Lettera a tre mogli

You have here a situation that is rarer than you might imagine-a top-notch cast with an even better script. This is a delightful film with fine performances all around and some of the best dialogue! Strangely, none of the cast were nominated for their work here, although three were nominated for other performances in other films they did that year. The script deservedly won an Oscar as did the director. This is a joy to watch and the voice-over narration is perfectly handled throughout. Highly recommended!

Though based on a relatively simple idea, "A Letter to Three Wives" is an interesting and well-written story. The cast and the rest of the production are good as well, but it is primarily the carefully written story that makes it work. Joseph Mankiewicz's screenplay does not necessarily have flashy dialogue or lots of surprises, but rather creates well-defined and believable characters, and puts them into an unusual situation, which he then develops at a good pace.

The opening sequences pull you right into the story, introducing the characters efficiently and then setting up the predicament in which the three wives find themselves as a result of the letter from their absent friend. None of the characters are especially interesting as individuals, but all are believable, and you certainly care about what will happen to them. The cast make their characters work together quite well, and there are quite a few good moments. The unseen Addie Ross is also as much a part of the story as any of the others, and her narration is used effectively.

The story moves along smoothly, almost logically, as things are resolved in an unspectacular but satisfying fashion. It's the kind of well-crafted feature that may not dazzle many of today's viewers, but that makes good use of every opportunity.

One of the funniest and truest commentaries on married life is set into motion when the three wives receive a letter stating that the town siren has run off with one of their husbands--but which one? Flashbacks trace the course of three stories in one--along with witty dialog and comic situations that keep you entertained from beginning to end. All of the principals are excellent--but if I had to choose the favorite couple it would have to be Paul Douglas and Linda Darnell. Why they weren't both at least nominated for Oscars, I'll never understand. Darnell, in particular, more noted for being a great beauty than a great actress, has some of the wittiest lines in the movie and gets them across with slambang effect. Her Lora Mae Hollingsway just about steals the film in some of the funniest, yet poignant moments in the whole story. Paul Douglas is superb opposite her, as are Thelma Ritter and Connie Gilchrist as two outspoken bystanders. Not far behind are Ann Sothern and Kirk Douglas as the squabbling couple whose marriage is falling apart because of her financial success as a soap opera writer vs. his non-lucrative teaching career. Only sequences that fail to register strongly are those between Jeanne Crain and Jeffrey Lynn--lacking the wit of the other stories. The lines and situations get more hilarious as the film goes on and by the end you've seen one of the most richly satisfying comedies ever about the ups and downs of domestic bliss. Fully deserved its Oscars for best screenplay and direction.

In a small town, three couples are close friends: the upper class Brad Bishop (Jeffrey Lynn) went to the war and returned married with the insecure country girl and Navy military Deborah Bishop (Jeanne Crain); the university professor George Phipps (Kirk Douglas) is married with the writer of silly screenplays of radio soap operas Rita Phipps (Ann Sothern), who makes more money than him and financially supports their home; and the wealthy tradesman Porter Hollingsway (Paul Douglas) is married with the smart Lora Mae Hollingsway (Linda Darnell). In common, further to their friendship, the women hate and the men love the elegant and high-class Addie Ross. While going to a picnic in riverboat with the local students, the three wives receive a letter of their "friend" Addie Ross informing that she is running off with one of their husbands. Along the day, each woman recalls events that might have put her marriage in danger, while anxiously waiting for the end of the day.

One of my favorite movies ever is "All About Eve", of Joseph L. Mankiewicz. I know only a few movies of this outstanding director: "Sleuth", "Cleopatra", "The Barefoot Contessa" and "The Ghost and Mrs. Muir". A dear friend of mine gave me "A Letter to Three Wives" on DVD, I have just watched and I must confess that I am enchanted with such delightful, witty and intelligent screenplay. The romance is perfectly developed with the narrative in off and in an adequate pace, disclosing the lives of each couple and their problems in flashbacks and with a wonderful resolution. The cast is in state of grace, with awesome performances, and Linda Darnell is extremely sexy in the role of an opportunist woman and Jeanne Crain is very beautiful. There is a continuity goof not related in IMDb, when Lora Mae arrives with her car for the picnic, followed by Rita and Debbie's car, and the relative positions of the parked cars and buses change, but this mistake never diminishes this magnificent movie. My vote is nine.

Title (Brazil): "Quem É o Infiel?" ("Who Is the Unfaithful?")

One of Hollywood's best directors, Joseph Mankiewicz, who gave us "All About Eve," had a previous winner with "A Letter to Three Wives," starring Linda Darnell, Jeanne Crain, Ann Sothern, Kirk Douglas, Paul Douglas, Jeffrey Lynn, Thelma Ritter, and Connie Gilchrist.

The never-seen Addie Ross (voice of Celeste Holm) has run off with the husband of one of her friends - whose? Three women look back over their marriages, each realizing she could be the one who will not come home to anyone that evening.

Linda Darnell was involved with Mankiewicz during the filming of "A Letter to Three Wives" in what would be a devastating relationship for her. Her story is the most fun and interesting of the film. Lolamae works in one of Porter Hollingsway's department stores, and she manages to nab the boss by playing her cards just right. He assumes throughout their marriage that she's with him because of his money. The funniest parts of the film take place in the home Lolamae shares with her mother (Connie Gilchrist) and sister. They live next to the train tracks and when a train goes by, the house rattles and shakes. Each time this happens, everyone just waits patiently for the train to go by as they rattle right along with it and then takes up where they left off as if nothing happened. When Lolamae and Hollingsway announce their engagement, Gilchrist cries out, "Bingo!" and faints! Thelma Ritter plays Gilchrist's best friend. The two provide some of the best moments in the film - Ritter is also the maid in the home of Ann Sothern and Kirk Douglas. Lolamae and Paul are the most fully drawn couple, and the one the audience is most invested in.

As with "All About Eve," the female characters are the focal point. Sothern is married to Kirk Douglas - he's a schoolteacher and she writes for radio, so it's intellect vs. the dumbing down of America fight; Jeanne Crain plays a woman who married upper class Jeffrey Lynn after leaving the service, and she originally feels out of her element among his tight-knit group of country club members. All of these women have to contend with the much admired (by males) Addie Ross, who remembers their men's birthdays, dresses beautifully, sends wonderful gifts, and has loads of class.

When it was pointed out to Mankiewicz that Jeanne Crain had played a character named Deborah in two films for him, he replied, "I don't like the name Deborah, and I don't like Jeanne Crain." Hers is the weakest storyline, but she is beautiful and gives a good performance. Lynn as her husband has very little to do. Sothern and Douglas make a spirited couple - he's at the height of his good looks, and Sothern makes the most of her witty dialogue.

But in the end, the focus is on Darnell and Paul Douglas. Darnell is stunningly beautiful and, because of this, isn't often thought of as a great actress. She brings a dry humor, sexiness, and vulnerability to the role of a woman who on the surface appears clever and a little too street smart for her own good. Douglas is a wonder, a complete natural - he plays his role as if Porter could just as easily be a hardware salesman as a filthy rich department store owner. He's both endearing and sympathetic, with his dumb, lovable face and his immaculately tailored suits. While they don't look like a perfect couple, their chemistry and what's underneath their bantering dialogue makes them one.

Now, which husband ran off with Addie? See if you can figure it out during this highly entertaining and well-acted film.