I pirati di Capri

The Pirates of Capri is a cheaply made B movie shot on location in Italy. Directed by Edgar G. Ulmer who, a few years earlier had made Detour, the quintessential B movie, it is probably better than you might expect, although hampered by a treatment too short on action.

Louis Hayward plays Captain Sirocco, the Zorro-like champion of the downtrodden peasants and defender of the Queen Carolina (Binnie Barnes), the sister of Marie Antoinette, who is kept ignorant of her people's treatment by the evil Baron von Holstein (Rudolph Serato) and who is so fearful of suffering the same fate as her sister that just the mere mention of the word 'people' sends her into something of a tizzy.

Like Zorro, Captain Sirocco leads a double life. Not only is he the fearless do-gooder intent on bringing down the evil Baron, he is also the outrageously foppish Count di Amalfi, a member of the Queen's court who delights in baiting the Baron. Serato makes a fine villain with his sculpted beard and mistrusting gaze, but Hayward's effete portrayal, while no doubt exactly what was required of him, quickly grows tiresome.

Ulmer's direction is interesting throughout, and Anchise Brizzi's cinematography is exceptional for such a low budget feature.

Exciting court-intrigue, costume drama, propelled to almost greatness by Nino Rota's beautiful score. I was impressed with its tempo and enjoyed the action-filled scenes, and even when the scenes were loaded with dialogs, they were delivered with passion by the fine cast. It is one of those movies in which you do not know who directed what, and where you find Edgar G. Ulmer co-directing with another filmmaker, in this case Italian Giuseppe Maria Scotese (although each artist was given the sole director credit in the copies of their respective countries). It is interesting that both men had backgrounds in the art field, Ulmer being a production designer early in his career, and Scotese starting as a painter and exhibiting his works. The richly detailed sets and costumes, as well as the lush cinematography are more impressive being this a black and white production, and it helped very much filming in Italy, using real and imposing buildings of the past and a majestic ship. Although Louis Hayward was no longer the dashing young man of «Anthony Adverse» (1936) or «The Saint in New York» (1938), first screen outing of the Simon Templar, he was still the agile action man as Captain Sirocco, the swashbuckling alter ego of the effeminate and ironic Count Amalfi. To Hayward's fine characterizations, Massimo Serato effectively counterpoints as the villainous Baron Holstein, the chief of police who wants to seize power of the kingdom of Napoli, ruled by weak queen Marie Caroline, played by Binnie Barnes. Mariella Lotti is the love interest and Mikhail Rasumny provides the comic elements of the plot. Recommended.

one of so many adventure films from the same period. seductive for story, for acting and for fight scenes. for noble message, references to Zorro and a form of clever simplicity, mixture of love, revenge and justice. it is a must see for the performance of Louis Hayward. and for Binnie Barnes who gives a vulnerable admirable queen Maria Carolina of Naples, more interesting role if you do not ignore the events of her reign. a charming portrait of an interesting period. this is all.

Louis Hayward is at his foppish best in this somewhat derivative swashbuckler as the "Count de Amalfi" (alias "Scirocco") who plays the buffoon at the Neapolitan court of the well meaning, but feeble Queen "Maria Carolina" (Binnie Barnes) who is pretty much under the thumb of her minister "Baron Holstein" (Rudolph Serato) and his savage regime. This isn't just your usual "Zorro" style story, though - the "Scirocco" wants change - he is working with his fellow freedom fighters, but he wants as peaceful transition as possible and that's his challenge... The rest of this is all pretty set-piece, Hawyard is the star with little around him to eclipse his status. Plenty of sword fighting and intrigue does keep it going, though, and although you have certainly seen it all before (and better with Douglas Fairbanks or Errol Flynn), Hayward still makes a decent fist of it - it looks stylish enough, and I quite enjoyed it all.

PIRATES OF CAPRI (aka: Captain Sirocco) is an intelligently made action movie which is fun to watch, and which benefits from Louis Hayward's remarkable ability to play this kind of role to perfection. Forget Johnny Depp or Jerry Bruckheimer's nonsense; this is the real McCoy.

Good movies like this were commonplace 50 or 60 years ago, but this one benefits from being filmed at authentic-looking locations in Italy -- not Capri or Napoli they say, but the shots of Napoli couldn't be anywhere else, and those in the grottoes of Capri same thing. This was an Italian movie, carefully dubbed in English. Now in DVD.

Incidentally, Louis Hayward, like today's Charleze Theron, are/were both authentic African/Americans. Each was born in the Union of South Africa.