Tarzan e la fontana magica

Tarzan's Magic Fountain (1949)

** 1/2 (out of 4)

After Johnny Weissmuller walked away from the Tarzan series RKO was quick to replace him with Lex Barker and the first of the new series actually turned out to be a good little film. Tarzan (Barker) and Jane (Brenda Joyce) find a cigarette case, which just happens to belong to Gloria Jessup (Evelyn Ankers), a pilot who went missing twenty-years earlier. It turns out that her plane crashed and she was taken in by a local tribe who also happen to have a magic fountain that can keep something youthful forever. Gloria returns back to her homeland but begins to grow old so she wants Tarzan to take her back to her village. TARZAN'S MAGIC FOUNTAIN certainly isn't a masterpiece but it's still a lot better than the previous five films from the Weissmuller series. I think a lot of the credit has to go to Curt Siodmak who co-wrote the screenplay. Film buffs will recognize his name as the man behind many of the Universal horror movies like THE WOLF MAN and BLACK Friday. He certainly knows how to add in some good touches and he turns this typical story about youth into a pretty good adventure film. I think the screenplay does a nice job at not taking itself too serious but at the same time it works well for adults. The previous few films were certainly aimed at children but this one here has a more serious tone including a couple rather violent deaths and another sequence with some nice black humor involving the skeletons of the plane crash victims. There's no question that Weissmuller was the greatest screen Tarzan so Barker had a large loin cloth to fill. For the most part I thought he was decent in the role as he certainly has the physical appearance for the part and he handled most of the dialogue just fine. Joyce, in her final appearance as Jane, isn't too bad either but I'm a little surprised the producers brought her back considering they were trying to start a new series. Ankers is as charming as ever and Albert Dekker makes for a good villain. The screen's very first Tarzan, Elmo Lincoln, appears quickly at the start of the film as a fisherman. There are a few pacing issues and there are some dry moments here and there but it's hard to not say that the series at least got going back in the right direction after some pretty lifeless films.

The "Lost Horizon" aspects of this plot may border on the silly -- the residents of the "Blue Valley" dress in Egyptian-Polynesian style! -- but they provide a serviceable framework for the first of Lex Barker's Tarzan movies. Barker, alas, is asked to play the title role as something of an overgrown bumpkin who can't quite seem to master the use of such basic articles of speech as "a" and "the," and there's little hint of the "killer instinct" which has allowed him to survive for so long in such hostile terrain. However, Barker's Tarzan is a likable sort who looks good in his loincloth which, for the sake of modesty, rides high enough on his midsection to cover his navel. Perhaps his beefcake-highpoint comes in the final reel when he's tethered with outstretched arms in a cave while some men from the Blue Valley prepare to blind him. (Yes, they actually have a tool designed for this purpose: a two-pronged fork that can poke out both eyes at the same time. Why this fork has to be heated white-hot before it can do its work remains a mystery.) Obviously aimed at a Saturday matinée crowd, this briskly-plotted movie devotes a lot of attention to the antics of Cheetah who, during the course of the proceedings, chews bubblegum, learns the peril of hot pepper, and gets to play with ants. Children may giggle, adults will groan. As an added bonus, there's Elmo Lincoln - the silent movies' Tarzan -- who here plays a burly villain with a black eyepatch. He and Barker get to engage in a couple of semi-comic fights.

For the record, the fountain doesn't belong to Tarzan nor does it fall under his jurisdiction so the title is something of a misnomer.

Edgar Rice Burroughs' Ape Man creation had already seen some rocky cinematic days by the time "Tarzan's Magic Fountain" was released in 1949. Still, this inoffensive adventure will most likely placate fans of the series, particularly with Lex Barker making his debut in the leading role. Story has Tarzan discovering a mystical valley where no one grows old, a scenario which appears to perplex Brenda Joyce's Jane (who seems catatonic) and two funny, neurotic chimps (one paces, the other bites her nails). Handsomely-produced entry with some amusing asides. Barker is a bit bland and slow to start, but Tarzan-addicts might want to cut him some slack: this was quite a daunting part to fill. ** from ****

TARZAN'S MAGIC FOUNTAIN (RKO Radio, 1949), directed by Lee Sholem, introduces Lex Barker to the role of Tarzan, and marks the fifth and final performance of blonde actress Brenda Joyce as Jane. With Lex Barker as a new Tarzan after 16 years and 12 installments starring Johnny Weissmuller at both MGM and RKO studios, this must have been a hard act to follow, especially for Barker, since comparisons are evident. With Barker being younger and slimmer to the slightly taller but recently heavier and somewhat older Weissmuller's carnation as the lord of the jungle, his debut into the series is one of the better entries.

