Il ritorno del campione

Baseball, Hot Dogs, Apple Pie and Baseball Movies; ah yes, just what could be more American! Ever since the earliest days of the motion pictures as both Business and Art Form, we've had them with us. Some were not so good, whereas most were pretty good and some were truly outstanding.

THE STRATTON STORY has to rank in the uppermost tier when it comes to placement. It is not only in the First Division*, but it also Wins the Pennant! This is one biopic that just had to be made! First of all, a Great Man, my own Dad, the late Clem Ryan, had a saying that, "Truth is Stranger than Fiction." He didn't claim that it was his original, just a favourite. Monty Stratton's real life story was certainly a good example to use.

The cast was excellent both in the choice of Actors to fill the roles. Mr. Stratton,was very much like his movie biographical counterpart, James Stewart. Stratton was listed at 6'6" in height, but weighing a slender 180 lbs. Stewart also used a slow, deliberate manner of speech. He is practical, even economic in not wasting any words needlessly. This may even be an indication of the personality of a man shaped by the life on a farm and dealing with the realities of the Great Depression.

June Allyson and Agnes Morehead provide their best characterizations as the women in Stratton's life; being Wife and Mother, respectively. Miss Allyson is very beautiful, sweet and fragile, and yet demonstrates a strength of character that rises to the occasion when the tragedy strikes her husband. Miss Morehead goes the 'less is better' route by underplaying her part as Stratton's Mother and brings her across firm, loving and kind.

The real life Major Leaguers in the film do adequately in the roles given them, like playing themselves-a not so easy thing to do before an audience or rolling cameras.Pitcher Gene Beardon,Catcher Mervyn Shea and Yankee Great,Catcher and Manager, Bill Dickey, all add a certain authenticity to the story. And long time player and White Sox Manager Jimmy Dykes turns in a yeoman's job in managing before the camera.

It is Frank Morgan, who portrays a former Big League Catcher, now a down and out hobo.Ity is he who discovers the young Monty Stratton and in turn, he finds his own worth as a man and useful person. Now, we just don't know if his character of Barney Wile was a real person or not. Mr. Morgan shows the deep acting talents in bringing the character to the screen. Even in the scenes when he is instructing Baseball Fundamentals, he appears to be a real, old veteran Ball Player who has been through it all.

THE STRATTON STORY is a good example of what a Hollywood can be. Its ilk is timeless and the Film Moguls would do well to give the making of this kind of Movie a try again. They might be surprised at that old Barometer of The Film Business, namely Box Office.

* First Division is a now outmoded Baseball term. In the days before League Expansion, about 1961, both the National League and the Amwercan League had 8 teams each. In reference to the standings First Division meant the teams ranked in 1st through 4th Place. 5th through 8th Place was called Second Division, with the 8th Place team was referred to as being in 'The Cellar'. The First Division Teams also received a share of World Series Money.

Supposedly Jimmy Stewart did not really want to do this film. However, he changed his mind when it was pointed out to him by the bosses at MGM that it would inspire veterans of World War II who had limited mobility. One inspirational scene that occurs is the one where he and his son walk together for the first time. It is complemented nicely by June Allyson who is exceptional and perfectly cast as Stewart's wife (this was the first of three films they made together).

The supporting roles are worth noting, too. Agnes Moorhead refrains from chewing the scenery, in a performance that is very understated as the mother. And this is another film where Frank Morgan plays a paternal role to one of Stewart's characters. Morgan seems very lively in this offering. The game scenes are equally lively, and the film continues to remain uplifting with each viewing.

James Stewart and June Allyson look twice as old as the roles they are playing! Still, "The Stratton Story" is enjoyable. In the early scenes, Mr. Stewart's frame, and natural acting style, make him somewhat believable as a boy interested in baseball. Ms. Allyson doesn't try to play too "girlish"; instead, she wisely acts her part as a woman complimenting (by being in love with) Stewart's character.

Allyson, and her character, save the film… the moment she appears, the focus is on the pair's relationship, and not on baseball. The Stewart/Allyson relationship is really what makes the film work, I thought -- the Stewart character could have been a golfer, doctor, whatever… The scenes beginning with Stewart and Allyson in separate beds, backs turned, and unable to sleep, have an understated dignity.

Stewart and Allyson's nice performances are enhanced by: Frank Morgan, aka "The Wizard of Oz"; and Agnes Moorehead, Endora from "Bewitched". The later baseball scenes are more realistic, and fun to watch. It's strange to see the older baseball style; today, many of the players would be pumped up with steroids. I wish the sport would return to being more based on fun and skills.

Love is not something a surgeon can cut.

******* The Stratton Story (1949) Sam Wood ~ James Stewart, June Allyson, Frank Morgan

Baseball means little to me, living in Scotland, so it was with some ignorance of the sport's finer points that I approached this lesser known James Stewart vehicle. Whilst ball-game live-action, with some real-life baseball personalities in the cast, does play a major part in the movie, the underlying story is simply a true tale of overcoming unexpected adversity, a prototype role Stewart delivered time and again in his distinguished career. Following on from the above, Monty Stratton as a sporting hero means nothing to me so I have no idea how far Hollywood bowdlerised the story, so I'll take the narrative at face value and give kudos where they are due to a well-paced film, with natural dialogue and well-crafted scenes, even the baseball match recreations. Stewart's "pitching action" looks natural and he acts his disability convincingly. The Stewart/Allyson pairing gets its first outing here and their natural playing and obvious simpatico from the start has you rooting for them both all the way through. The support is equally strongly played, particularly Agnes Moorehead playing her stock-in-trade "Whistler's Mother" come to life. The direction by Sam Wood is sure and I particularly appreciated the sensitivity shown in the lengthy scenes where Stewart initially broods and gives in to the loss of his leg before Allyson, in a memorable scene, encourages him to fight his disability and helps him achieve his self-respect as well as his place back at the pitching mound. In the main though, as ever, it's Stewart in all his drawling, winking, glory who garners your sympathy from the "Play ball" of a very entertaining family film. It's interesting too, to see his playing of the Stratton part as the unwitting precursor to his more celebrated part as an invalid in the later classic "Rear Window".

Highly entertaining biopic about baseball pitcher Monty Stratton (Jimmy Stewart). Stratton is on his way to becoming one of the major leagues' best pitchers when he loses a leg in a hunting accident. It looks like his career is over. But with the support of his loving wife (June Allyson), Monty begins to pitch again. First of three movies that paired Stewart and Allyson. They're both terrific. Good support from Frank Morgan and Agnes Moorehead. Also some nice work from real-life baseball players like Bill Dickey and Jimmy Dykes. The baseball parts are fun to watch and contrast the old with the new. The sport is a shadow of its former self today. Anyway, this is one of those fine uplifting biopics Old Hollywood did so well. They don't make 'em like this anymore.