VALUTAZIONE IMDb
6,6/10
1960
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA man abused by a sadistic mining company cop before he could tell where on their desert property he'd found diamonds decides to steal them instead.A man abused by a sadistic mining company cop before he could tell where on their desert property he'd found diamonds decides to steal them instead.A man abused by a sadistic mining company cop before he could tell where on their desert property he'd found diamonds decides to steal them instead.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Miranda Marais
- Specialty Singer
- (as Miranda)
James Adamson
- Waiter
- (non citato nei titoli originali)
Frank Alten
- Carl - Headwaiter
- (non citato nei titoli originali)
Frank Arnold
- Bartender
- (non citato nei titoli originali)
Val Avery
- Poker Game Cashier
- (non citato nei titoli originali)
Recensioni in evidenza
The cast makes this one worth watching: Burt Lancaster, Paul Henreid, Claude Rains (at his silkiest), Peter Lorre, Sam Jaffe. The character Corinne Calvet plays is a screenwriter's dream since she's likely to spark unexpected changes in each of the male characters, but as an earlier contributor pointed out, Calvet isn't up to the part. It's hard to believe that a man such as Burt Lancaster's character could become so smitten with her.
The South Africa setting adds interest to the proceedings and the plot uncoils in skillful fashion until the last reel or so when the rush toward climax becomes somewhat delayed and diffused.
Burt Lancaster's whipping at the hands of Paul Henreid no longer includes details mentioned in the book "Sadism in the Cinema," which implies that some footage has been cut from prints. Even in abbreviated form, however, the scene conveys the hint that the real emotional bond in the movie is not between Lancaster and Calvet but between Lancaster and Henreid. Henreid's brutally sublimated desire for Lancaster is certainly understandable since Burt never looked better than he does here.
The South Africa setting adds interest to the proceedings and the plot uncoils in skillful fashion until the last reel or so when the rush toward climax becomes somewhat delayed and diffused.
Burt Lancaster's whipping at the hands of Paul Henreid no longer includes details mentioned in the book "Sadism in the Cinema," which implies that some footage has been cut from prints. Even in abbreviated form, however, the scene conveys the hint that the real emotional bond in the movie is not between Lancaster and Calvet but between Lancaster and Henreid. Henreid's brutally sublimated desire for Lancaster is certainly understandable since Burt never looked better than he does here.
Rope of Sand, an adventure thriller supposedly set in post-WW II South Africa, certainly receives the vote of "classic" in my book. Far away places, a romance triangle, suspense, even a bit of humor at times...it's all there in a neatly executed, well-acted plot that makes you wish YOU could have been there and tried just what Burt Lancaster did. I have watched this movie more than half a dozen times over the years and still get that sense of intrigue and mystery and fascination with the setting and story that I got on the first occasion, as a child. The film noir era was coming to a close when this movie was created in 1949 but most of the crucial elements are there including use of the black and white, music score, contrasting dialog and action scenes, and so on, right up to the final scene. Perhaps the screenplay might have gotten a little more mileage out of Corrine Calvet and Burt but we need to remember that we're judging films of this era against a different yardstick. I seriously don't think that this movie would have come together at all using actors working today because they would all be hungering for a bigger piece of the movie than anyone got here or typically does get in film noir. This is not to mention what current directors typically do as a substitute for what film noir did with the camera and timing of scene combinations. So I disagree with the previous reviewer. Watch this if you can and enjoy!
This film is hard to find, but i finally got hold of a decent copy off ebay.co.uk recorded off a satellite channel. I'm glad i finally got to see it, it was very entertaining with numerous plot twists. The quartet of Lancaster, Rains, Henreid and Lorre make great viewing as they try and scene steal off each other at every turn. Claude Rains is smooth, silky and delightfully devious; Lancaster hulks, sulks and looms superbly. There is no discernible chemistry between Lancaster and the 'new' (well to US audiences) Corinne Calvert; which weakens their characters' motivation somewhat. Lancaster seems more in love with himself though, so tough competition for Corinne there. Calvert does a creditable turn here, ( though her French accent can be a little opaque), but she is outclassed easily by the men- Rains wipes the floor with her but she is stunning and exotic enough. Though her final clinch with Lancaster on the ship as they leave the desert hellhole that they've been inhabiting for the last hour and a half, is incredibly drippy and Lancaster looks as if he'd like shot of her big time. But that's the dialogue for you. Henreid is suitably nasty and sadistic and you can almost smell the sweat and feel the heat- so there is much to recommend in Rope of Sand.
