Luce rossa

George Raft stars in the 1949 "Red Light" with Virginia Mayo, Raymond Burr, Gene Lockhart, Arthur Franz, and a host of other familiar faces.

Raft plays Johnny Torno, the head of the Torno Freight Company. When he caught Nick Cherney (Burr) embezzling from him, he had him put in prison.

When Johnny's brother Jess, an army chaplain, is discharged, Nick sees a chance to get back at Johnny, who adores his brother. Jess is found dying in a hotel room, and all he can say to Johnny is, "Bible...in the Bible." Johnny believes that Jess means his own Bible. Eventually he realizes he meant the Gideon Bible in his hotel room. But the Gideon Bible is missing by the time Johnny gets back there.

Johnny sets out to find the Bible by tracking down anyone who had stayed in the room since Jess, determined to find out who killed his brother and killing the murderer himself.

The Bible plays an important part in the film, not just the physical Bible, but what's inside. And it isn't what Johnny thinks.

I really liked this movie because of its interesting slant, and also, I don't know what it is, but I like George Raft. He normally stays in one range - he's dapper, he gets angry, he's tough -- and in this film, he's really tough. I mean, nobody gets to him, not even a blind man! One thing Raft had on screen was warmth, and here, you see Johnny's love for Jess, and his pain when his brother dies.

The other thing about this movie that is wonderful is all the familiar faces - besides actors known primarily for films: Raft, Mayo, and Lockhart, we have TV star Burr, Harry Morgan (September Bride, Pete & Gladys, MASH), William Frawley (I Love Lucy), Victor Sen Young (Charlie Chan, Bonanza), Barton MacLane (I Dream of Jeannie), Arthur Franz, who was in everything, Philip Pine, who must have done every TV show ever, Ken Murray, known for his home movies of celebrities, Paul Frees, the "Man of a Thousand Voices" who was the voice of Boris on Rocky the Squirrel), Bob Jellison (Bobby the Bellboy when "I Love Lucy" was in Hollywood), and Marlon Brando's first wife Movita.

Dmitri Tiomkin's music ranges from riffs on Ave Maria, Dies Irae, and some Tosca thrown in. Good movie.

How satisfying! What better casting than George Raft as ANGRY MAN?? The Lord may say: "Vengeance is mine," but Georgie says "the heck with that noise -- this one's MY baby!" He rampages through a multi-state search-and-destroy mission in his quest to find the message hidden in the Gideon Bible that was in his brother's room when he was killed. Raymond Burr and Harry Morgan are his Mutt and Jeff antagonists: The irony of course being that as he fervently seeks the Bible, he fervently disregards it. But with a little Mayo on the side, things turn spiritual on Georgie, forcing him to listen to The Man before he can do a Godzilla on Godzie's old pal Burr. This is George Raft vs. The Lord, and it's anybody's match! Great fun all around, and there are even moral lessons, if you're into moral lessons, and intense but effective music to learn by, in the bargain. If you can find it, it's worth an hour and a half in your busy schedule, and you might even end up spiritually uplifted -- but stay out from under big trucks -- they're heavy!

Businessman George Raft is out for blood after his priest brother is murdered. The brother's last words are about a bible so Raft scours the city searching for it, hoping it holds a clue to the identity of his brother's killer. Fine film noir with George Raft bringing a "WB gangster from the '30s" edge to things. It's a really good performance from tough guy Raft. This is about as sensitive as he gets on screen. He even cries in one scene. Great cast backing him up, including Gene Lockhart, Raymond Burr, Barton MacLane, and Harry Morgan. Virginia Mayo provides the lovely. Burr's a memorable heavy. Starts and ends well but middle drags some. Scene with the window washer is pretty cheesy stuff. Final scene is something of an eye-roller.

This film was memorable in ways that the director probably didn't intend it to be.

George Raft's performance is over the top, in a good way. He doesn't hold back his anger with the church yet shows his inner conflict by donating money and praying at the altar. That's the serious part. And Raymond Burr is seriously evil.

But many other scenes cracked me up with laughter. All the scenes with the Bible, the guy who comes back after the train scene, and of course the ending which was spectacular in a hilarious way. The phrase "24 hour Service" will always remind me of this film... In fact, that should have been the title...

This film is worth seeing because it is so unusual for a noir picture to combine the serious with the humor and the religious themes. And the cast has plenty of interesting characters....

When army chaplain Arthur Franz is shot and killed, his brother, San Francisco businessman George Raft sets out to discover who did it.... and to take vengeance before the police can stop him. His only clue are Franz's last words and a missing Gideon Bible. We already know it's Raymond Burr.

It's an unusual film noir produced and directed by Roy Del Ruth. Instead of the usual insistence on man's sinful nature in a world gone to ruin, this one has a clear religious message; it looks Catholic to me, but sufficiently worn down to avoid offending any rabid Presbyterians in the audience. Raft wanders through the movie with the same low-affect performance he gave in seemingly all his later movies, but that permits others to emote more fully without seeming to go over the top.