Vote for Huggett

Corruption in local authorities was rife at the time this film was made.Made easier by unelected Aldermen and unopposed coucillors.So this film accurately reflects the situation.This may be the last of the Hugget films but it continued on BBC radio for 8 years and 168 episodes

Joe Huggett (Jack Warner) writes to the local paper with a proposal for a new lido in a public space. Leisure facilities are much needed in post war London.

Only shady councillor Mr Hall is not keen on the idea. He has alternative plans for that area.

Some locals urge Joe to run for the council himself. Then he will be in the best position to push the plans through.

Councillor Hall is aghast at this. Even sending his wife to Mrs Huggett that she will be expected to do public speaking as a councillor's spouse. Thus persuade her husband not to stand for elections.

Then there is the matter of a piece of land that Mrs Huggett owns with another relative who wants to sell the land. Mrs Hubbard is against it and it plays straight into the plans for the leisure facilities.

As a gentle satire this does not hold up to close scrutiny. It is meant to be mocking post war social and class distinctions. Councillor Hall thinks he is born to rule. Being a politician is not for the little people.

Joe's daughter Susan works for a snobbish and unscrupulous boss who has designs on her. Even though he is married and she has a boyfriend.

What really lets the film down are the stereotypes of the women. Seen to be rather dim or greedy. It ends with Joe telling his wife. 'There are two things that I cannot bear in this world: beautiful women and intelligent women. You are neither beautiful nor intelligent.'

It was said without irony or any other kind of humour.

In this last of the Huggett Family series, Jack Warner and Kathleen Harrison have returned to the United Kingdom after their African sojourn in their previous film where oldest daughter Dinah Sheridan and her husband Jimmy Hanley went to South Africa for his new job. The Huggetts now with only two daughters at home Susan Shaw and Petula Clark are facing new challenges as Jack Warner decides to go into politics.

It all starts quite innocently enough when Warner writes a letter to the editor proposing that a bit of land be used to provide some kind of recreation park for use of people at all stages of life. Unbeknownst to him the missus owns a section of that land with her cousin Diana Dors and her husband and they see a chance for a quick killing.

If you think this sounds a bit familiar I think that someone saw Mr. Smith Goes To Washington and rewrote it a bit for the Huggett family. So when Huggett stands for the local community council against David Tomlinson it all blows up into a scandal. Like Jimmy Stewart who is being used by some unscrupulous men, Warner gets out of it with the help of friends and family.

Things wouldn't be complete without a song from Petula Clark who in those years was the UK's answer to Deanna Durbin.

The Huggetts ended their saga on a good note.

Property contracts were seemingly as central to the political process seventy years ago as they are today according to this mildly Capraesque entry in the Huggetts series in which a piece of land worth £300 (which eventually reaches the astronomical sum of £750!) is the prime mover behind local government political machinations in the fictional municipal borough of Strutham.

Fortunately, the producers realised that the whole "Huggett" concept had run it's course, and so before they got just a bit too silly, retired the family with this rather fun poke at the British local government system. This time, it's "Ma" (Kathleen Harrison) who finds that a plot of land she, and cousin "Diana" (Diana Dors) inherited by the riverside is required by the council to build a leisure centre. Reluctant to sell, she soon discovers that the proponent of this plan is none-other than her husband (Jack Warner) who made the proposal blissfully unaware that his own family owned the land... When he decides to stand for office to facilitate the development, there are allegations of profiteering being bandied about and he has to think on his feet. It's light-hearted fun, this film - it swipes at the inefficiencies and red tape that always seems to manage to thwart even the most consensually popular of projects, and with a fittingly concluding number from daughter "Pet" (Petula Clark) the series signs off as it ran - amusingly, amiably and with most of it's self respect still intact.