Una ragazza viene mandata a vivere con lo zio nella sua tenuta quando i genitori muoiono. Laggiù scopre molti intrighi, storie e segreti di famiglia e bagaglio personale. In particolare, un ... Leggi tuttoUna ragazza viene mandata a vivere con lo zio nella sua tenuta quando i genitori muoiono. Laggiù scopre molti intrighi, storie e segreti di famiglia e bagaglio personale. In particolare, un bambino urlante e... un giardino segreto.Una ragazza viene mandata a vivere con lo zio nella sua tenuta quando i genitori muoiono. Laggiù scopre molti intrighi, storie e segreti di famiglia e bagaglio personale. In particolare, un bambino urlante e... un giardino segreto.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie totali
- Mr. Bromley
- (as Mathew Boulton)
- Muriel
- (non citato nei titoli originali)
- Charles, the Butler
- (non citato nei titoli originali)
- Raven
- (non citato nei titoli originali)
Recensioni in evidenza
Based on the classic novel by Frances Hodgson Burnett, this family film is a perennial favorite, in no whit dimmed by more recent, flashier versions. The excellent production values by MGM allow the viewer to experience the weird atmosphere of Misselthwaite Manor and the joyous fecundity of the Garden.
The movie can be enjoyed for the plot alone, but there are other, deeper, levels which can be appreciated as well. Most of the main characters are desperately unhappy when the film begins, but the spontaneous love of life exhibited by the Sowerby family - which leads directly to the discovery of the Garden - ultimately brings about the redemption of several (but not all) of the others. This Joy is not altogether of our world. If the viewer senses the unseen Presence of Something Bright & Beautiful in the Garden, so be it.
The film's main drawback - and this is a small quibble - is the intent to increase tension by adding a possible murder mystery to the plot (How did Colin's mother really die? Did Archibald Craven kill her?). This is quite unnecessary, the story has enough conflict already. But the desire to add additional menace to the Dark Old House theme probably proved irresistible - as well as giving the excellent British actor, Herbert Marshall, more dramatic gristle on which to chew.
The plot revolves, as it should, around the experiences of three children, each peculiar in their own way. Margaret O'Brien, Dean Stockwell & Brian Roper flesh out their roles most agreeably. The adult roles are so well cast that one tends to forget that they are mostly caricatures: Dame Gladys Cooper as the wicked, frustrated housekeeper; Elsa Lanchester as the irrepressibly happy maid; dour Reginald Owen as the elemental gardener. Even the small cameo performances sparkle: Billy Bevan as an overheated British soldier in India; Dennis Hoey as Marshall's stern valet; Aubrey Mather & George Zucco as young Stockwell's doctors; and Norma Varden as his wise nurse.
Movie mavens should recognize Elspeth Dudgeon in the tiny role of Dickon's mother & the wonderful Marni Nixon as the dubbed singing voice of Miss O'Brien - both uncredited.
The film makes very judicious use of Technicolor to heighten appreciation of the distinctive nature of the Garden.
Along the way she finds love in friendship, a love that was never shown to her by her parents.
The book on which this film is based by Frances Hodgson Burnett, was my favourite book as a child and I've given many copies to children over the years. This movie is quite a perfect replica of the book, apart from the injection of a totally unnecessary "crime" element. The characters are multi-dimensional, a wounded father flailing against the world and projecting illness on to his son. The son, Colin, played by a very young and handsome Dean Stockwell, in turn reacting with tantrums and hate to the world around him.
Mary has her own issues, feeling ugly and unloved due to her past in India.
Unhappiness reigns in the Manor House headed up by Herbert Marshall playing Colin's father - a brilliant performance.
There is a teeming cast of well known names to add to the flavour of the film: Dame Gladys Cooper as the housekeeper; Elsa Lanchester as the maid; Reginald Owen as the mysterious gardener.
The black and white filming adds a morbid darkness with the colour sequences in the garden contrasting beautifully.
The only flaw was the settish nature of the scenes, even the gardens are "back lot".
But these quibbles aside, some movies one can get immersed in afresh with each viewing. This is one that takes you in and doesn't let up till the final very satisfying frame.
9 out of 10.
The thespians are stunning! The acting by O'Brien is amazing, it blew me away, it was that good!!!
The screenplay is excellent, well written!
The direction features a mix of fun and creepy moments, both blending to give an interesting take on a wonderful story!
Overall, a great film for the family!
Utilizing a "partial" Technicolor application seen in "The Wizard of Oz" and "The Women," MGM manages to provide an emotional punch when it is most needed.
O'Brien is perfect in the lead, and minor supporting roles are cast to perfection.
A few of the scenes are surprisingly creepy.
Although, today, the film is labeled as "family," it can be surprisingly harsh, with none of the treacle that sinks many a movie intended for a general audience.
Lo sapevi?
- QuizThere are several moments when Mary (Margaret O'Brien) refers to her servant in India. When watching the film, one hears the word "servant", but Mary's mouth is clearly forming the word "Aya" as in other versions of The Secret Garden.
- BlooperWhen Mary comes down to breakfast the first morning (after having dressed herself, possibly for the first time), her shoes are laced incorrectly, and her dress is buttoned wrong. When the camera changes angles an instant later, her dress and shoes are fastened correctly.
- Citazioni
Martha: My brother Dickon will be coming up to see thee.
Mary Lennox: Your brother?
Martha: Aye, thou'll like Dickon. What a one he is for growing things and the animals. Half lives on it, he does, almost like an animal himself.
- ConnessioniFeatured in Some of the Best: Twenty-Five Years of Motion Picture Leadership (1949)
- Colonne sonoreHindu Song of Love
(uncredited)
Written by Lal Chand Mehra
Performed by Margaret O'Brien with singing voice provided by Marni Nixon.
I più visti
Dettagli
- Tempo di esecuzione1 ora 32 minuti
- Colore
- Proporzioni
- 1.37 : 1