I have watched this movie twice and have been waiting for a DVD to be released for quite a while. You would think a film with Burt Lancaster, Paul Henreid, Claude Rains, Peter Lorre and Sam Jaffe would get some attention but, I don't believe this was ever available on VHS, either. Puzzling.
It's a good film and worth watching. The first time I saw this it reminded me a bit of Casablanca or To Have And Have Not. Oh, not in that class of those films but just being a solid foreign adventure tale with American and English actors in an exotic setting.
On the second viewing, I found the film lagged in a few spots, but it's still a very good movie. Lancaster is excellent as the good guy after diamonds in North Africa while Henreid is the sadistic bad guy and Raines is back somewhere in the middle as he was in Casablanca. Lorre and Jaffe are almost always fun to watch, too.
Calvert was a French actress and may not be that familiar to English-speaking audiences. Sometimes her accent is hard to decipher. I didn't find her appealing but I also wasn't as annoyed with her as others seem to be, either. I do agree there should have been a better female lead in here.
The film offers some good action and some nice black-and-white photography, especially with the nighttime desert scenes, which I really enjoyed. Hopefully, someone will do the right thing and make this available on DVD.
It's a good film and worth watching. The first time I saw this it reminded me a bit of Casablanca or To Have And Have Not. Oh, not in that class of those films but just being a solid foreign adventure tale with American and English actors in an exotic setting.
On the second viewing, I found the film lagged in a few spots, but it's still a very good movie. Lancaster is excellent as the good guy after diamonds in North Africa while Henreid is the sadistic bad guy and Raines is back somewhere in the middle as he was in Casablanca. Lorre and Jaffe are almost always fun to watch, too.
Calvert was a French actress and may not be that familiar to English-speaking audiences. Sometimes her accent is hard to decipher. I didn't find her appealing but I also wasn't as annoyed with her as others seem to be, either. I do agree there should have been a better female lead in here.
The film offers some good action and some nice black-and-white photography, especially with the nighttime desert scenes, which I really enjoyed. Hopefully, someone will do the right thing and make this available on DVD.
Director William Dieterle did better movies than ROPE OF SAND but he never did one in more unusual settings than in South West Africa, now Namibia. Paul Henreid and Peter Lorre had featured in CASABLANCA seven years earlier, Rains had pulled off one of his best performances in Hitchcock's NOTORIOUS three years earlier, and Lancaster was beginning to make a name for himself. A really good cast for a film that did not seem set for great box office returns.
Interesting to note that apartheid was about to appear in that part of the world, yet it is human greed that dominates the film, with diamonds the commodity most sought.
Acting is generally good, although the French accent hinders Calvet's delivery, even renders it awkward at times. The fighting sequences fall somewhat short of credible. The screenplay is also uneven. Photography is very good.
As a little known film, it deserves watching. And it posts enough quality to not rate a waste of time. 8/10.
Interesting to note that apartheid was about to appear in that part of the world, yet it is human greed that dominates the film, with diamonds the commodity most sought.
Acting is generally good, although the French accent hinders Calvet's delivery, even renders it awkward at times. The fighting sequences fall somewhat short of credible. The screenplay is also uneven. Photography is very good.
As a little known film, it deserves watching. And it posts enough quality to not rate a waste of time. 8/10.
Lo sapevi?
- QuizDuring one scene with Burt Lancaster, Corinne Calvet felt nauseated and threw up on her leading man. She was not able to film anything else that day. She remained grateful to the actor that he never mentioned it after she returned and gave her suggestions and encouragement. She credits him for her success in Hollywood.
- BlooperWhen Mike and his hunting companion are found with a diamond they are tortured to get information on where they found it. The two men were found in the desert with clear tracks to and from the diamond find site. It would have been simple to track where they had been.
- Citazioni
Suzanne Renaud: Now do you want to kiss me?
Fred Martingale: N - no, I think not. You'd better keep your kisses for emergencies.
- ConnessioniReferenced in Native Son (1951)
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- How long is Rope of Sand?Powered by Alexa
Dettagli
- Tempo di esecuzione1 ora 44 minuti
- Colore
- Proporzioni
- 1.37 : 1
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