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Based on Ernest Hemingway's short story, "My Old Man," the 1950 screen adaptation directed by Jean Negulesco, "Under My Skin," is a passably entertaining film; unfortunately, the film's prime asset, star John Garfield, made only two more movies after this before his early death at age 39. Garfield is widowed expatriate Dan Butler, a jockey with shady dealings and an unhealthy relationship with a corrupt gambler played by Luther Adler. Actually, Butler is not the nicest guy, and his relationships with his son and girlfriend are not healthy either. Garfield's physique does not make him physically convincing as a jockey, although his tough guy persona is ideal for the caddish part he plays. His rough and neglectful treatment of his son, Joe, is borderline abusive; he drags the kid through a life in hotels, leaves him alone and hungry, and pushes him away emotionally and physically. Butler's tough girlfriend, played by Micheline Presle, is overly tolerant of his loutish behavior; while inexplicably melting for Butler, Presle sings French ballads in a nightclub, which does little but further slow already slow scenes.

Filmed on the 20th Century Fox back lot, Negulesco over uses obvious rear projection and long shots of doubles on location to suggest the story is set in France, where Garfield, Presle, and Adler are definitely not; unfortunately, the efforts to fake Paris create an artificial backdrop to some unconvincing drama. The personal relationships also seem fake; Presle's tender feelings for Garfield in particular fail to convince, and the son, played by Orley Lindgren, has the looks and demeanor of having grown up with another father entirely. When Garfield utters "I love you," to Presle the phrase seems to have popped out of nowhere, and the son's persistent blindness to his father's faults strains credibility.

Despite his miscasting and difficulty expressing warmth, Garfield owns the film, and he is the primary reason to see it. The horse-racing scenes are fairly good, although Garfield's training of a difficult horse into a winner largely occurs off screen. Other than the racing, the pace is leisurely, and Adler and his henchmen bark softly and scuff up, rather than rough up. Despite the film's flaws, Garfield is always worth watching, and his unlikeable Dan Butler fits him well.

A career which began in 1937 and which is still buoyant today in 2010! Micheline Presles was one of the greatest French actresses of all time whose longevity is rivaled only but that of Danielle Darrieux.(both actresses were featured in the delightful comedy "Le Jour Des Rois" in the nineties).

Although she was fluent in English, she was not as lucky in her American movies : her work with Fritz Lang was downright disappointing and this one (ridiculous French title :" La Belle De Paris" !!!)is hardly better. However John Garfied is one of my favorite American actors (not a star,a true artist)and it's him and his co-star who give this parboiled melodrama substance ;the screenplay looks like a cross between "the champ " (thirties version ) and "the set up ", a jockey instead of a boxer.

The races take place in Chantilly and in Auteuil ,two racecourses (racetracks) famous here in France .Jean Negulesco shows respect for the audience :French people speak French between them and Presles begins to teach her first language to the jockey's son.She also sings songs in French and in English:I do not know if she was dubbed.

Considering the two leads' talent,"under my skin" is watchable but not particularly memorable.

This is a much underrated and almost unknown and forgotten crown jewel among the Hemingway screenings, and it's an odd one out for Hemingway, as it's an unusual character prying into the depths of a heel fighting it out with destiny for his honour, which he has been losing all his life. We never get to know anything about his background, why he can't talk of America, let alone go back, and Micheline Presle, who appears to know all about him throughout from the beginning, treats him like poison. It's the boy that saves everything, he is the only thing he has to live for, and it's for him he finally risks his life to save his honour. At least he saves one of them.

Micheline Presle makes a very convincing appearance as one of Hemingway's most hard-boiled women, out-shadowing even Ava Gardner by her hard experience and relentless attitude, which only the boy can soften and only by his absolute honesty of innocence. Even when the father hits him and treats him with flamboyant treachery, the boy continues to believe in him and trust him, and the departure scene at the station, when he sends the boy away by train, with its following scenes, is heart-rending and the apex of the film, culminating with Micheline's singing performance, almost as poignant as Edith Piaf. This is a great film in its dire human realism, the story of a greater conflict and more difficult battle than any war, of a man struggling with impossible odds for an impossible honour out of reach, and how he gets through with it after all.

John Garfield is almost even better here than in "The Breaking Point" on Hemingway's "To Have and Have Not", the better and later version than Bogart's, here he plays an equally doubtful character posed against impossible odds, but here the addition of the boy and that relationship suddenly gives John Garfield's dubious character an ocean of interesting depth.

FOX had nothing but the finest talent in the 1940's and 1950's. This is a prime example in taking a Hemingway short story and expanding it to an 85 minute movie while still being faithful to the source.

John Garfield is very good as the American jockey stranded in post WWII Italy where he's raising his son and staying one jump ahead of his past. Lovely Micheline Prelle, who meets him in Paris, plays her role perfectly and will make us understand why women will go for a guy like Garfield and leave guys like you and me in the dust. (You, anyway!)

A strong plus is the look we get at Europe (mostly Paris) as it was 58 years ago. I've seen Paris many times, but it was more beautiful, more itself, less overrun with tourists, in 1964. Even more-so in 1950. One of the great benefits of old movies.

Beautiful movie about horses and that magnificent, magnificent John Garfield; I can't get enough of it.