fresher when it was first released. However, the Whirlpool is still fun to watch, especially for the lovely Gene Tierney who apparently used Whirlpool as a comeback after a two-year absence. Mike Leonard September 05.

Just watched this last night. I'm a fan of Otto Preminger and was therefore full of hopes, but after a terrific opening 20 minutes, it sort of falls away after all that I think. However, what a fantastic performance from Charles Bickford as the Lieutenant. Brilliant. Worth it to see his performance alone -- Ferrer is wonderful in the opening scene when he defends Gene Tierney and generally adds the right dosage of menace, but the self-hypnosis in the hospital bed is unlikely and the final ten minutes in the house are vaguely ridiculous. The relationship between him and Tierney is very strong however. It is sad to think that Tierney struggled so much health-wise, because to my mind she was the most beautiful of her generation and is utterly plausible in any of the movies that I have come across..