For TARZAN'S MAGIC FOUNTAIN, Tarzan (Lex Barker) discovers a woman named Gloria James (Evelyn Ankers) and takes her over to his tree house where his mate, Jane (Brenda Joyce), remembers her as the famous aviatrix whose airplane had disappeared into the jungle some twenty years ago. What has surprised Jane is how Gloria has remained looking so young for a woman her age. It is learned that Gloria had been found and living in the secret valley of eternal youth. Things go well until Donald Trask (Albert Dekker) and Mr. Dodd (Charles Drake), a couple of unscrupulous hunters, enter the scene, invading Tarzan's territory and causing trouble when they learn of and wanting to be taken to the lost valley of eternal youth.

Supporting players include Alan Napier as Douglas Jessup, Gloria's former beau; Ted Hecht as Pasco; Henry Brandon as Siko; and David Bond as The High One, among others.

What makes TARZAN'S MAGIC FOUNTAIN interesting is the concept borrowed from James Hilton's novel, "Lost Horizon." Evelyn Ankers, best known for her co-starring roles in numerous horror films for Universal in the 1940s, the best known being THE WOLF MAN (1941), assumes the part of a woman suggested on an actual lost aviatrix, Amelia Earhart (who had disappeared in 1937, never to be seen or heard from again), is quite satisfactory as the middle-aged woman who hasn't aged a day in two decades. Only after she has departed the land of eternal youth does she begin to slowly age, as the Maria character from "Lost Horizon," however, not as extreme. It's not so bad in borrowing from a classic novel to provide new developments to the long running "Tarzan" series, however, it seems a pity that the writers didn't rise above the juvenile standards and predictable screenplay the starts off so well then simmers down midway to what might have been the first superior Tarzan adventure in nearly a decade. While it includes Tarzan getting into the swing of things by traveling from tree to tree on the vine (seen through the opening title credits), giving out his ape call, there's also the traditional Tarzan defeats including his battle with a nasty torch carrying villain (Henry Kulky) for beating an animal and a man below his standards, and on the lighter side, Tarzan's pet chimpanzee Cheta providing the usual comedy relief.

As with the cinematic "James Bond" character a decade into the future, the "Tarzan" series would resume with different actors playing the part, and while many claim Sean Connery to be the best "James Bond," and Weissmuller the best "Tarzan," these two fictional creations have become the most recognizable characters of all time. While Weissmuller's departure as Tarzan might have put an end to the series altogether, Tarzan's box-office appeal was still successful, successful enough to keep it going as long as possible. Whether Lex Barker could be categorized as one of the better or least successful Tarzans is a matter of opinion. The duration of the series in which he appeared might have suffered not only for its lack of originality, but the non-consistency of stories and different actresses portraying Jane. Brenda Joyce bowed out of the series and movie making altogether following the release of TARZAN'S MAGIC FOUNTAIN, going on record in the Tarzan log books as the only Jane to appear opposite two different Tarzans, Weissmuller and Barker. There would be other Janes, but the redheaded Maureen O'Sullivan remains most recognized, playing her six times to Brenda Joyce's five. After four more future installments, Lex Barker would hang up his loincloth, leading the way other actors to keep Edgar Rice Burrough's Tarzan alive.

While TARZAN'S MAGIC FOUNTAIN was never distributed on video cassette, (DVD distribution came around 2009), it became one of the series of Tarzan adventures in its lineup from the 1930s to the late 1960s to be presented on American Movie Classics cable channel (1997-2000) and Turner Classic Movies (TCM premiere: July 2, 2011). As former AMC host Bob Dorian had pointed out in one of his profiles about this movie, production began as "Tarzan and the Arrow of Death," and the movie's very first Tarzan, Elmo Lincoln, first introduced on screen in 1918, appears briefly as a fisherman. Interesting bits of Tarzan trivia.(**) Next installment: TARZAN AND THE SLAVE GIRL (RKO, 1950).

Sol Lesser replaces Weissmuller after he was getting older, then come out a new one Lex Barker with Brenda Joyce as Jane, the story is great, as the early Tarzan's stories , a magic fountain that supply a youth almost forever arouse a greedy from two men Mr. Trask and Mr. Dodd who intent to sell it to make a fortune, somehow Baker is quite distinct from Johnny Weissmuller, something better as younger, suitable to the role, and mainly running away from those stereotyped dumb style imposed by Weissmuller and others no quite, he sounds a bit cold, distant, lack and worst when he uses those stupid shoes, Joyce is the same, gorgeous than never, the picture was made on Tarzan's back lot and on a lavish sound stage, the special effects is quite effective, and the village at the Magic Fountain is amazing and extremely embellished by dozen of beauties, cheetah gave to the picture a guidance well-humored!!!

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First watch: 1978 / How many: 3 / Source: TV-DVD / Rating: 6.5