VALUTAZIONE IMDb
6,4/10
1701
LA TUA VALUTAZIONE
Un ex dipendente di un'azienda di autotrasporti, in carcere per appropriazione indebita, pianifica la sua vendetta contro il suo ex capo.Un ex dipendente di un'azienda di autotrasporti, in carcere per appropriazione indebita, pianifica la sua vendetta contro il suo ex capo.Un ex dipendente di un'azienda di autotrasporti, in carcere per appropriazione indebita, pianifica la sua vendetta contro il suo ex capo.
- Regia
- Sceneggiatura
- Star
Harry Morgan
- Rocky
- (as Henry Morgan)
William 'Bill' Phillips
- Det. Jim Ryan
- (as Wm. S. Phillips)
Leonard Bremen
- Bookie
- (non citato nei titoli originali)
Claire Carleton
- Waitress
- (non citato nei titoli originali)
Bill Cartledge
- Elevator Operator
- (non citato nei titoli originali)
Robert Espinoza
- Miguel
- (non citato nei titoli originali)
Recensioni in evidenza
I'm not all that familiar with director Roy Del Ruth, but this was a surprisingly solid little film noir. George Raft's brother is murdered, but left a clue as to the identity of his killer in a Gideon Bible, the MacGuffin of the piece, which Raft spends most of the film trying to locate. There's a fine cast for a low budget crime picture, which includes the under appreciated Virginia Mayo, along with Gene Lockhart, Raymond Burr, William Frawley, and Henry Morgan (who nearly steals the picture with his villainous phychotic supporting role). Del Ruth directs this film noir with a fair amount of visual style, which was the main reason for holding my interest. Dimitri Tiomkin provided the score. Overall, the film isn't all that original, but it has a strong cast and solid direction, which makes it a must see for fans of film noir. FUN FACT! I recently learned that star Raft was a functional illiterate who had to have his scripts read to him by others.
With so much of this gangster melodrama revolving around the Gideon Bible holding the clue to the murderer, it's no wonder that Dimktri Tiomkin plays up the pious "Ave Maria" every time any mention of "the clue" is made. George Raft's monotone voice and intense expression never changes much throughout, but he's convincing as a man on a mission to find and kill his brother's murderer.
Along the way, he enlists the aid of the lovely Virginia Mayo, who helps him track down the killer while reminding him that his brother was strictly a "Thou shalt not kill" sort of Army Chaplain. Thus, the grim ending for the killer comes not from Raft but providence when he's disposed of quite dramatically.
Raymond Burr plays the "heavy," a sadistic thug who seems to enjoy every kill, even if it means pushing a man off a train or having a truck falling on top of a man in hiding. A good cast, including Arthur Franz as Raft's brother, Gene Lockhart, Harry Morgan, Barton MacLane, Ken Murray, William Frawley and Arthur Shields. Virginia Mayo gives an excellent performance as the gutsy gal who helps Raft in his quest to find a killer.
Trivia: Interesting to note that most of the supporting cast would go on to TV fame in an era when that medium was just starting to give film players some iconic breaks.
Summing up: Good revenge melodrama with film noir touches.
Along the way, he enlists the aid of the lovely Virginia Mayo, who helps him track down the killer while reminding him that his brother was strictly a "Thou shalt not kill" sort of Army Chaplain. Thus, the grim ending for the killer comes not from Raft but providence when he's disposed of quite dramatically.
Raymond Burr plays the "heavy," a sadistic thug who seems to enjoy every kill, even if it means pushing a man off a train or having a truck falling on top of a man in hiding. A good cast, including Arthur Franz as Raft's brother, Gene Lockhart, Harry Morgan, Barton MacLane, Ken Murray, William Frawley and Arthur Shields. Virginia Mayo gives an excellent performance as the gutsy gal who helps Raft in his quest to find a killer.
Trivia: Interesting to note that most of the supporting cast would go on to TV fame in an era when that medium was just starting to give film players some iconic breaks.
Summing up: Good revenge melodrama with film noir touches.
