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When Lucille Ball did I Love Lucy few at the time suspected she had the comic talents she possessed. Her history up to then in films was usually as a wisecracking second banana in major films and some leading roles in B films.

And Miss Grant Takes Richmond is definitely a B film. Next year William Holden with Sunset Boulevard would step into the A list of players, but it wasn't his time yet. Holden proved to be a worthy foil for Lucy's comic antics.

The film is definitely Lucy's however. CBS executives must have seen Miss Grant Takes Richmond and seen what Lucy could do before passing on I Love Lucy as a television series.

There were some incidents that definitely could have come out of I Love Lucy. Her struggles with mastering the typewriter in secretarial school with Holden deftly catching a flying typewriter carriage, her dodging a steam shovel at a construction sight, her trying to use a jackhammer and the aftermath of that, all these could easily have been in any of her television series. Harbinger of things to come. Remember also that Bill Holden made a memorable appearance on I Love Lucy and got a pie in his face at the Brown Derby.

Lucy is a klutzy scatterbrained student at a secretarial school run by Charles Lane and Holden comes in looking to hire. To everyone's amazement he hires Lucy. He runs a scam real estate operation that is a front for a bookie joint. Her job is to basically babysit and commiserate with those who actually come in and are looking to buy property and shine them on. She doesn't know she's working for bookies, Bill Holden, Frank McHugh, and James Gleason.

Through her own wide-eyed Marie Wilson type view of the world before long she's got this trio actually building homes and trying to be bookies at the same time.

To see the Lucy Ricardo of the future by all means catch Miss Grant Takes Richmond.

If you don't, you'll have a lot of 'splaining to do.

I watched because I am a William Holden fan. Others will watch b/c they are Lucille Ball fans.

They work well together in this harmless comedy. The concept was probably scratched on a diner napkin. Bookie with a fake real estate company hires dimwit secretary. Wacky hijinks ensue.

Throw in veteran support. Include a couple of double entendres along the way. Let Lucy do some physical comedy. And let Bill Holden be his super cool self. And away you go.

A small comedy with a nicely paced story about a bookie played by William Holden who tries to hide his operation behind the front of a real estate office that he opens in a medium sized town. He hires a secretary played by Lucille Ball who can't even type. To his consternation, she attracts interested first-time home buyers, WW2 vets and their wives and children. It almost has, at times, the feeling of George Bailey in Capra's IT'S A WONDERFUL LIFE, building homes for the emerging middle class. Taking us out to the construction site, Lucy is nearly crushed under tons of earth in a rather incredible scene, while Holden and his associates (who are given many funny lines) are reluctantly led by the positive goodness of the buyers into being pioneers in real estate development and early suburban sprawl.

A film who, today, could have a basic virtue - to see William Holden, Lucille Ball and James Gleason in a comedy with too many expectations. a student at secretarial school, her unexpected luck, a bookie joint under Realtor appearences, a moral end - confuse, off course, noble message , the importance of the poor people. all - pretext for a nice comedy . not more. and that is the good thing. because it represents the right choice for the public looking for easy old fashion comedies. I am one of small examples - the admiration for the real significant roles of William Holden, I saw this film not ignoring its easy charm. and Lucille Ball is perfect as miss Grant. so, a film for see. especially for the fans of actors.

This is a not so funny comedy that does at least provide a few laughs, mostly because it's a set-up for some shenanigans that are reminders of what would happen when LUCILLE BALL left films for television to become America's number one comedienne with I LOVE LUCY.

There are more than a few hints of her deft handling of physical comedy and there's a nice chemistry between Lucy and her handsome boss, WILLIAM HOLDEN. Then too, there's the additional advantage of having JAMES GLEASON and FRANK McHUGH as supporting actors for a thin story about a daffy secretary who is slow in catching on to the fact that the real estate office she works for is really a front for bookies.

MISS GRANT TAKES RICHMOND has all the appearance of a low-budget programmer and it's surprising to find WILLIAM HOLDEN still drifting around in this sort of weak material when he had so many golden opportunities just ahead of him. Still, he's not bad and shows a definite flair for handling light romantic comedy. But there's no doubt about it, this is a vehicle designed to promote the comic flair of his co-star, soon to become famous as a scatterbrained housewife.

The thin script plays more like a half-hour TV comedy padded to the running time of a feature film. The funniest bits are the slapstick elements, particularly Lucy avoiding a building crane that seems intent on burying her in a pile of dirt and mud. But the stronger laughs are few and far between when the script is as painfully weak as this one.

Strictly for Lucy's most ardent fans.