I cavalieri dell'onore

Three happy-go-lucky Western outlaws, fresh from robbing a stage, stumble on a particularly nasty land grab and break it up, and win the heart of the young girl living on the ranch. Circumstances intervene and two of the outlaws become Texas Rangers and the other becomes a notorious outlaw. Complications ensue, when our new rangers are called upon to arrest the notorious outlaw.

This is a perfectly decent Western, though the plot is extremely generic. The first half-hour or so, showing our three charming outlaws and our young heroine is thoroughly bland -- interesting only that McDonald Carey is really the lead in this portion of the movie, and he is a charming one at that. William Holden plays his role as "youthful sidekick" and Willam Bendix (!!) has the Gabby Hayes part.

As the movie goes along, something fairly unusual in a genre film happens. The characters grow and change. Holden becomes the stalwart hero torn between friendship and duty. William Bendix is forced to choose which of his two friends he will support. McDonald Carey goes from charming outlaw to charming black-hearted villain. All the actors pull it off well. The heroine -- who goes from feisty youngster to babe in cowboy boots, doesn't do so well This ain't John Ford. But it is a pleasant surprise once the plot get going.

Paramount's remake of their own 1936 western "The Texas Rangers" has three small-time stagecoach robbers separated after tangling with a sniveling extortionist and his cohorts in 1879 Texas; two of the men inadvertently join the Texas Rangers and find that working for the right side of the law really suits them, while the third man becomes a notorious outlaw. Despite some confusion in the character motivations and loyalties, this is an astute, absorbing drama with beautiful photography and solid performances. Who would've ever guessed Macdonald Carey could be a worthy opponent for William Holden? Dressed all in black, with a smug expression and heavy-lidded eyes, Carey is a surprisingly formidable villain. Holden, despite several sigh-heavy movie star close-ups, is very convincing with a gun and a horse; his character's playing both sides, while also falling for tomboyish Mona Freeman, provides the heart of the story, and Holden is never less than exciting to watch. Extremely well-directed by Leslie Fenton, with fine supporting work by William Bendix and a bouncy score by Victor Young. *** from ****

This stars MacDonald Carey and William Holden. I grew up always watching McDonald Carey as Dr. Horton on Days Of Our Lives but I had never seen what he looked like when he was so young before. He was very handsome. He played an outlaw who helped rescue the main woman in the movie when she was just a girl. Also in this movie is Alfonso Bedoya. I saw him in the very first film I saw at film class in college, The Treasure of The Sierra Madre -- also a very good Western. Anyway, what I liked about this one is how the two friends who rescued the main woman when she was a girl were enemies now on account of how McDonald Carey was now an outlaw but William Holden was now a Sheriff and William Bendix, who was very funny, played his deputy, Wahoo. So, there was lots of tension back and forth, and the ending really surprised me. I liked this Western a lot.

Three outlaw friends find themselves on opposite sides of the law when two of them join the Texas Rangers to get themselves out of a tight corner.

Lively western basking in splendid technicolour and very good performances, especially by MacDonald Carey, who plays a smug outlaw with villainous ambitions. His character becomes more cold blooded towards the end. The film has enough drama, tension with the three friends splitting in different directions, and Mona Freeman - who had a crush on MacDonald's character at first - eventually changes her mind when seeing his true colours and prefers Holden, who does well in this well-directed western.

Streets of Laredo is directed by Leslie Fenton and adapted to screenplay by Charles Marquis Warren from a Louis Stevens and Elizabeth Hill story. It stars William Holden, Macdonald Carey, William Bendix and Mona Freeman. Music is by Victor Young and cinematography by Ray Rennahan.

For fans of traditional Westerns this is as solid as a Brick Adobe Structure. A remake of The Texas Rangers (1936) of sorts, plot finds Holden, Bendix and Carey as three bad boys who get divided by circumstance, love and conscious. Two of them wind up in the Texas Rangers - the famed frontier law enforcement battalion - the other stays on the wrong side of the law. All roads lead to the day of reckoning...

The production is the usual mixed bag of superlative location photography (Simi Valley/Gallup) and crude back projection so often seen in the 40s and 50s Oater releases, with Rennahan's Technicolor photography a treat for the eyes. Performances are assured because the three principal guy actors are given characterisations that suits them - Holden tough emotional anti-hero - Bendix a lovable and dopey toughie - Carey sly bad boy. Freeman is lovely but it's a dressage character, while Alfonso Bedoya is on hand for some stereotypical bandido villainy.

At 90 minutes in length it feels a bit padded out until the two guys actually join the Rangers, so some patience is required during the first half. However, there is plenty of Western movie action within the story, some turns in plotting to grab the heart strings and a pleasing array of costumes and musical accompaniments to keep the senses perky. All told, it's just a thoroughly enjoyable Oater regardless of if you have happened to have seen the original version. 7/10