... because you always know what you're going to get. However, that doesn't mean that I don't really enjoy his movies. Nobody, I mean nobody does revenge like Raft. Here he plays businessman Johnny Torno, proud older brother of young Jess Torno, a priest recently returned from being a chaplain in WWII. Four years earlier Torno's bookkeeper Nick Cherney (Raymond Burr) was sent to prison for embezzling from Johnny's company - he was embarrassingly guilty and it was really a lot of money. Instead of blaming the man in the mirror, Nick blames Johnny for his fate and crafts a particularly cruel revenge. If he kills Johnny, Johnny's troubles are over. However, if he kills what is precious to him - brother Jess - he can plunge Johnny into a living hell of grief. He sends a hit man (Harry Morgan) out to do the killing. Johnny finds Jess just before he dies. Of course Johnny wants to know who did this so he can kill them in revenge - he tells Jess so - and Jess tells him the answer is written in a Bible.
Now at first Johnny thinks Jess means his own personal Bible, but after searching through it he finds nothing. He then realizes that Jess probably meant the Gideon Bible that is found in every hotel room. This starts Johnny on a search for the missing Bible and all of the guests in the hotel room since Jess' death who might have taken it. Nick, now out of prison, along with the hit man, are right on Johnny's heels hoping their plans are not discovered.
It is very odd to see later TV good guys Harry Morgan and Raymond Burr playing such sinister characters but the performances ring true. So does Virginia Mayo as a girl Johnny befriends along the way as the voice of reason and even redemption. Raft wrestles here not only with bad guys and a mystery but with God Himself - he treats the Almighty either like a traffic cop that he thinks can be bribed or an unreliable employee that he doesn't fire because he enjoys blaming him for his troubles, depending on his mood.
A good noir and good stuff from Raft - highly recommended.
Now at first Johnny thinks Jess means his own personal Bible, but after searching through it he finds nothing. He then realizes that Jess probably meant the Gideon Bible that is found in every hotel room. This starts Johnny on a search for the missing Bible and all of the guests in the hotel room since Jess' death who might have taken it. Nick, now out of prison, along with the hit man, are right on Johnny's heels hoping their plans are not discovered.
It is very odd to see later TV good guys Harry Morgan and Raymond Burr playing such sinister characters but the performances ring true. So does Virginia Mayo as a girl Johnny befriends along the way as the voice of reason and even redemption. Raft wrestles here not only with bad guys and a mystery but with God Himself - he treats the Almighty either like a traffic cop that he thinks can be bribed or an unreliable employee that he doesn't fire because he enjoys blaming him for his troubles, depending on his mood.
A good noir and good stuff from Raft - highly recommended.
I'm not all that familiar with director Roy Del Ruth, but this was a surprisingly solid little film noir. George Raft's brother is murdered, but left a clue as to the identity of his killer in a Gideon Bible, the MacGuffin of the piece, which Raft spends most of the film trying to locate. There's a fine cast for a low budget crime picture, which includes the under appreciated Virginia Mayo, along with Gene Lockhart, Raymond Burr, and Henry Morgan (who nearly steals the picture with his villainous phychotic supporting role). Overall, the film isn't all that original, but it has a strong cast and solid direction, which makes it a must see for fans of film noir.
Businessman George Raft is out for blood after his priest brother is murdered. The brother's last words are about a bible so Raft scours the city searching for it, hoping it holds a clue to the identity of his brother's killer. Fine film noir with George Raft bringing a "WB gangster from the '30s" edge to things. It's a really good performance from tough guy Raft. This is about as sensitive as he gets on screen. He even cries in one scene. Great cast backing him up, including Gene Lockhart, Raymond Burr, Barton MacLane, and Harry Morgan. Virginia Mayo provides the lovely. Burr's a memorable heavy. Starts and ends well but middle drags some. Scene with the window washer is pretty cheesy stuff. Final scene is something of an eye-roller.
Lo sapevi?
- QuizThe film is based on the short story "This Guy Gideon" by Don 'Red' Barry. Producer/director Roy Del Ruth bought the rights to the story but hated the uncommercial title. So he also bought the rights to Weldon Reeder's short story "Red Light" simply because he liked the title better.
- BlooperThe check Johnny writes is dated 14 August 1946, but he's been driving a 1948 Packard convertible.
- Citazioni
Warni Hazard: My old man always said, "liquor doesn't drown your troubles--just teaches 'em to swim."
- Curiosità sui creditiDuring the closing scene, a neon sign reads "24 HOUR SERVICE". When the film ends another neon sign lights up with "THE END" below it.
- ConnessioniFeatured in Noir Alley: Red Light (2018)
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Red Light
- Luoghi delle riprese
- San Francisco-Oakland Bay Bridge, San Francisco Bay, California, Stati Uniti(establishing shots of San Francisco Bay area)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 23 minuti
- Colore
- Proporzioni
- 1.37 : 1
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